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How Do You Do!
"How Do You Do!" is a pop rock song by Swedish pop duo Roxette. It was released as the lead single from their fourth studio album ''Tourism'' on 3 July 1992. The track was a commercial success upon release, topping the national singles charts in Norway and Spain. It also peaked at number two in several countries, including Austria, Belgium, Finland, Germany, the Netherlands, Sweden and Switzerland. It was held off the top spot in many of these territories by Dr. Alban's " It's My Life". The single was backed by several remixes created by Swedish production duo BomKrash, which consisted of Jacob Hellner and Carl-Michael Herlöfsson. Composition and style According to Ultimate Guitar, "How Do You Do!" is an uptempo pop rock song written in common time with a tempo of 121 beats per minute. It utilises a common trait found in Roxette compositions of the verse using a different key signature than the chorus. The verse is composed in C, and consists of three repetitions of a basic C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roxette
Roxette was a Swedish pop rock duo, consisting of Marie Fredriksson (vocals and keyboards) and Per Gessle (vocals and guitar). Formed in 1986, the duo became an international act in the late 1980s, when they released their breakthrough second album '' Look Sharp!'' Their third album '' Joyride,'' released in 1991, became just as successful as its predecessor. Roxette went on to achieve nineteen UK Top 40 hits, and several US Hot 100 hits, including four US number-ones with "The Look", " Listen to Your Heart", "It Must Have Been Love", featured on the soundtrack of '' Pretty Woman'', and " Joyride". Their other hits include "Dressed for Success", "Dangerous", and " Fading Like a Flower". Before coming together to form the duo, Fredriksson and Gessle were already established artists in Sweden, she having released a number of solo albums and he being the lead singer and songwriter of Gyllene Tider, a band that had three No. 1 albums. On the advice of the managing director of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beats Per Minute
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiny Tim (musician)
Herbert Butros KhauryTiny Tim: Tiptoe Through A Lifetime', Lowell Tarling, Generation Books, 2013, p. 29, (April 12, 1932 November 30, 1996), also known as Herbert Buckingham Khaury, and known professionally as Tiny Tim, was an American singer, ukulele player, and musical archivist. He is best remembered for his cover hits "Tiptoe Through the Tulips" and "Livin' in the Sunlight, Lovin' in the Moonlight", which he sang in a falsetto voice. Early life Khaury was born in Manhattan, New York City, on April 12, 1932. His mother Tillie (née Staff), a Polish-Jewish garment worker, was the daughter of a rabbi. She had immigrated from Brest-Litovsk, present-day Belarus, as a teen in 1914. Khaury's father, Butros Khaury, was a textile worker from Beirut, present-day Lebanon, whose father was a Maronite Catholic priest. Khaury displayed musical talent at a very young age. At the age of five, his father gave him a vintage wind-up Gramophone and a 78-RPM record of "Beautiful Ohio" by H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release''." Etymology The term comes from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19th-cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Chord
In music theory, a minor chord is a chord that has a root, a minor third, and a perfect fifth. When a chord comprises only these three notes, it is called a minor triad. For example, the minor triad built on C, called a C minor triad, has pitches C–E–G: In harmonic analysis and on lead sheets, a C minor chord can be notated as Cm, C−, Cmin, or simply the lowercase "c". A minor triad is represented by the integer notation . A minor triad can also be described by its intervals: the interval between the bottom and middle notes is a minor third, and the interval between the middle and top notes is a major third. By contrast, a major triad has a major third on the bottom and minor third on top. They both contain fifths, because a minor third (three semitones) plus a major third (four semitones) equals a perfect fifth (seven semitones). Chords that are constructed of consecutive (or "stacked") thirds are called ''tertian.'' In Western classical music from 1600 to 182 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sharp (music)
In music, sharp, dièse (from French), or diesis (from Greek) means, "higher in pitch". More specifically, in musical notation, sharp means "higher in pitch by one semitone (half step)". Sharp is the opposite of flat, which is a lowering of pitch. A sharp symbol, , is used in key signatures or as an accidental. For instance, the music below has a key signature with three sharps (indicating either A major or F minor, the relative minor) and the note, A, has a sharp accidental. : Under twelve-tone equal temperament, B, for instance, sounds the same as, or is enharmonically equivalent to, C natural (C), and E is enharmonically equivalent to F. In other tuning systems, such enharmonic equivalences in general do not exist. To allow extended just intonation, composer Ben Johnston uses a sharp to indicate a note is raised 70.6 cents (ratio 25:24), or a flat to indicate a note is lowered 70.6 cents. In intonation, sharp can also mean "slightly higher in pitch" (by some unspec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead Vocalist
