House Of Raphael
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House Of Raphael
Palazzo Caprini was a Renaissance palazzo in Rome, Italy, in the Borgo rione between Piazza Scossacavalli and via Alessandrina (also named Borgo Nuovo). It was designed by Donato Bramante around 1510, or a few years before. It was also known as ''Palazzo di Raffaello'', or Raphael's House, since the artist had bought it in 1517 and lived there until his death three years later,Gigli (1992) p. 46 although by then he was planning a much larger new palazzo elsewhere. In the late 16th century the building, already decayed and crumbling, underwent a total renovation and constituted the core of the much larger Palazzo dei Convertendi,Gigli (1992) p. 48 and its garden house was destroyed in 1848. The appearance of the main facade is known from an etching by Antoine Lafréry and a partial sketch attributed to Andrea Palladio.Gigli (1992) p. 54 The palace had a façade with five bays and two levels, with rustication (using stucco) on the lower floor which, as often in Rome, was let ...
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Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ...
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Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Varian ...
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Houses Completed In The 16th Century
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domestic animals such as ...
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Buildings And Structures Completed In 1510
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Thames And Hudson
Thames & Hudson (sometimes T&H for brevity) is a publisher of illustrated books in all visually creative categories: art, architecture, design, photography, fashion, film, and the performing arts. It also publishes books on archaeology, history, and popular culture. Headquartered in London, it has a sister company in New York City, and subsidiaries in Melbourne, Singapore, and Hong Kong. In Paris it has a sister company, Éditions Thames & Hudson, and a subsidiary called Interart which distributes English-language books. The Thames & Hudson group currently employs approximately 150 staff in London and approximately 65 more around the world. The publishing company was founded in 1949 by Walter and Eva Neurath, who aimed to make the world of art and the research of top scholars available to a wider public. The company's name reflects its international presence, particularly in London and New York. It remains an independent, family-owned company, and is one of the largest publish ...
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The Classical Language Of Architecture
''The Classical Language of Architecture'' is a 1965 compilation of six BBC radio lectures given in 1963 by Sir John Summerson. It is a 60-some page discussion of the origins of classical architecture and its movement through Antiquity, Renaissance, Mannerist, Baroque, Neoclassical, and Georgian periods. A discussion of the rules and elements in classical terms of the Orders, architectural harmony of design, are included. In 2017 it remains in print in several countries, in illustrated editions of about 144 pages, with 119 illustrations, plus small diagrams. For the original radio broadcasts the BBC published a booklet with 60 photographs of the buildings discussed (or plans etc), which were expanded in the book editions.Summerson, 6 *Summerson, John. ''The Classical Language of Architecture.'' in UK now Thames and Hudson ''World of Art'' series (1980), etc. In US Boston: MIT Press, 1965, and other editions. References * Summerson, John, ''The Classical Language of Architect ...
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John Summerson
Sir John Newenham Summerson (25 November 1904 – 10 November 1992) was one of the leading British architectural historians of the 20th century. Early life John Summerson was born at Barnstead, Coniscliffe Road, Darlington. His grandfather worked for the Stockton and Darlington Railway, Darlington and Stockton Railway and founded the family foundry of Thomas Summerson and Sons in Darlington in 1869. After the premature death of his father, Samuel James Summerson, in 1907, Summerson travelled extensively in England and Europe with his mother Dorothea and then attended a Preparatory school (United Kingdom), prep school at Riber Castle in Derbyshire before going to Harrow School, Harrow (1918-1922) and the Bartlett School of Architecture at University College London, where he gained a bachelor's degree. Career After graduation Summerson worked in several junior roles, most notably in the office of Sir Giles Gilbert Scott, but architectural practice was not for him and he became a ...
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Somerset House
Somerset House is a large Neoclassical complex situated on the south side of the Strand in central London, overlooking the River Thames, just east of Waterloo Bridge. The Georgian era quadrangle was built on the site of a Tudor palace ("Old Somerset House") originally belonging to the Duke of Somerset. The present Somerset House was designed by Sir William Chambers, begun in 1776, and was further extended with Victorian era outer wings to the east and west in 1831 and 1856 respectively.Humphreys (2003), pp. 165–166 The site of Somerset House stood directly on the River Thames until the Victoria Embankment parkway was built in the late 1860s. The great Georgian era structure was built to be a grand public building housing various government and public-benefit society offices. Its present tenants are a mixture of various organisations, generally centred around the arts and education. Old Somerset House 16th century In the 16th century, the Strand, the north bank of the Th ...
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Pier (architecture)
A pier, in architecture, is an upright support for a structure or superstructure such as an arch or bridge. Sections of structural walls between openings (bays) can function as piers. External or free-standing walls may have piers at the ends or on corners. Description The simplest cross section of the pier is square, or rectangular, but other shapes are also common. In medieval architecture, massive circular supports called drum piers, cruciform (cross-shaped) piers, and compound piers are common architectural elements. Columns are a similar upright support, but stand on a round base. In buildings with a sequence of bays between piers, each opening (window or door) between two piers is considered a single bay. Bridge piers Single-span bridges have abutments at each end that support the weight of the bridge and serve as retaining walls to resist lateral movement of the earthen fill of the bridge approach. Multi-span bridges require piers to support the ends of spans betwe ...
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Doric Order
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Do ...
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Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians. The walkway may be lined with retail stores. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. Many medieval arcades housed shops or stalls, either in the arcaded space itself, or set into the main wall behind. From this, "arcade" has become a general word for a group of shops in a single building, regardless of the architectural f ...
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Lintel
A lintel or lintol is a type of beam (a horizontal structural element) that spans openings such as portals, doors, windows and fireplaces. It can be a decorative architectural element, or a combined ornamented structural item. In the case of windows, the bottom span is instead referred to as a sill, but, unlike a lintel, does not serve to bear a load to ensure the integrity of the wall. Modern day lintels are made using prestressed concrete and are also referred to as beams in beam and block slabs or ribs in rib and block slabs. These prestressed concrete lintels and blocks are components that are packed together and propped to form a suspended floor concrete slab. Structural uses In worldwide architecture of different eras and many cultures, a lintel has been an element of post and lintel construction. Many different building materials have been used for lintels. In classical Western architecture and construction methods, by ''Merriam-Webster'' definition, a lintel is a l ...
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