Horst Laubenthal
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Horst Laubenthal
Horst Laubenthal (born 8 March 1939), real name Horst Neumaier, is a German operatic tenor and academic voice teacher. He is known internationally, both as an opera singer especially in Mozart roles such as Die Entführung aus dem Serail, Belmonte, Don Giovanni, Don Ottavio and The Magic Flute, Tamino, and as a concert and recital singer, with a focus on works by Johann Sebastian Bach. He has appeared at major opera houses and festivals, including the Glyndebourne Festival and the Salzburg Festival, and made many recordings, including rarely performed works such as Korngold's ''Violanta''. Career Horst Neumaier was born in Eisfeld, Thuringia. He studied voice at the Musikhochschule München from 1960 to 1965. His teacher was Kammersänger Rudolf Laubenthal, who adopted him. Laubenthal made his debut in 1967 as Don Ottavio in Mozart's ''Don Giovanni'' at the Mozart Festival Würzburg. From 1967, he was a member of the ensemble at the Staatsoper Stuttgart, from 1969 of the Theate ...
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Eisfeld
Eisfeld is a town and a municipality in the Hildburghausen (district), district of Hildburghausen, in Thuringia, Germany. It is situated on the river Werra, 12 km east of Hildburghausen, and 19 km north of Coburg. The former municipality Sachsenbrunn was merged into Eisfeld in January 2019. Sons and daughters of the city * Georg Rhau (1488–1548), book printer and Thomaskantor * (1787–1853), draftsman and Chalcography, chalcographer * Otto Ludwig (writer), Otto Ludwig (1813–1865), writer * (2006 - present), Bodybuilder and Malibu enjoyer References

Hildburghausen (district) Duchy of Saxe-Meiningen {{Hildburghausen-geo-stub ...
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Violanta
''Violanta'', Op. 8, is a one-act opera by Erich Wolfgang Korngold. The libretto is by the Austrian playwright Hans Müller-Einigen. It is Korngold's second opera, written when he was seventeen years old. Performance history It was premiered on 28 March 1916 at the National Theatre Munich together with the composer's other one-act opera '' Der Ring des Polykrates'', Op. 7, with Bruno Walter conducting. The North American premiere was given on 5 November 1927 at the Metropolitan Opera in New York City with Maria Jeritza as Violanta, as Alfonso, Clarence Whitehill as Simone, Angelo Badà as Giovanni, and Artur Bodanzky conducting. Roles Synopsis The opera is set in 15th-century Venice, at the house of Simone Trovai, military commander of the Venetian Republic. On the night of the great Carnival, Simone in vain searches his house for his wife Violanta. Ever since her sister Nerina committed suicide (after having been seduced by Alfonso, the Prince of Naples), she has been bent o ...
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Teatro Colón
The Teatro Colón (Spanish: ''Columbus Theatre'') is the main opera house in Buenos Aires, Argentina. It is considered one of the ten best opera houses in the world by National Geographic. According to a survey carried out by the acoustics expert Leo Beranek among leading international opera and orchestra directors, the Teatro Colón has the room with the best acoustics for opera and the second best for concerts in the world. The present Colón replaced an original theatre which opened in 1857. Towards the end of the century it became clear that a new theatre was needed and, after a 20-year process, the present theatre opened on 25 May 1908, with Giuseppe Verdi's ''Aïda''. The Teatro Colón was visited by the foremost singers and opera companies of the time, who would sometimes go on to other cities including Montevideo, Rio de Janeiro and São Paulo. After this period of huge international success, the theatre's decline became clear and plans were made for massive ren ...
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Bavarian State Opera
The Bayerische Staatsoper is a German opera company based in Munich. Its main venue is the Nationaltheater München, and its orchestra the Bayerische Staatsorchester. History The parent ensemble of the company was founded in 1653, under Electress consort Princess Henriette Adelaide of Savoy, when Giovanni Battista Maccioni's ''L'arpa festante'' was performed in the court theatre. In 1753, the Residence Theatre (Cuvilliés Theatre) was opened as a major stage. While opera performances were also held in the Prinzregententheater (completed in 1901), the company's home base is the Nationaltheater München on Max-Joseph-Platz. In 1875, the Munich Opera Festival took place for the first time. Sir Peter Jonas became the general manager in 1993, the first British general manager of any major German-speaking opera house. In 2008, Nikolaus Bachler became Intendant (general manager) of the opera company, and Kirill Petrenko became Generalmusikdirektor (GMD) in 2013. In 2014, the ...