The lead vocalist in popular music is typically the member of a group or band whose voice is the most prominent melody in a performance where multiple voices may be heard. The lead singer sets their voice against the accompaniment parts of the ensemble as the dominant sound. In vocal group performances, notably in soul and gospel music, and early rock and roll, the lead singer takes the main vocal melody, with a chorus or harmony vocals provided by other band members as backing vocalists. Lead vocalists typically incorporate some movement or gestures into their performance, and some may participate in dance routines during the show, particularly in pop music. Some lead vocalists also play an instrument during the show, either in an accompaniment role (such as strumming a guitar part), or playing a lead instrument/instrumental solo role when they are not singing (as in the case of lead singer-guitar virtuoso Jimi Hendrix). The lead singer also typically guides the vocal ensem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Fredriksson
Gun-Marie Fredriksson (; 30 May 1958 – 9 December 2019) was a Swedish singer, songwriter, pianist and painter, who was best known internationally as the lead vocalist of pop rock pop duo, duo Roxette, which she formed in 1986 with Per Gessle. The duo achieved international success in the late 1980s and early 1990s with their albums ''Look Sharp! (Roxette album), Look Sharp!'' (1988) and ''Joyride (Roxette album), Joyride'' (1991), and had multiple hits on the Billboard Hot 100, ''Billboard'' Hot 100, including four number ones. Fredriksson had a successful career in her native country prior to forming Roxette. She was a member of punk rock, punk group Strul, a band which created their own music festival in 1979. Strul's dissolution led to the creation of her next project, the short-lived MaMas Barn, after which she began releasing solo work. Her first album, ''Het vind'', was issued in 1984, followed by ''Den sjunde vågen'' in 1986 and ''Efter stormen, ... Efter stormen'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power Chord
A power chord (also fifth chord) is a colloquial name for a chord in guitar music, especially electric guitar, that consists of the root note and the fifth, as well as possibly octaves of those notes. Power chords are commonly played on amplified guitars, especially on electric guitar with intentionally added distortion or overdrive effects. Power chords are a key element of many styles of rock, especially heavy metal and punk rock. Analysis When two or more notes are played through a distortion process that non-linearly transforms the audio signal, additional partials are generated at the sums and differences of the frequencies of the harmonics of those notes (intermodulation distortion). When a typical chord containing such intervals (for example, a major or minor chord) is played through distortion, the number of different frequencies generated, and the complex ratios between them, can make the resulting sound messy and indistinct. This effect is accentuated as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre-chorus
Song structure is the arrangement of a song, and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs. Common forms include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues. Popular music songs traditionally use the same music for each verse or stanza of lyrics (as opposed to songs that are "through-composed"—an approach used in classical music art songs). Pop and traditional forms can be used even with songs that have structural differences in melodies. The most common format in modern popular music is introduction (intro), verse, pre-chorus, chorus, verse, pre-chorus, chorus, bridge, and chorus. In rock music styles, notably heavy metal music, there is usually one or more guitar solos in the song, often found after the middle chorus part. In pop music, there may be a guitar solo, or a solo performed with another instrument such as a synthesizer or a saxophone. The foundation of popular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C (musical Note)
C or Do is the first note and semitone of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63 Hz. The actual frequency has depended on historical pitch standards, and for transposing instruments a distinction is made between written and sounding or concert pitch. It has enharmonic equivalents of B and D. In English the term ''Do'' is used interchangeably with C only by adherents of fixed Do solfège; in the movable Do system Do refers to the tonic of the prevailing key. Frequency Historically, concert pitch has varied. For an instrument in equal temperament tuned to the A440 pitch standard widely adopted in 1939, middle C has a frequency around 261.63 Hz (for other notes see piano key frequencies). Scientific pitch was originally proposed in 1713 by French physicist Joseph Sauveur and based on the numerically convenient frequency of 256 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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