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Hot House (Walter Bishop Jr. Album)
''Hot House'' is an album by pianist Walter Bishop Jr. which was recorded in 1977 and 1978 and released on the Muse label in 1979. accessed October 9, 2017 Reception David Szatmary of stated "Excellent bebop session by this pianist".Track listing # "Dahoud" () – 4:17 # "Medley: /A Time for Love" ( |
Walter Bishop Jr
Walter Bishop Jr. (October 4, 1927 – January 24, 1998) was an American jazz pianist. Early life Bishop was born in New York City on October 4, 1927.Greene, Philip; Kernfeld, Barr"Bishop, Walter Jr." ''The New Grove Dictionary of Jazz'' (2nd edition). Grove Music Online. Oxford Music Online. Oxford University Press. Retrieved February 18, 2016. Subscription required. He had at least two sisters, Marian and Beverly. His father was composer Walter Bishop Sr. In his teens, Bishop Jr.'s friends included future jazz musicians Kenny Drew, Sonny Rollins, and Art Taylor. He was brought up in Harlem. He left high school to play in dance bands in the area. In 1945–47 he was in the Army Air Corps. During his military service in 1947 Bishop was based near St Louis and met touring bebop musicians. Later life and career Later in 1947, he returned to New York. That year (or 1949) he was part of drummer Art Blakey's band for 14 weeks and recorded with them. Bishop developed his bebop playi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wave (Antônio Carlos Jobim Song)
"Wave" (also known as "Vou Te Contar" in Portuguese; "I am going to tell you" in English) is a bossa nova and jazz standard song written by Antônio Carlos Jobim. Recorded as an instrumental on his 1967 album of the same name, its English lyrics were written by Jobim himself later that year. The English lyrics were used on the February 11, 1969, recording by Frank Sinatra, on his 1970 album '' Sinatra & Company''. They were also used by Johnny Mathis in his 1970 '' Close to You'' album and by Sergio Mendes & Brasil '66 (sung by Lani Hall with Mendes) on their second album, ''Equinox'', in 1967. The song was voted by the Brazilian edition of ''Rolling Stone'' to be the 73rd greatest Brazilian song. According to ''The Jazz Discography'' by Tom Lord, the song has been recorded nearly 500 times by jazz artists. Notable recordings * Antonio Carlos Jobim – ''Wave'' (1967) and ''Antonio Carlos Jobim and Friends'' (1993) * Elis Regina with Toots Thielemans – ''Aquarela do Brasi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Foster
Aloysius Tyrone Foster (born January 18, 1943) is an American jazz drummer. Foster's professional career began in the mid-60s, when he played and recorded with hard bop and swing musicians including Blue Mitchell and Illinois Jacquet. Foster played jazz fusion with Miles Davis during the 70s and was one of the few people to have contact with Davis during his retirement from 1975–1980. During Davis's retirement, Foster continued to play and record acoustic jazz with Sonny Rollins, Dexter Gordon, McCoy Tyner, Horace Silver, and other band leaders. Foster played on Miles Davis's 1981 comeback album ''The Man with the Horn'', and was the only musician to play in Davis's band both before, and after, his retirement. After leaving Davis's band in the mid-80s, Foster toured and recorded with Herbie Hancock, Sonny Rollins, Joe Henderson, and many other band leaders, primarily working in acoustic jazz settings. Foster has also released several solo albums under his own name, starting wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Jones (musician)
Samuel Jones (November 12, 1924 – December 15, 1981) was an American jazz double bassist, cellist, and composer. Background Sam Jones was born in Jacksonville, Florida, United States, to a musical family. His father played piano and drums and his aunt played organ in church. In 1955, he moved to New York City and began his recording career with Tiny Bradshaw, before working with Bill Evans, Bobby Timmons, Les Jazz Modes, Kenny Dorham, Illinois Jacquet, Freddie Hubbard, Dizzy Gillespie (1958–59), and Thelonious Monk. He is probably best known for his work with Cannonball Adderley, performing in his quintet from 1955 to 1956 and then again from 1959 to 1964, and recording extensively for Riverside Records as both a leader and sideman. He later spent several years working with Oscar Peterson (1966-1970) and Cedar Walton (1972-1977). In the 1970s, Jones recorded several albums as a bandleader for the Xanadu and SteepleChase labels. Jones wrote the jazz standards "Del Sas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junior Cook
Herman "Junior" Cook (July 22, 1934 – February 3, 1992) was an American hard bop tenor saxophone player. Biography Cook was born in Pensacola, Florida. After playing with Dizzy Gillespie in 1958, Cook was a member of the Horace Silver Quintet (1958–1964); when Silver left the group in the hands of Blue Mitchell Cook stayed in the quintet for five more years (1964–1969). Later associations included Freddie Hubbard, Elvin Jones, George Coleman, Louis Hayes (1975–1976), Bill Hardman (1979–1989), and the McCoy Tyner big band. In addition to many appearances as a sideman, Junior Cook recorded as a leader for Jazzland (1961), Catalyst (1977), Muse, and SteepleChase. He also taught at Berklee School of Music for a year during the 1970s. In the early 1990s, Cook was playing with Clifford Jordan, and also leading his own group. He died in February 1992 in his apartment in New York City, aged 57. Discography As leader/co-leader * '' Junior's Cookin''' ( Jazzland, 196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Hardman
William Franklin Hardman Jr. (April 6, 1933 – December 6, 1990) was an American jazz trumpeter and flugelhornist who chiefly played hard bop. He was married to Roseline and they had a daughter Nadege. Career Hardman was born and grew up in Cleveland, Ohio, and worked with local players including Bobby Few and Bob Cunningham; while in high school he appeared with Tadd Dameron, and after graduation he joined Tiny Bradshaw's band. Hardman's first recording was with Jackie McLean in 1956; he later played with Charles Mingus, Art Blakey and the Jazz Messengers, Horace Silver, and Lou Donaldson, and led a group with Junior Cook. Hardman also recorded as a leader: '' Saying Something'' on the Savoy label received critical acclaim in jazz circles, but was little known to the general public. He had three periods in as many decades with Art Blakey's Jazz Messengers; Hardman's misfortune was not to be with the Messengers at the time of their popular Blue Note recordings. Blakey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All God's Chillun Got Rhythm
"All God's Chillun Got Rhythm" is a 1937 jazz standard. It was written by Walter Jurmann, Gus Kahn and Bronisław Kaper especially for Ivie Anderson, who performed it in the Marx Brothers' 1937 film '' A Day at the Races'', the tune was also used for the opening theme. The lyrics state that "All God's Children Got Rhythm" even if they "maybe haven't got money, maybe haven't got shoes". The authors (European immigrants from Poland, Germany, and Austria) were likely influenced by a traditional Negro spiritual " All God's Chillun Got Wings" alternately called "All God's Children Got Shoes" which affirms that all God's children have shoes. This was the inspiration for a Eugene O'Neill play of the same name in the 1924 and recorded by Paul Robeson, on YouTube who also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