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Hamburg State Opera
The Hamburg State Opera (in German: Staatsoper Hamburg) is a German opera company based in Hamburg. Its theatre is near the square of Gänsemarkt. Since 2015, the current ''Intendant'' of the company is Georges Delnon, and the current ''Generalmusikdirektor'' of the company is Kent Nagano. History Opera in Hamburg dates to 2 January 1678 when the Oper am Gänsemarkt was inaugurated with a performance of a biblical Singspiel by Johann Theile. It was not a court theatre but the first public opera house in Germany established by the art-loving citizens of Hamburg, a prosperous member of the Hanseatic League. The Hamburg ''Bürgeroper'' resisted the dominance of the Italianate style and rapidly became the leading musical center of the German Baroque. In 1703, George Friedrich Handel was engaged as violinist and harpsichordist and performances of his operas were not long in appearing. In 1705, Hamburg gave the world première of his opera ''Nero''. In 1721, Georg Philipp Telem ...
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Teatro Regio (Turin)
The Teatro Regio (Royal Theatre) is a prominent opera house and opera company in Turin, Piedmont, Italy. Its season runs from October to June with the presentation of eight or nine operas given from five to twelve performances of each. Several buildings provided venues for operatic productions in Turin from the mid-16th century, but it was not until 1713 that a proper opera house was considered, and under the architect Filippo Juvarra planning began. However, the cornerstone was not laid until the reign of Charles Emmanuel III in 1738 after Juvarra's death. The work was supervised by Benedetto Alfieri until the theatre was completed and decorated by Bernardino Galliari. Teatro Regio, 1740 to 1936 The Teatro Regio (Royal Theatre) was inaugurated on 26 December 1740 with Francesco Feo's ''Arsace''. It was a sumptuously built facility, seating 1,500 and with 139 boxes located on five tiers plus a gallery. However, the theatre was closed on royal order in 1792 and it became a wareho ...
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Die Zauberflöte
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ...
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Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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Die Meistersinger Von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theatre Munich, National Theater in Munich, today home of Bavarian State Opera. The story is set in Nuremberg in the mid-16th century. At the time, Nuremberg was a free imperial city and one of the centers of the Renaissance in Northern Europe. The story revolves around the city's guild of ''Meistersinger'' (Master Singers), an association of amateur poets and musicians who were primarily Master craftsman, master craftsmen of various trades. The master singers had developed a craftsmanlike approach to music-making, with an intricate system of rules for composing and performing songs. The work draws much of its atmosphere from its depictio ...
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The Flying Dutchman (opera)
The ''Flying Dutchman'' ( nl, De Vliegende Hollander) is a legendary ghost ship, allegedly never able to make port, but doomed to sail the seven seas forever. The myth is likely to have originated from the 17th-century Golden Age of the Dutch East India Company (VOC) and of Dutch maritime power. The oldest known extant version of the legend dates from the late 18th century. According to the legend, if hailed by another ship, the crew of the ''Flying Dutchman'' might try to send messages to land, or to people long dead. Reported sightings in the 19th and 20th centuries claimed that the ship glowed with a ghostly light. In ocean lore, the sight of this phantom ship functions as a portent of doom. It was commonly believed that the ''Flying Dutchman'' was a fluyt. Origins The first print reference to the ship appears in ''Travels in various part of Europe, Asia and Africa during a series of thirty years and upward'' (1790) by John MacDonald: The next literary reference ...
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Bayreuth Festival
The Bayreuth Festival (german: link=no, Bayreuther Festspiele) is a music festival held annually in Bayreuth, Germany, at which performances of operas by the 19th-century German composer Richard Wagner are presented. Wagner himself conceived and promoted the idea of a special festival to showcase his own works, in particular his monumental cycle and ''Parsifal''. Performances take place in a specially designed theatre, the Bayreuth Festspielhaus. Wagner personally supervised the design and construction of the theatre, which contained many architectural innovations to accommodate the huge orchestras for which Wagner wrote as well as the composer's particular vision about the staging of his works. The Festival has become a pilgrimage destination for Wagnerians and classical-music enthusiasts. Origins The origins of the Festival itself lie rooted in Richard Wagner's interest in establishing his financial independence. A souring of the relationship with his patron, Ludwig II o ...
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Zaide
''Zaide'' (originally, ''Das Serail'') is an unfinished German-language opera, K. 344, written by Wolfgang Amadeus Mozart in 1780. Emperor Joseph II, in 1778, was in the process of setting up an opera company for the purpose of performing German opera. One condition required of the composer to join this company was that he should write a comic opera. At Salzburg in 1779 Mozart began work on a new opera (now known as ''Zaide'' although Mozart did not give it such a title). It contains spoken dialogue, which also classifies it as a ''Singspiel'' (literally, "singing play"). Only the arias and ensembles from the first two acts were composed. Missing are an overture and third act. It was popular at the time for operas to depict the rescue of enslaved Westerners from Muslim courts, since Muslim pirates were preying on Mediterranean shipping, particularly to obtain slaves for various purposes. This story portrays Zaide's effort to save her beloved, Gomatz. Mozart was composing f ...
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