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How We Rock
''How We Rock'' was the third release from the Boston hardcore punk Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk ... band SSD. It was rooted in the hardcore sound but exhibited overt heavy metal characteristics, such as a relatively high number of lengthy guitar solos. Track listing Side A #"Intro" #"How We Rock" #"Words That Kill" #"The Choice" Side B #"On the Road" #"What It Takes" #"What If I" Personnel * Springa - vocals * Al Barile - guitar *Francois Levesque - guitar * Jaime Sciarappa - bass * Chris Foley - drums References * {{Authority control 1984 albums SSD (band) albums ...
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SSD (band)
SSD (Society System Decontrol) was a straight edge hardcore band from Boston. They released two records as SS Decontrol and then formally changed their name to SSD. As SSD they released two more records with a heavy metal influenced sound. However, the group is often simply referred to, including all its periods, as SSD. History Formed by songwriter/guitarist Al Barile (then a machinist at the General Electric plant in Lynn, Massachusetts and a student at Northeastern University), SSD started performing at smaller venues throughout the Greater Boston metropolitan area, like Gallery East, in the summer of 1981. The band quickly gained notoriety within the local music scene for intense, charged performances and the provocative antics of their core group of followers, the Boston Crew.Cogan, Mike (2006) ''Encyclopedia of Punk Music and Culture'', Greenwood Press, , p. 216 The original lineup was Al Barile on guitar, Springa (David Spring) on vocals, Jaime Sciarappa on bass and ...
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Heavy Metal Music
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distortion (music), distorted guitars, extended guitar solos, emphatic Beat (music), beats and loudness. In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss (band), Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1993), p. 6 while Motörhea ...
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Hardcore Punk
Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington D.C. and New York City, New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics." Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C. hardcore, Washington, D.C., Boston, and New York h ...
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Crossover Thrash
Crossover thrash (often abbreviated to crossover) is a fusion genre of thrash metal and hardcore punk. The genre lies on a continuum between heavy metal and hardcore punk. Other genres on the same continuum, such as metalcore and grindcore, may overlap with crossover thrash. Terminological ambiguity The genre is often confused with thrashcore, which is essentially a faster hardcore punk rather than a more punk-oriented form of metal."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Throughout the early and mid 1980s, the term "thrash" was often used as a synonym for hardcore punk (as in the ''New York Thrash'' compilation of 1982). The term "thrashcore" to distinguish acts of the genre from others was not coined until at least 1993. Many crossover bands, such as D.R.I., began as influential thrashcore bands. The "-core" suffix of "thrashcore" is sometimes used to distinguish it from crossover thrash and thrash ...
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Modern Method Records
Modern Method Records was a record label that helped to document the Boston hardcore scene in the early 1980s. Modern Method was an offshoot of the Newbury Comics music retailer and also the '' Boston Rock'' magazine. The label was located at 268 Newbury ST. in Boston Boston (), officially the City of Boston, is the state capital and most populous city of the Commonwealth of Massachusetts, as well as the cultural and financial center of the New England region of the United States. It is the 24th- mo ..., Massachusetts. Discography Record labels established in 1980 American independent record labels Culture of Boston {{US-record-label-stub ...
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Get It Away
''Get It Away'' is the second release from the Boston hardcore punk band SS Decontrol. It is the first release to feature Francois Levesque. The cover art, featuring a trash-strewn city street, was done by Pushead Brian Schroeder, better known as Pushead, is an American graphic artist. He is best known for his album covers and other merchandise for bands in the hardcore punk and heavy metal genres. Career Originally from Boise, Idaho, Schoeder formed t ..., who spelled out his girlfriend's name in part of the trash. Track listing Personnel * Springa - vocals * Al Barile - guitar *Francois Levesque - guitar * Jaime Sciarappa - bass * Chris Foley - drums References * {{Authority control 1983 albums SSD (band) albums Albums with cover art by Pushead ...
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Break It Up (SSD Album)
''Break It Up'' was the fourth and final release from Boston crossover thrash Crossover thrash (often abbreviated to crossover) is a fusion genre of thrash metal and hardcore punk. The genre lies on a continuum between heavy metal and hardcore punk. Other genres on the same continuum, such as metalcore and grindcore, ma ... band SSD. It saw the band delve further into the metal genre, leaving behind their punk and hardcore roots. Track listing Side A #"Break It Up" (3:19) #"Children Will Rock" (3:46) #"Heart Failure" (4:35) #"Hit the Bottom" (4:28) #"Blood Flood" (5:07) Side B #"No Solution" (4:17) #"Baby Black" (3:49) #"Calendar" (5:27) #"Screams of the Night" (4:58) #"Feel the Flame" (4:11) Personnel * Springa - vocals * Al Barile - guitar *Francois Levesque - guitar * Jaime Sciarappa - bass * Chris Foley - drums References 1985 albums SSD (band) albums {{1980s-metal-album-stub ...
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Al Barile
SSD (Society System Decontrol) was a straight edge hardcore band from Boston. They released two records as SS Decontrol and then formally changed their name to SSD. As SSD they released two more records with a heavy metal influenced sound. However, the group is often simply referred to, including all its periods, as SSD. History Formed by songwriter/guitarist Al Barile (then a machinist at the General Electric plant in Lynn, Massachusetts and a student at Northeastern University), SSD started performing at smaller venues throughout the Greater Boston metropolitan area, like Gallery East, in the summer of 1981. The band quickly gained notoriety within the local music scene for intense, charged performances and the provocative antics of their core group of followers, the Boston Crew.Cogan, Mike (2006) ''Encyclopedia of Punk Music and Culture'', Greenwood Press, , p. 216 The original lineup was Al Barile on guitar, Springa (David Spring) on vocals, Jaime Sciarappa on bass and ...
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Jaime Sciarappa
SSD (Society System Decontrol) was a straight edge hardcore band from Boston. They released two records as SS Decontrol and then formally changed their name to SSD. As SSD they released two more records with a heavy metal influenced sound. However, the group is often simply referred to, including all its periods, as SSD. History Formed by songwriter/guitarist Al Barile (then a machinist at the General Electric plant in Lynn, Massachusetts and a student at Northeastern University), SSD started performing at smaller venues throughout the Greater Boston metropolitan area, like Gallery East, in the summer of 1981. The band quickly gained notoriety within the local music scene for intense, charged performances and the provocative antics of their core group of followers, the Boston Crew.Cogan, Mike (2006) ''Encyclopedia of Punk Music and Culture'', Greenwood Press, , p. 216 The original lineup was Al Barile on guitar, Springa (David Spring) on vocals, Jaime Sciarappa on bass and ...
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Chris Foley (musician)
SSD (Society System Decontrol) was a straight edge hardcore band from Boston. They released two records as SS Decontrol and then formally changed their name to SSD. As SSD they released two more records with a heavy metal influenced sound. However, the group is often simply referred to, including all its periods, as SSD. History Formed by songwriter/guitarist Al Barile (then a machinist at the General Electric plant in Lynn, Massachusetts and a student at Northeastern University), SSD started performing at smaller venues throughout the Greater Boston metropolitan area, like Gallery East, in the summer of 1981. The band quickly gained notoriety within the local music scene for intense, charged performances and the provocative antics of their core group of followers, the Boston Crew.Cogan, Mike (2006) ''Encyclopedia of Punk Music and Culture'', Greenwood Press, , p. 216 The original lineup was Al Barile on guitar, Springa (David Spring) on vocals, Jaime Sciarappa on bass and ...
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