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Hot Tuna (album)
''Hot Tuna'' is the debut album by the American blues rock band Hot Tuna, released in 1970 as RCA Victor LSP-4353. It was recorded live at the New Orleans House in Berkeley, California in September 1969. It peaked at #30 on the ''Billboard'' 200 album chart. Context and content Hot Tuna began as a means of relaxation for Jorma Kaukonen and Jack Casady while on tour with Jefferson Airplane, eventually becoming a separate entity within that band to the point of performing as its opening act. In the beginning, Hot Tuna would play in the style of electric Chicago blues often augmented by Airplane members, such represented by a cover of B.B. King's " Rock Me Baby" on the live Airplane album ''Bless Its Pointed Little Head''. For their first album, Kaukonen and Casady decided on a semi-acoustic set rooted in the country blues of the pre-World War II era. The Reverend Gary Davis had been an early influence on Kaukonen, and two of his songs were included on the album, with an additio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Tuna
Hot Tuna is an American blues rock band formed in 1969 by former Jefferson Airplane members Jorma Kaukonen (guitarist/vocals) and Jack Casady (bassist). Although it has always been a fluid aggregation, with musicians coming and going over the years, the band's center has always been Kaukonen and Casady's ongoing collaboration. History 1969–1973: beginnings Hot Tuna began as a side project to Jefferson Airplane, intended to mark time while Grace Slick recovered from vocal cord nodule surgery that had left her unable to perform. The band's name came from someone Jorma Kaukonen referred to as a "witty wag" who called out "hot tuna" after hearing the line "What's that smell like fish, oh baby", from the song "Keep On Truckin'". Kaukonen, Jack Casady, Paul Kantner and new drummer Joey Covington played several shows around San Francisco, including the Airplane's original club, The Matrix, before Jefferson Airplane resumed performing to support ''Volunteers''. (Although Covingt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago Blues
Chicago blues is a form of blues music developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues, but performed in an urban style. It developed alongside the Great Migration of the first half of the twentieth century. Key features that distinguish Chicago blues from the earlier traditions, such as the Delta blues, is the prominent use of electrified instruments, especially the electric guitar, and especially the use of electronic effects such as distortion and overdrive. Muddy Waters, a colleague of Delta blues musicians Son House and Robert Johnson, migrated to Chicago in 1943, joining the established Big Bill Broonzy, where they developed a distinctive style of blues music. Joined by artists such as Willie Dixon, Howlin' Wolf, and John Lee Hooker, Chicago Blues reached an international audience by the late 1950s and early 1960s, directly influencing not only the development of early rock and roll musicians such as Chuck Berry and Bo Diddley, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mississippi Delta
The Mississippi Delta, also known as the Yazoo–Mississippi Delta, or simply the Delta, is the distinctive northwest section of the U.S. state of Mississippi (and portions of Arkansas and Louisiana) that lies between the Mississippi and Yazoo Rivers. The region has been called "The Most Southern Place on Earth" ("Southern" in the sense of "characteristic of its region, the American South"), because of its unique racial, cultural, and economic history. It is long and across at its widest point, encompassing about , or, almost 7,000 square miles of alluvial floodplain. Originally covered in hardwood forest across the bottomlands, it was developed as one of the richest cotton-growing areas in the nation before the American Civil War (1861–1865). The region attracted many speculators who developed land along the riverfronts for cotton plantations; they became wealthy planters dependent on the labor of enslaved African Americans, who composed the vast majority of the populatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leroy Carr
Leroy Carr (March 27, 1904 or 1905 – April 29, 1935) was an American blues singer, songwriter and pianist who developed a laid-back, crooning technique and whose popularity and style influenced such artists as Nat King Cole and Ray Charles. Music historian Elijah Wald has called him "the most influential male blues singer and songwriter of the first half of the 20th century". He first became famous for "How Long, How Long Blues", his debut recording released by Vocalion Records in 1928. Life and career Leroy Carr was born in Nashville, Tennessee on March 27, 1904 or 1905, and was raised in Indianapolis, Indiana. Carr was a self-taught piano player. After dropping out of high school, Carr travelled with a circus, and in the early 1920s served in the U.S. Army. Carr returned to Indianapolis and worked in a meat-packing plant. He was married in 1922. Carr worked as a bootlegger during prohibition, and became a known musician at parties. Carr had a longtime partnership with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How Long, How Long Blues
