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Hourglass Drum
Hourglass drums are a sub-category of membranophone, or drum, characterized by an hourglass shape. They are also known as ''waisted drums''. Drumheads are attached by laces, which may be squeezed during a performance to alter the pitch. The category also includes pellet drums such as the ''damaru'', although not all pellet drums are hourglass shaped (such as the Korean ''do'', ''nodo'', ''noedo'', and ''yeongdo'', which are barrel shaped). Hourglass drums exists in most regions of the world, but have very different construction methods, dimensions, purposes and playing methods. The label of hourglass drum is hence as generic as the label for bowed instrument or reed instrument. Thus the designation of Hourglass drum is used as a category in general instrument construction and does not refer to any particular uniform instrument. See also *Batá drum (Cuba, West Africa) *Damaru (Indian subcontinent) * Dekki (Sri Lanka) * Dhad sarangi (India, Pakistan) *Galgo (Korea) *Idakka (India) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janggu
The ''janggu'' (, also transliterated as ''janggo'' or ''changgo'') or sometimes called ''seyogo'' (slim waist drum) is the most representative drum in traditional Korean music. It is available in most kinds, and consists of an hourglass-shaped body with two heads made from animal skin. The two heads produce sounds of different pitch and timbre, which when played together are believed to represent the harmonious joining of Um and Yang. The janggu is one of the four components of samul nori (사물놀이), alongside the buk (북), jing (징) and kkwaenggwari (꽹과리). History The earliest depictions of the instrument were inscribed on a bell belonging to the Silla (57 BC–935 AD) period and in a mural painting of the same period in Goguryeo (37 BC–668 AD) tomb. The oldest written records about an hourglass-shaped drum may be traced to the reign of King Munjong (1047–1084) of Goryeo as a field instrument. The Korean record from 1451 titled ''Goryeo-sa'', or History of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galgo
The ''galgo'' (or ''yangjang-go'' or ''yang-go'') is a traditional Korean drum. The drum has an hourglass-shaped wooden body and two drum heads of identical diameter, similar to the ''janggu''. Compared to the ''janggu'', the ''galgo'' is fitted with a sound-adjusting funnel that is different. The ''galgo'' uses thinner drum skins and is struck with two bamboo sticks, ''chae''; the mallet shaped ''gungchae'' is not used. The pitch of the drum can be controlled on both sides of the drum rather than only one pitch per-side for the janggu. The Chinese ''jiegu'', adopted from the Central Asian region of Kucha during the Tang Dynasty, is the model from which the ''galgo'' is derived. The Japanese '' kakko'', which is used in ''gagaku'' music, is also derived from the ''jiegu''. This instrument was popular after the rule of King Yeongjo in the Joseon Dynasty. It is often mentioned in the Jinyeoneuigwe (historical records of the palace). However, the ''galgo'' has fallen out of use b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urumi (drum)
The ''urumi'' (; also known as ''urumee'') is a double-headed hourglass-shaped drum from the state of Tamil Nadu, South India. Two skin heads are attached to a single hollow, often intricately carved wooden shell. The preferred wood is jackwood, although other woods like rosewood may be used. Both left and right heads are usually made from cow hide that is stretched around a thin metal ring (sometimes lizard skin is used for the right head). The outer circumference of each head is perforated with approximately seven to eight holes. The two heads are held in tension by a continuous rope that is woven around the drum in a V-shape pattern. Additional small coils of string or metal are tied around each pair of ropes near the left head. These coils can be slide horizontally along the length of the drum, increasing or decreasing the tension between the heads as necessary. For example, during the monsoon season the drum heads will slacken so much that the instrument becomes unplayable. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Udukai
The udukkai, udukai or udukku (Tamil: உடுக்கை) is a member of the family of membranophone percussion instruments of India and Nepal used in folk music and prayers in Tamil Nadu. The drums are an ancient design of hourglass drums similar to the northern damaru and southern idakka. Its shape is similar to other Indian hourglass drums, having a small snare stretched over one side. They are played with the bare hand, and the pitch may be tered by squeezing the lacing in the middle. It is made of wood or brass and is very portable. It originated in Tamil Nadu as well. Other members in the family include thehuruk, hurkî, hurko, hudko or hudka, utukkai. Another non-hourglass drum that is also referred to as udukkai is the damru (while in the hands of Shiva). Hudukkâ Known from xiii th century , this is a drum barrel converted hourglass by adding membranes wide overhanging ends. The kuddukâ is similar but does not grelotet is played with the stick. It is still used i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsuzumi
