Huanglong (mythology)
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Huanglong (mythology)
The Yellow Dragon ( is the zoomorphic incarnation of the Yellow Emperor of the center of the universe in Chinese religion and mythology. The Yellow Emperor or Yellow Deity was conceived by Fubao, who became pregnant after seeing a yellow ray of light turning around the Northern Dipper (in Chinese theology the principal symbol of God). Twenty-four months later, the Yellow Emperor was born and was associated with the color yellow because it is the color of the earth (''Dì'' ), the material substance in which he incarnated. The Yellow Dragon is a part of ''Wuxing'' and the Four Symbols as the embodiment of the element of earth. Myths of Fuxi and Huangdi According to legends, the Yellow Dragon already manifested hornless to Fuxi, emerging from the River Luo, and instructed him with the elements of writing. When he appeared before Fuxi, he filled a hole in the sky made by the monster Gonggong. The Yellow Emperor was said to have turned into the form of the Yellow Dr ...
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Gonggong
Gonggong () is a Chinese water god who is depicted in Chinese mythology and folktales as having a copper human head with an iron forehead, red hair, and the body of a serpent, or sometimes the head and torso are human, with the tail of a serpent. He is destructive and is blamed for various cosmic catastrophes. In all accounts, Gonggong ends up being killed or sent into exile, usually after losing a struggle with another major deity such as the fire god Zhurong. In astronomy, the dwarf planet 225088 Gonggong is named after Gonggong. Name In English, the two syllables of the name are the same. But in Mandarin, they differ in tone ( ''Gònggōng''), and in other Chinese languages they differ in their vowel and the initial consonant as well (cf. Middle Chinese , also Japanese ''kyōkō''). The most common variant of the name, , is identical to the first in English, but in Mandarin differs in tone (''Gōnggōng''), and in other Chinese languages in consonant and vowel as well (cf. M ...
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Yinglong
Yinglong () is a winged dragon and rain deity in ancient Chinese mythology. Name This legendary creature's name combines ''yìng'' "respond; correspond; answer; reply; agree; comply; consent; promise; adapt; apply" and ''lóng'' "Chinese dragon". Although the former character is also pronounced (with a different tone) ''yīng'' "should; ought to; need to; proper; suitable", ''yinglong'' definitively means "responsive dragon; responding dragon" and not "proper dragon". Classical usages The Chinese classics frequently mention ''yinglong'' "a winged rain-dragon" in myths about the Three Sovereigns and Five Emperors, especially the Yellow Emperor and his alleged descendant King Yu. The examples below, limited to books with English translations, are roughly arranged in chronological order, although some heterogeneous texts have uncertain dates of composition. ''Chuci'' The (3rd–2nd centuries BCE) ''Chu Ci'' "Songs of Chu" mentions Yinglong helping King Yu , the legenda ...
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Five Elements (Japanese Philosophy)
Godai are the five elements in Japanese Buddhist thought of earth (''chi''), water (''sui''), fire (''ka''), wind (''fu''), and void (''ku''). The concept is related to Buddhist Mahābhūta and came over China from India. The Japanese Buddhist concept of '' gogyo,'' which stems from Chinese '' wuxing,'' is distinguishable from ''godai'' by the fact that the functional phases of wood and metal within ''gogyo'' are replaced by the formative elements of void and the wind (air) in ''godai''. ''Godai'' is attributed to esoteric Japanese Buddhism during the eleventh century CE in relation to the idea of ''gorin'' (the "five wheels" or the "five rings"). ''Godai'' and ''gorin'' are also seen within the practice of ''ninjutsu'', where these principles became an essential aspect of the esoteric ninja teachings (the '' ninpo-mikkyo''); whereas the theory of ''gogyo'' moved into the functional theory of traditional Japanese medicine and exoteric Buddhism. The elements The ''godai'' is ...
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Japanese Mythology
Japanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto and Buddhist traditions are the cornerstones of Japanese mythology. The history of thousands of years of contact with Korea, Ainu, and Okinawan myths are also key influences in Japanese mythology. Japanese myths are tied to the topography of the archipelago as well as agriculturally-based folk religion, and the Shinto pantheon holds countless ''kami'' (Japanese for " god(s)" or "spirits"). This article will discuss cosmogony, important deities, modern interpretations, cultural significance, and the influence of these myths. Two important sources for Japanese myths as they are recognized today are the ''Kojiki'' and the '' Nihon Shoki''. The ''Kojiki'', or "Record of Ancient Matters," is the oldest surviving account of Japan's myths, legends, and history. Additionally, the ''Shintōshū'' describes the origins of Japanese deities from ...
