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How Long 'til Black Future Month
''How Long 'til Black Future Month?'' is a collection of science fiction and fantasy short stories by American novelist N. K. Jemisin. The book was published in November 2018 by Orbit Books, an imprint of the Hachette Book Group. The name of the collection comes from an Afrofuturism essay (not included in the book) that Jemisin wrote in 2013. Four of the 22 stories included in the book had not been previously published; the others, written between 2004 and 2017, had been originally published in speculative fiction magazines and other short story collections. The settings for three of the stories were developed into full-length novels after their original publication: ''The Killing Moon'', '' The Fifth Season'', and '' The City We Became''. Background At the time of publication in 2018, the 46-year-old author, N. K. Jemisin, had just won that year's Hugo, Nebula and Locus awards for her latest novel '' The Stone Sky'', the third novel in her Broken Earth series. While Jemis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orbit Books
Orbit Books is an international publisher that specialises in science fiction and fantasy books. It is a division of Lagardère Publishing. History It was founded in 1974 as part of the Macdonald Futura publishing company. In 1992, its parent company was bought by Little, Brown & Co., at that stage part of the Time Warner Book Group. In 1997, Orbit acquired the Legend imprint from Random House. In 2006, Orbit's parent company Little, Brown was sold by Time Warner to the French publishing group Hachette Livre. In summer 2006, it was announced that Orbit would expand internationally, with the establishment of Orbit imprints in the United States and Australia. Orbit Publishing Director Tim Holman relocated to New York to establish Orbit US as an imprint of Hachette Book Group USA. In June 2007, Orbit announced the appointment of Bernadette Foley as publisher for Orbit Australia, an imprint of Hachette Livre Australia. In 2009 Orbit expanded to France, used by the editor Calma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janelle Monáe
Janelle Monáe Robinson (; born December 1, 1985) is an American singer, rapper and actress. She is signed to Atlantic Records, as well as to her own imprint, the Wondaland Arts Society. Monáe has received eight Grammy Award nominations. Monáe won an MTV Video Music Award and the ASCAP Vanguard Award in 2010. Monáe was also honored with the ''Billboard'' Women in Music Rising Star Award in 2015 and the Trailblazer of the Year Award in 2018. In 2012, Monáe became a CoverGirl spokesperson. Boston City Council named October 16, 2013 "Janelle Monáe Day" in the city of Boston, Massachusetts, in recognition of her artistry and activism. Monáe's musical career began in 2003 upon releasing a demo album titled '' The Audition''. In 2007, Monáe publicly debuted with a conceptual EP titled '' Metropolis: Suite I (The Chase)''. It peaked at number two on the US Top Heatseekers chart, and in 2010, through Bad Boy Records, Monáe released a first full-length studio album, ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastiche
A pastiche is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche pays homage to the work it imitates, rather than mocking it. The word is a French cognate of the Italian noun , which is a pâté or pie-filling mixed from diverse ingredients. Metaphorically, and describe works that are either composed by several authors, or that incorporate stylistic elements of other artists' work. Pastiche is an example of eclecticism in art. Allusion is not pastiche. A literary allusion may refer to another work, but it does not reiterate it. Moreover, allusion requires the audience to share in the author's cultural knowledge. Both allusion and pastiche are mechanisms of intertextuality. By art Literature In literary usage, the term denotes a literary technique employing a generally light-hearted tongue-in-cheek imitation of another's style; although jocular, it i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyberpunk
Cyberpunk is a subgenre of science fiction in a dystopian Futurism, futuristic setting that tends to focus on a "combination of low-life, lowlife and high tech", featuring futuristic technological and scientific achievements, such as artificial intelligence and cybernetics, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner (novelist), John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of drug culture, technology, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction. Comic book, Comics exploring cyberpunk themes began appearing as early as Judge Dredd, first published in 1977. Released in 1984, William Gibson's influential debut novel ''Neuromancer'' helped solidify cyberpunk as a genre, drawing influence from punk subculture and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apocalyptic And Post-apocalyptic Fiction
Apocalyptic and post-apocalyptic fiction is a subgenre of speculative fiction in which the Earth's (or another planet's) civilization is collapsing or has collapsed. The apocalypse event may be climatic, such as runaway climate change; astronomical, such as an impact event; destructive, such as nuclear holocaust or resource depletion; medical, such as a pandemic, whether natural or human-caused; end time, such as the Last Judgment, Second Coming or Ragnarök; or more imaginative, such as a zombie apocalypse, cybernetic revolt, technological singularity, dysgenics or alien invasion. The story may involve attempts to prevent an apocalypse event, deal with the impact and consequences of the event itself, or it may be post-apocalyptic, set after the event. The time may be directly after the catastrophe, focusing on the psychology of survivors, the way to keep the human race alive and together as one, or considerably later, often including that the existence of pre-catas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sword And Sorcery
Sword and sorcery (S&S) is a subgenre of fantasy characterized by sword-wielding heroes engaged in exciting and violent adventures. Elements of romance, magic, and the supernatural are also often present. Unlike works of high fantasy, the tales, though dramatic, focus on personal battles rather than world-endangering matters. Sword and sorcery commonly overlaps with heroic fantasy. Origin American author Fritz Leiber coined the term "sword and sorcery" in 1961 in response to a letter from British author Michael Moorcock in the fanzine ''Amra'', demanding a name for the sort of fantasy-adventure story written by Robert E. Howard. Moorcock had initially proposed the term "epic fantasy". Leiber replied in the journal ''Ancalagon'' (6 April 1961), suggesting "sword-and-sorcery as a good popular catchphrase for the field". He expanded on this in the July 1961 issue of ''Amra'', commenting: Since its inception, many attempts have been made to provide a precise definition o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Travel In Fiction
