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Hot 100 No. 1 Hits Of 1969 (USA)
These are the ''Billboard'' Hot 100 number-one singles of 1969. That year, 8 acts hit number one for the first time, such as Sly & the Family Stone, The 5th Dimension, Billy Preston, Henry Mancini, Zager and Evans, The Archies, Steam, and Peter, Paul and Mary. The Beatles and The 5th Dimension were the only acts to have more than one song hit number one, with each having two. Chart history Number-one artists See also *1969 in music *List of Billboard number-one singles *Cashbox Top 100 number-one singles of 1969 Sources *''Fred Bronson's Billboard Book of Number 1 Hits, 5th Edition'' () *''Joel Whitburn's Top Pop Singles 1955-2008, 12 Edition'' () *''Joel Whitburn Presents the Billboard Hot 100 Charts: The Sixties'' () *Additional information obtained can be verified within ''Billboard's'online archive servicesand print editions of the magazine. References {{Top 100 1969 record charts 1969 This year is notable for Apollo 11's first landing on the moon. Ev ...
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Billboard Hot 100 Logo
A billboard (also called a hoarding in the UK and many other parts of the world) is a large out-of-home advertising, outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertising, advertisements to passing pedestrians and drivers. Typically brands use billboards to build their brands or to push for their new products. The largest ordinary-sized billboards are located primarily on major highways, expressways or principal arterials, and command high-density consumer exposure (mostly to vehicular traffic). These afford greatest visibility due not only to their size, but because they allow creative "customizing" through extensions and embellishments. Posters are the other common form of billboard advertising, located mostly along primary and secondary arterial roads. Posters are a smaller format and are viewed principally by residents and commuter traffic, with some pedestrian exposure. Ad ...
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Dizzy (Tommy Roe Song)
"Dizzy" is a song originally recorded by Tommy Roe; it became an international hit single in 1969. Instrumental backing was provided by the Los Angeles session musicians known as the Wrecking Crew. Co-written by Roe and Freddy Weller, "Dizzy" was a major hit on both sides of the Atlantic, reaching number one on the U.S. ''Billboard'' Hot 100 for four weeks in March 1969, for one week on the UK Singles Chart in June 1969, and was number one in Canada in March 1969. It was subsequently recorded by such disparate artists as Boney M, Wreckless Eric, and Billy J. Kramer. A 1991 cover by Vic Reeves and The Wonder Stuff reached number one in the UK Singles Chart. Personnel * Tommy Roe – vocals * Hal Blaine – drums * Joe Osborn – bass * Ben Benay – guitar * Michael Deasy – guitar * Don Randi – piano (On AFM Contract) * Jimmie Haskell – string arrangement Charts Weekly charts All-time charts Vic Reeves version On October 14, 1991, a cover of "Dizzy" recorded ...
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Elvis Presley
Elvis Aaron Presley (January 8, 1935 – August 16, 1977), or simply Elvis, was an American singer and actor. Dubbed the "Honorific nicknames in popular music, King of Rock and Roll", he is regarded as Cultural impact of Elvis Presley, one of the most significant cultural figures of the 20th century. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a civil rights movement, transformative era in race relations, led him to both great success and Cultural impact of Elvis Presley#Danger to American culture, initial controversy. Presley was born in Tupelo, Mississippi, and relocated to Memphis, Tennessee, with his family when he was 13 years old. His music career began there in 1954, recording at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Presley, on rhythm acoustic guitar, and accompanied by lead ...
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Suspicious Minds
"Suspicious Minds" is a 1968 song written and first recorded by American songwriter Mark James. After this recording failed commercially, it was cut by Elvis Presley with producer Chips Moman, becoming a No. 1 song in 1969, and one of the most memorable hits of Presley's career. The song The song is about a mistrusting and dysfunctional relationship, and the need of the characters to overcome their issues in order to maintain it. Written in 1968 by Mark James, who was also co-writer of " Always on My Mind" (which Presley would later record), the song was first recorded and released by James on Scepter Records in 1968. Chips Moman had asked James to come to Memphis to write songs for American Sound Studio. At the time, James was residing in Houston. He had written three songs that became No.1 hits in the Southern United States. American Sound Studio was gaining a reputation in the industry, as the Box Tops had just recorded " The Letter" there, so James relocated to Memphis. ...
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The Temptations
The Temptations are an American vocal group from Detroit, Michigan, who released a series of successful singles and albums with Motown Records during the 1960s and 1970s. The group's work with producer Norman Whitfield, beginning with the Top 10 hit single " Cloud Nine" in October 1968, pioneered psychedelic soul, and was significant in the evolution of R&B and soul music. The band members are known for their choreography, distinct harmonies, and dress style. Having sold tens of millions of albums, the Temptations are among the most successful groups in popular music. Featuring five male vocalists and dancers (save for brief periods with fewer or more members), the group formed in 1960 in Detroit under the name ''the Elgins''. The founding members came from two rival Detroit vocal groups: Otis Williams, Elbridge "Al" Bryant, and Melvin Franklin of Otis Williams & the Distants, and Eddie Kendricks and Paul Williams of the Primes. In 1964, Bryant was replaced by David Ruffin, w ...