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Season
A season is a division of the year based on changes in weather, ecology, and the number of daylight hours in a given region. On Earth, seasons are the result of the axial parallelism of Earth's tilted orbit around the Sun. In temperate and polar regions, the seasons are marked by changes in the intensity of sunlight that reaches the Earth's surface, variations of which may cause animals to undergo hibernation or to migrate, and plants to be dormant. Various cultures define the number and nature of seasons based on regional variations, and as such there are a number of both modern and historical cultures whose number of seasons varies. The Northern Hemisphere experiences most direct sunlight during May, June, and July, as the hemisphere faces the Sun. The same is true of the Southern Hemisphere in November, December, and January. It is Earth's axial tilt that causes the Sun to be higher in the sky during the summer months, which increases the solar flux. However, due to seas ...
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Aether (classical Element)
According to ancient and medieval science, aether (, alternative spellings include ''æther'', ''aither'', and ''ether''), also known as the fifth element or quintessence, is the material that fills the region of the universe beyond the terrestrial sphere. The concept of aether was used in several theories to explain several natural phenomena, such as the traveling of light and gravity. In the late 19th century, physicists postulated that aether permeated all throughout space, providing a medium through which light could travel in a vacuum, but evidence for the presence of such a medium was not found in the Michelson–Morley experiment, and this result has been interpreted as meaning that no such luminiferous aether exists. Mythological origins The word (''aithḗr'') in Homeric Greek means "pure, fresh air" or "clear sky". In Greek mythology, it was thought to be the pure essence that the gods breathed, filling the space where they lived, analogous to the ''air'' breathed ...
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Earth (classical Element)
Earth is one of the classical elements, in some systems being one of the four along with air, fire, and water. European tradition Earth is one of the four classical elements in ancient Greek philosophy and science. It was commonly associated with qualities of heaviness, matter and the terrestrial world. Due to the hero cults, and chthonic underworld deities, the element of ''earth'' is also associated with the sensual aspects of both life and death in later occultism. Empedocles of Acragas proposed four '' archai'' by which to understand the cosmos: ''fire'','' air'', ''water'', and ''earth''. Plato (427–347 BCE) believed the elements were geometric forms (the platonic solids) and he assigned the cube to the element of ''earth'' in his dialogue ''Timaeus''. Aristotle (384–322 BCE) believed ''earth'' was the heaviest element, and his theory of '' natural place'' suggested that any ''earth–laden'' substances, would fall quickly, straight down, towards the center of the '' ...
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Four Symbols (China)
The Four Symbols (, literally meaning "four images"), are four mythological creatures appearing among the Chinese constellations along the ecliptic, and viewed as the guardians of the four cardinal directions. These four creatures are also referred to by a variety of other names, including "Four Guardians", "Four Gods", and "Four Auspicious Beasts". They are the Azure Dragon of the East, the Vermilion Bird of the South, the White Tiger of the West, and the Black Tortoise (also called "Black Warrior") of the North. Each of the creatures is most closely associated with a cardinal direction and a color, but also additionally represents other aspects, including a season of the year, an emotion, virtue, and one of the Chinese "five elements" (wood, fire, earth, metal, and water). Each has been given its own individual traits, origin story and a reason for being. Symbolically, and as part of spiritual and religious belief and meaning, these creatures have been culturally important ...
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Flag Of The Qing Dynasty
The flag of the Qing dynasty was an emblem adopted in the late 19th century featuring the Azure Dragon on a plain yellow field with the red flaming pearl in the upper left corner. It became the first national flag of China and is usually referred to as the " Yellow Dragon Flag" (). Ruling China from 1644 until the overthrow of the monarchy during the Xinhai Revolution, the Qing dynasty was the last imperial dynasty in China's history. Between 1862 and 1912, the dynasty represented itself with the dragon flag. Designs Throughout the history of China's imperial dynasties, yellow was considered the royal color of successive Chinese emperors. The legendary first emperor of China was known as the Yellow Emperor (). Members of the imperial family of China at that time were the only ones allowed to display the color yellow in buildings and on garments. The Emperor of China usually used a Chinese dragon as a symbol of the imperial power and strength. Generally, a five-clawed dragon ...
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Nine Sons Of The Dragon
The nine sons of the dragon are Chinese dragons who are the mythological sons of the Dragon King. There are many variations in the different descriptions of the nine sons, including in basic facts like their names, but all versions state that there are nine. History The oldest known attestation of the children of the dragon list is found in the ''Shuyuan zaji'' (, ''Miscellaneous records from the bean garden'') by Lu Rong (1436–1494); however, he noted that the list enumerates mere synonyms of various antiques, not children of a dragon. Several Ming Dynasty texts list what were claimed as the Nine Offspring of the Dragon (), and subsequently these feature prominently in popular Chinese stories and writings. , quoting Xie Zhaozhe (, 1567–1624) in his work ''Wu Za Zu'' (, ca. 1592) gives the following listing in order of oldest to youngest: A well-known work of the end of the sixteenth century, the ''Wuzazu'' , informs us about the nine different young of the dragon, whose ...
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