Time travel is a common theme in fiction, mainly since the late 19th century, and has been depicted in a variety of media, such as literature, television, film, and advertisements. The concept of time travel by mechanical means was popularized in H. G. Wells' 1895 story, ''The Time Machine''. In general, time travel stories focus on the consequences of traveling into the past or the future. The central premise for these stories often involves changing history, either intentionally or by accident, and the ways by which altering the past changes the future and creates an altered present or future for the time traveler upon their return home. In other instances, the premise is that the past cannot be changed or that the future is predetermined, and the protagonist's actions turn out to be either inconsequential or intrinsic to events as they originally unfolded. Some stories focus solely on the paradoxes and alternate timelines that come with time travel, rather than time travel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Climate Fiction
Climate fiction (sometimes shortened as cli-fi) is literature that deals with climate change.Glass, Rodge (31 May 2013).Global Warning: The Rise of 'Cli-fi' retrieved 3 March 2016 Generally speculative in nature but scientifically-grounded, works may take place in the world as we know it or in the near future. The genre frequently includes science fiction and dystopian or utopian themes, imagining the potential futures based on how humanity responds to the impacts of climate change. Rationales for the genre typically assume knowledge of anthropogenic effects—human-altered climate as opposed to weather and disaster more generally—although broader definitions exist. Technologies such as climate engineering or climate adaptation practices often feature prominently in works exploring their impacts on society. The term "cli-fi" is generally credited to freelance news reporter and climate activist Dan Bloom in 2007 or 2008. "Climate fiction" has only been attested since the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steampunk
Steampunk is a subgenre of science fiction that incorporates retrofuturistic technology and aesthetics inspired by 19th-century industrial steam-powered machinery. Steampunk works are often set in an alternative history of the Victorian era or the American "Wild West", where steam power remains in mainstream use, or in a fantasy world that similarly employs steam power. Steampunk most recognizably features anachronistic technologies or retrofuturistic inventions as people in the 19th century might have envisioned them — distinguishing it from Neo-Victorianism — and is likewise rooted in the era's perspective on fashion, culture, architectural style, and art. Such technologies may include fictional machines like those found in the works of H. G. Wells and Jules Verne. Other examples of steampunk contain alternative-history-style presentations of such technology as steam cannons, lighter-than-air airships, analog computers, or such digital mechanical computers as Charl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternate History
Alternate history (also alternative history, althist, AH) is a genre of speculative fiction of stories in which one or more historical events occur and are resolved differently than in real life. As conjecture based upon historical fact, alternative history stories propose ''What if?'' scenarios about crucial events in human history, and present outcomes very different from the historical record. Alternate history also is a subgenre of literary fiction, science fiction, and historical fiction; as literature, alternate history uses the tropes of the genre to answer the ''What if?'' speculations of the story. Since the 1950s, as a subgenre of science fiction, alternative history stories feature the tropes of time travel between histories, and the psychic awareness of the existence of an alternative universe, by the inhabitants of a given universe; and time travel that divides history into various timestreams. In the Spanish, French, German, and Portuguese, Italian, Catalan, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vice (magazine)
''Vice'' (stylized in all caps) is a Canadian-American magazine focused on lifestyle, arts, culture, and news/politics. Founded in 1994 in Montreal as an alternative punk magazine, the founders later launched the youth media company Vice Media, which consists of divisions including the printed magazine as well as a website, broadcast news unit, a film production company, a record label, and a publishing imprint. As of February 2015, the magazine's editor-in-chief is Ellis Jones. History Founded by Suroosh Alvi, Gavin McInnes, and Shane Smith (the latter two being childhood friends), the magazine was launched in 1994 as the ''Voice of Montreal'' with government funding. The intention of the founders was to provide work and a community service. When the editors later sought to dissolve their commitments with the original publisher, Alix Laurent, they bought him out and changed the name to ''Vice'' in 1996. Richard Szalwinski, a Canadian software millionaire, acquired the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afrofuturism
Afrofuturism is a cultural aesthetic, and philosophy of science and history that explores the intersection of the African diaspora culture with science and technology. It addresses themes and concerns of the African diaspora through technoculture and speculative fiction, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afro-diasporic experiences. While Afrofuturism is most commonly associated with science fiction, it can also encompass other speculative genres such as fantasy, alternate history, and magic realism. The term was coined by Mark Dery, an American Cultural critic in 1993 and explored in the late 1990s through conversations led by Alondra Nelson. Ytasha L. Womack, writer of ''Afrofuturism: The World of Black Sci-Fi and Fantasy Culture'', defines it as "an intersection of imagination, technology, the future and liberation". She also follows up with a quote by the curator Ingrid LaFleur who defines it as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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