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Howard Talbot
Richard Lansdale Munkittrick, better known as Howard Talbot (9 March 1865 – 12 September 1928), was an American-born, English-raised conductor and composer of Irish descent. He was best known for writing the music to several hit Edwardian musical comedies, including '' A Chinese Honeymoon'', '' The Arcadians'' and '' The Boy'', as well as a number of other successful British musicals during the first two decades of the 20th century. Life and career Of Irish descent, Talbot was born in America in Yonkers, New York but moved to London at the age of four. His parents were Alexander Munkittrick and his wife, Lillie. Originally planning to enter the medical profession, he studied at King's College, London but switched to music and pursued a musical education at the Royal College of Music.''The Times'' obituary, 13 September 1928, p. 7 There he studied under Sir Hubert Parry, Sir Frederick Bridge and Sir Walter Parratt.Standing, Percy Cross."Chiefs of the Orchestras" ''The Crown'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanley, Staffordshire
Hanley is one of the Federation of Stoke-on-Trent, six towns that, along with Burslem, Longton, Staffordshire, Longton, Fenton, Staffordshire, Fenton, Tunstall, Staffordshire, Tunstall and Stoke-upon-Trent, amalgamated to form the City of Stoke-on-Trent in Staffordshire, England. Hanley is the ''de facto'' city centre, having long been the commercial hub of Stoke-on-Trent. It is home to the Potteries Shopping Centre and many high street chain stores. History Etymology The name Hanley comes from either "haer lea", meaning "high meadow", or "heah lea" meaning "rock meadow". Municipal origins Hanley was incorporated as a municipal borough in 1857 and became a county borough with the passage of the Local Government Act 1888. It was based at Hanley Town Hall. In 1910, along with Burslem, Tunstall, Staffordshire, Tunstall, Fenton, Staffordshire, Fenton, Longton, Staffordshire, Longton and Stoke-upon-Trent it was Federation of Stoke-on-Trent, federated into the county borough of St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Roberts (comedian)
Arthur Roberts (21 September 1852 – 27 February 1933) was an English comedian, music hall entertainer and actor. He was famous for portraying the pantomime dames and later for his comic characters and "gagging" in farces, burlesques and musical comedies. He is credited with coining the word "spoof". Biography Early life and career Roberts was born in Kentish Town, London,Baker, p. 49 the son of a Savile Row tailor who attended to Edward, Prince of Wales. His father's death when Roberts was 12 left the family in "a grim struggle for existence".Roberts, p. 4 Roberts walked three miles a day to work in a seed shop in Covent Garden. He joined a choral society and sang at the Crystal Palace. Roberts began performing professionally in 1871 after being persuaded to sing by an impresario from Norfolk who was busking near Roberts' home in Bayswater. He performed "The Mad Butcher", which he was later paid £1 a week to sing on the beach at Great Yarmouth. The following summer, R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaftesbury Theatre
The Shaftesbury Theatre is a West End theatre, located on Shaftesbury Avenue, in the London Borough of Camden. Opened in 1911 as the New Prince's Theatre, it was the last theatre to be built in Shaftesbury Avenue. History The theatre was designed for the Melville Brothers by Bertie Crewe and opened on 26 December 1911 with a production of ''The Three Musketeers''. It was originally named the New Prince's Theatre, becoming the Prince's Theatre in 1914. The original capacity of the auditorium is unknown, but with standing room in the Stalls it is possible that over 3000 people were able to attend performances. The current capacity is between 1300 and 1400. The Prince's was the last theatre to be built in Shaftesbury Avenue, and is located on the junction between Shaftesbury Avenue and High Holborn. During the First World War, the Prince's advertised itself as ‘The Laughter House where you can forget the War.’ In September 1919, the theatre had considerable success with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monte Carlo (opera)
''Monte Carlo'' is an Edwardian musical comedy in two acts with a book by Sidney Carlton, music by Howard Talbot and lyrics by Harry Greenbank. The work was first performed at the Avenue Theatre in London, opening on 27 August 1896. The New York production opened on March 21, 1898 at the Herald Square Theatre The Herald Square Theatre was a Broadway theatre in Manhattan, New York City, built in 1883 and closed in 1914. The site is now a highrise designed by H. Craig Severance. History The Park Theatre opened in 1883 (also known as the New Park Theat .... ''The New York Times'', March 20, 1898, p. 9 Roles and original London cast Musical numbers ;Act I *Opening Chorus - "Here at Monte Carlo's tables, all our hopes on fortune staking..." *Recit. an ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lady Slavey