The or ''tsuzumi'' is a hand drum of Japanese origin. It consists of a wooden body shaped like an hourglass, and it is taut, with two drum heads with cords that can be squeezed or released to increase or decrease the tension of the heads respectively. This mechanism allows the player to raise or lower the pitch of the drum while playing, not unlike the African talking drum and the Indian Dhadd. There are two basic techniques when playing a tsuzumi; holding the cords slack and hitting the drumhead on the very center, or squeezing the cords and hitting the drumhead closer to where it meets the wooden body. The former produces softer ''pon'' and ''pu'' sounds, whereas the latter produces higher-pitched ''ta'' and ''chi'' sounds. Because the practice of hitting a drumhead on the very center may result in hindering the sound by causing vibration radiating on two opposite sides of the drumhead to cancel out with each other, the tsuzumi is tuned with tiny leather patches applied on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ōtsuzumi
The , also known as the , is an hourglass-shaped Japanese drum. It is a larger version of the tsuzumi, or kotsuzumi and is used in traditional Japanese theater and folk music. Its appearance is slightly different from that of the tsuzumi, and the sound produced is vastly different from any of the four sounds the kotsuzumi produces. Whereas the kotsuzumi is smaller and has a more ornate drum head, the ōkawa is larger, and its head takes on a more plain, leathery appearance. The sound is also higher and sharper in pitch, resembling more of a dry, almost metallic "crack" than the tsuzumi's softer "pon" sound. The hourglass structure is slightly bigger, and has a prominent protruding "knob" at the middle, unlike that of the kotsuzumi, which has a smoothened-out middle section. The heads of the drum are taut very tightly, leaving no room for further tension, and acoustic, adjustments. The ōkawa is played on the left thigh of the player, possibly due to its larger, heavy size, whereas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kundu (drum)
Kundu is a pidgin name in Papua New Guinea for an hourglass shaped drum used to accompany formal occasions, religious ceremonies and for celebrations (such as the Sing-sing). This drum is emblematic of Papua New Guinea and it appears on the country's coat of arms. File:National emblem of Papua New Guinea.svg, Coat of arms for Papua New Guinea, featuring a Kundu drum underneath a Raggiana bird-of-paradise File:Apa drum, Papua New Guiney, late 19th century.jpg, Apa drum, Elema culture, Papuan Gulf, Papua New Guinea, This drum also has crocodile-like art File:Musicians of Papua New Guinea.jpg, Musicians playing kundu drums at Port Moresby. File:Kundu, tambor.jpg, Skin head on a kundu at Museu de la Música de Barcelona File:Hand Drum Papua New Guinea, East Sepik Province, Eastern Iatmul People, circa 1909 (Side vie).jpg, Papua New Guinea, East Sepik Province, Eastern Iatmul People, circa 1909 File:SingSing Wabag Enga PNG.jpg, Wabag, Enga Province, Papua New Guinea. Performers at a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kakko (instrument)
The is a Japanese double-headed drum. drums are usually laid sideways on stands, and are played on both drumheads with sticks known as . drums have been used in taiko ensembles, but are also used in the form of older Japanese court music. History The is derived from the Chinese , a drum popular in China during the Tang Dynasty The Tang dynasty (, ; zh, t= ), or Tang Empire, was an Dynasties in Chinese history, imperial dynasty of China that ruled from 618 to 907 AD, with an Zhou dynasty (690–705), interregnum between 690 and 705. It was preceded by the Sui dyn ...; the Korean is also derived from this drum. Construction One way in which the differs from the regular drum is in the way in which it is made taut. Like the and , the skin of the heads are first stretched over metal hoops before they are placed on the body, tying them to each other and tightening them making them taut. See also * * References External links Drums Japanese musical instrument ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jiegu
The ''jiegu'' ( 羯鼓; Wade–Giles: chieh2-ku3; pinyin: jiégǔ; sometimes translated as " wether drum"; also written as 鞨鼓) was a drum used in ancient China. It was hourglass-shaped and played with two wooden sticks. As for the structure, the leather on both sides is thin and the size is the same, and it is played with sticks in both hands. History The ''jiegu'' was adopted from the Central Asian region of Kucha during the Tang Dynasty, and became a popular instrument for dancing, particularly among nobles. Emperor Xuanzong of Tang (reigned 712–756) was known as a skilled player of the instrument. A Korean instrument derived from the ''jiegu'' called the ''galgo'' is still occasionally used in Korea. In Japan, the '' kakko'' is also derived from the ''jiegu'', and is still used in ''gagaku'' music. The Korean ''galgo'' is almost the same size and shape as the ''Janggu'', but the Japanese one is smaller and played on a pedestal. See also *Galgo *List of traditional Chines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idakka
The ''idakka'' (), also spelt edaykka/edakka, is an hourglass-shaped drum from Kerala in south India. This handy percussion instrument is very similar to the pan-Indian damaru. While the damaru is played by rattling knotted cords against the resonators, the idakka is played with a stick. Like the damaru, the idakka's pitch may be bent by squeezing the lacing in the middle. The idakka is slung over the left shoulder and the right side of the instrument is gently beaten with a thin curve-ended stick. It is played in temples and in performances such as Kathakali and Mohiniattam classical dance. Etymology The Malayalam name idaykka or idakka is originated from the Sanskrit word श्रीढक्का (Śrīḍhakkā). In Sanskrit, a ḍhakkā is described as a double drum which makes ''ḍhak'' sound. ढक् इति गभीरशब्देन कायतीति (ḍhak iti gabhīraśabdēna kāyatīti). The sacred prefix Śrī is used to denote the auspiciousnes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