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I Can't Get Next To You
"I Can't Get Next to You" is a 1969 No. 1 single recorded by the Temptations and written by Norman Whitfield and Barrett Strong for the Gordy ( Motown) label. The song was a No. 1 single on the ''Billboard'' Top Pop Singles chart for two weeks in 1969, from October 18 to October 25, replacing "Sugar, Sugar" by the Archies and replaced by "Suspicious Minds" by Elvis Presley. The single was also a No. 1 hit on the ''Billboard'' Top R&B Singles for five weeks, from October 4 to November 1, replacing " Oh, What a Night" by the Dells, and replaced by another Motown song, " Baby I'm For Real" by the Originals. The single was the second of the Temptations' four No. 1 hits on the United States pop charts, and was also one of the best-selling singles the group released. ''Billboard'' ranked it as the No. 3 song for 1969. The applause that starts the song, which is cut short by Dennis Edwards' spoken "Hold it, hold it, listen" line, was sampled in another Temptations song "Psychedeli ...
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Sugar, Sugar
Sugar, Sugar is a song written by Jeff Barry and Andy Kim (singer), Andy Kim. It was originally recorded by the Archies – a fictional band of studio musicians linked to the 1968–69 US Saturday morning TV cartoon ''The Archie Show'', inspired by the Archie Comics. In the autumn of 1969 the single topped both ''Billboard (magazine), Billboard's'' Billboard Hot 100, Hot 100 (for four weeks) and the UK Singles Chart (for eight weeks), ranking number one for the year in both America and Britain. “Sugar, Sugar” is the most successful bubblegum pop single of all time, and is widely regarded as the apotheosis of the late-1960s/early-1970s bubblegum music genre. In mid-1970 rhythm and blues, R&B/soul music, soul singer Wilson Pickett achieved success on both the US soul and pop charts with a cover version. The Archies version Background Produced by Jeff Barry, the Archies' recording of "Sugar, Sugar" features a group of studio musicians managed by Don Kirshner, former music super ...
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The Rolling Stones
The Rolling Stones are an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years, Jones was the primary leader: he assembled the band, named it, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger and Richards became the primary creative force behind the band, alienating Jones, who had developed a drug addiction that interfered with his ability to contribute meaningfully. Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront ...
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Honky Tonk Women
"Honky Tonk Women" is a song by the English rock band the Rolling Stones. It was released as a non-album single on 4 July 1969 in the United Kingdom, and a week later in the United States (although a country version called "Country Honk" was later included on the album ''Let It Bleed''). It topped the charts in both nations. The song was on ''Rolling Stone''s 500 Greatest Songs of All Time list, and was inducted into the Grammy Hall of Fame. Inspiration and recording The song was written by Mick Jagger and Keith Richards while on holiday in Brazil from late December 1968 to early January 1969, inspired by Brazilian "caipiras" (inhabitants of rural, remote areas of parts of Brazil) at the ranch where Jagger and Richards were staying in Matão, São Paulo. Two versions of the song were recorded by the band: the familiar hit which appeared on the 45 single and their collection of late 1960s singles, ''Through the Past, Darkly (Big Hits Vol. 2);'' and a honky-tonk version entitl ...
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In The Year 2525
"In the Year 2525 (Exordium & Terminus)" is a 1969 hit song by the American pop-rock duo of Zager and Evans. It reached number one on the ''Billboard'' Hot 100 for six weeks commencing July 12, 1969. It peaked at number one in the UK Singles Chart for three weeks in August and September that year. The song was written and composed by Rick Evans in 1964 and originally released on a small regional record label (Truth Records) in 1968. It was later picked up by RCA Records. Zager and Evans disbanded in 1971. Zager and Evans were a one-hit wonder, never releasing another charting single. This occurred in both the U.S. ''Billboard'' Hot 100 and the UK Singles Chart and , they are the only recording artists ever to have a chart-topping number one hit on both sides of the Atlantic and never have another charting single in the US or the UK for the rest of their career. Their follow-up single on RCA Victor, "Mr. Turnkey", reached number 48 in the Canadian pop charts and number 41 in the ...
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Love Theme From Romeo And Juliet
"Love Theme from ''Romeo and Juliet''", also known as "A Time for Us", is an instrumental arranged by Henry Mancini (from Nino Rota's music written for Franco Zeffirelli's film of ''Romeo and Juliet'', starring Leonard Whiting and Olivia Hussey). History The song was a number-one pop hit in the United States during the year 1969. It topped the ''Billboard'' Hot 100 singles chart on June 28, 1969, and remained there for two weeks; it was also his only Top Ten single on that chart. Rearranged by Mancini, who played the piano part himself, the song started competing with rock and roll songs from the Beatles and the Rolling Stones on an Orlando, Florida radio station and spread from there. It faced stiff opposition from some radio stations for being too soft. Those stations changed their tune when the song became number one, ending the five-week run of "Get Back" by the Beatles as the top song. This release topped the U.S. easy listening chart for eight weeks, where it was Mancini ...
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The Beatles
The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of all time and were integral to the development of counterculture of the 1960s, 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's Baby boomers, youth and sociocultural movements. Led by primary songwriter ...
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