''The Lady Slavey'' was an 1894 operetta in two acts with a score by John Crook (with contributions by Henry Wood and Letty Lind, among others), to a libretto by George Dance (with additional lyrics by Adrian Ross, among others) which opened at the Royal Avenue Theatre in London on 20 October 1894 and which featured May Yohé and Jennie McNulty.''The Lady Slavey'' British Musical Theatre website at the Gilbert and Sullivan Archive. Retrieved March 25, 2020 After a major rewrite to make it more suitable for American audiences it opened at the Casino Theatre on Broadway on 3 February 1896 where it ran for 128 performances with additional lyrics by [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian England and in the New York theatre of the mid-19th century. It is a form of parody music, parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiche, pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Theatre
West End theatre is mainstream professional theatre staged in the large theatres in and near the West End of London.Christopher Innes, "West End" in ''The Cambridge Guide to Theatre'' (Cambridge: Cambridge University Press, 1998), pp. 1194–1195, Along with New York City's Broadway theatre, West End theatre is usually considered to represent the highest level of commercial theatre in the English-speaking world. Seeing a West End show is a common tourist activity in London. Famous screen actors, British and international alike, frequently appear on the London stage. There are a total of 39 theatres in the West End, with the Theatre Royal, Drury Lane, opened in May 1663, the oldest theatre in London. The Savoy Theatre – built as a showcase for the popular series of comic operas of Gilbert and Sullivan – was entirely lit by electricity in 1881. Opening in October 2022, @sohoplace is the first new West End theatre in 50 years. The Society of London Theatre (SOLT) announced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D'Oyly Carte Opera Company
The D'Oyly Carte Opera Company is a professional British light opera company that, from the 1870s until 1982, staged Gilbert and Sullivan's Savoy operas nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere. The company was revived for short seasons and tours from 1988 to 2003, and since 2013 it has co-produced four of the operas with Scottish Opera. In 1875 Richard D'Oyly Carte asked the dramatist W. S. Gilbert and the composer Arthur Sullivan to collaborate on a short comic opera to round out an evening's entertainment. When that work, ''Trial by Jury'', became a success, Carte put together a syndicate to produce a full-length Gilbert and Sullivan work, ''The Sorcerer'' (1877), followed by ''H.M.S. Pinafore'' (1878). After ''Pinafore'' became an international sensation, Carte jettisoned his difficult investors and formed a new partnership with Gilbert and Sullivan that became the D'Oyly Carte Opera Company. The company produced the succeeding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Temple (opera Singer)
Richard Barker Cobb Temple (2 March 1846 – 19 October 1912) was an English opera singer, actor and stage director, best known for his performances in the bass-baritone roles in the famous series of Gilbert and Sullivan comic operas. After an opera career in London and throughout Britain beginning in 1869, Temple joined the D'Oyly Carte Opera Company in 1877. There, he created most of the bass-baritone roles in the Savoy Operas, as follows: Sir Marmaduke in ''The Sorcerer'' (1877), Dick Deadeye in ''H.M.S. Pinafore'' (1878), the Pirate King in the London production of ''The Pirates of Penzance'' (1880), Colonel Calverley in ''Patience'' (1881), Arac in ''Princess Ida'' (1884), the title character in ''The Mikado'', Sir Roderic in ''Ruddigore'' and Sergeant Meryll in ''The Yeomen of the Guard'' (1888). He also played the baritone roles of Strephon in the original production of ''Iolanthe'' (1882), and Giuseppe in the New York production of ''The Gondoliers'' (1890). During the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtice Pounds
Charles Courtice Pounds (30 May 1861 Gänzl, Kurt"Pounds of Pyes, or mea culpa No. 2" Kurt Gänzl's blog, 4 May 2018. Note that hibirth registrationis in central London in the third quarter of 1861 – 21 December 1927), better known by the stage name Courtice Pounds, was an English singer and actor known for his performances in the tenor roles of the Savoy Operas with the D'Oyly Carte Opera Company and his later roles in Shakespeare plays and Edwardian musical comedies. As a young member of D'Oyly Carte, Pounds played tenor leads in the Gilbert and Sullivan operas in New York and on tour in Britain and continental Europe from 1881 to 1887. After being promoted to principal tenor at the Savoy Theatre, he created the principal tenor roles in ''The Yeomen of the Guard'' (1888), ''The Gondoliers'' (1889), '' The Nautch Girl'' (1891) and ''Haddon Hall'' (1892), and played other principal roles. After leaving D'Oyly Carte in 1895, Pounds became a prominent performer during the tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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