"How Long, How Long Blues" (also known as "How Long Blues" or "How Long How Long") is a blues song recorded by the American blues duo Leroy Carr and Scrapper Blackwell in 1928. It became an early blues standard and its melody inspired many later songs. Original song "How Long, How Long Blues" is based on "How Long Daddy", recorded in 1925 by Ida Cox with Papa Charlie Jackson. On June 19, 1928, Leroy Carr, who sang and played piano, and guitarist Scrapper Blackwell recorded the song in Indianapolis, Indiana, for Vocalion Records, shortly after they began performing together. It is a moderately slow-tempo blues with an eight-bar structure. Carr is credited with the lyrics and music for the song, which uses a departed train as a metaphor for a lover who has left: Carr's and Blackwell's songs reflected a more urban and sophisticated blues, in contrast to the music of rural bluesmen of the time. Carr's blues were "expressive and evocative", although his vocals have also been des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delta Blues
Delta blues is one of the earliest-known styles of blues. It originated in the Mississippi Delta, and is regarded as a regional variant of country blues. Guitar and harmonica are its dominant instruments; slide guitar is a hallmark of the style. Vocal styles in Delta blues range from introspective and soulful to passionate and fiery. Origin Although Delta blues certainly existed in some form or another at the turn of the twentieth century, it was first recorded in the late 1920s, when record companies realized the potential African-American market for "race records". The major labels produced the earliest recordings, consisting mostly of one person singing and playing an instrument. Live performances, however, more commonly involved a group of musicians. Current belief is that Freddie Spruell is the first Delta blues artist to have been recorded; his "Milk Cow Blues" was recorded in Chicago in June 1926. Record company talent scouts made some of the early recordings on f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jelly Roll Morton
Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre. Morton also wrote "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last being a tribute to New Orleans musicians from the turn of the 20th century. Morton's claim to have invented jazz in 1902 was criticized. Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth...Morton's accomplishments as an early innovator are so vast that he did not really need to stretch the truth." Gunther Schuller ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hesitation Blues
"Hesitation Blues" is a popular song adapted from a traditional tune. One version was published by Billy Smythe, Scott Middleton, and Art Gillham. Another was published by W.C. Handy as "Hesitating Blues". Because the tune is traditional, many artists have taken credit as writer, frequently adapting the lyrics of one of the two published versions. Adaptations of the lyrics vary widely, though typically the refrain is recognizably consistent. The song is a jug band standard and is also played as blues and sometimes as Western swing. It is cataloged as Roud Folk Song Index No. 11765. Composer William Grant Still arranged a version of the song in 1916 while working with Handy. Smythe, Middleton and Gillham version The three men were involved in the music publishing business in St. Louis, Missouri. About 1914 they joined a band and went to Los Angeles. They passed their traveling time making up verses to a traditional tune. When they returned to St. Louis the trio went their sepa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragtime
Ragtime, also spelled rag-time or rag time, is a musical style that flourished from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces (often called "rags") are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles. " Maple Leaf Rag", " The Entertainer", "Fig Leaf Rag", "Frog Legs Rag", and "Sensation Rag" are among the most popular songs of the genre. The genre emerged from African American communities in the Southern and Midwestern United States, evolving from folk and minstrel styles and popular dances such as the cakewalk and combining with elements of classical and march music. Ragtime significantly influenced the development of jazz. In the 1960's, the genre had began to be revived with the publication '' The All Played Ragtime'' and artists re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dixieland
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reverend Gary Davis
Reverend Gary Davis, also Blind Gary Davis (born Gary D. Davis, April 30, 1896 – May 5, 1972), was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina and blind since infancy, Davis first performed professionally in the Piedmont blues scene of Durham, North Carolina in the 1930s, before converting to Christianity and becoming a minister. After relocating to New York in the 1940s, Davis experienced a career rebirth as part of the American folk music revival that peaked during the 1960s. Davis' most notable recordings include "Samson and Delilah" and "Death Don't Have No Mercy". Davis' fingerpicking guitar style influenced many other artists. His students included Stefan Grossman, David Bromberg, Steve Katz, Roy Book Binder, Larry Johnson, Nick Katzman, Dave Van Ronk, Rory Block, Ernie Hawkins, Larry Campbell, Bob Weir, Woody Mann, and Tom Winslow. He also influenced Bob Dylan, the Grateful Dead, Wizz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposing military alliances: the Allies and the Axis powers. World War II was a total war that directly involved more than 100 million personnel from more than 30 countries. The major participants in the war threw their entire economic, industrial, and scientific capabilities behind the war effort, blurring the distinction between civilian and military resources. Aircraft played a major role in the conflict, enabling the strategic bombing of population centres and deploying the only two nuclear weapons ever used in war. World War II was by far the deadliest conflict in human history; it resulted in 70 to 85 million fatalities, mostly among civilians. Tens of millions died due to genocides (including the Holocaust), starvation, ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
