Horse Hair Raku
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Horse Hair Raku
Horse hair raku is a method of decorating pottery through the application of horsehair and other dry carbonaceous material to the heated ware. The burning carbonaceous material creates smoke patterns and carbon trails on the surface of the heated ware that remain as decoration after the ware cools. Although preparation is similar to pit fired pottery and other primitive firing techniques, horsehair raku is generally considered an alternative form of Western-style Raku ware, because it uses Western-style Raku kilns, firing techniques and tools. Horsehair raku usually utilizes burnishing and/or Terra sigillata techniques to prepare the unglazed surface before Bisque firing. The bisque ware is heated in a kiln, then removed while still extremely hot. The decorating is performed when the ware is between 480 and 700 °C; lower temperatures do not effectively combust the horsehair and other materials, while higher temperatures cause the carbon makings to burn off leaving no lastin ...
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Horsehair Vase Judge%27s Special Award Mashiko 2006 Swanica Ligtenberg
Horsehair is the long hair growing on the manes and tails of horses. It is used for various purposes, including upholstery, brushes, the bows of musical instruments, a hard-wearing fabric called haircloth, and for horsehair plaster, a wallcovering material formerly used in the construction industry and now found only in older buildings. Horsehair can be very fine and flexible; mane hair is generally softer and shorter than tail hair. The texture of horsehair can be influenced by the breed and management of the horse, including natural conditions such as diet or climate. Processing may also affect quality and feel. Horsehair is a protein fiber that absorbs water slowly, but can be dyed or colored effectively using traditional dyes suitable for protein fibers. It can be felted, but not easily. Uses Horsehair fabrics are woven with wefts of tail hair from live horses and cotton or silk warps. Horsehair fabrics are sought for their lustre, durability and care properties a ...
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Pottery
Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a ''potter'' is also called a ''pottery'' (plural "potteries"). The definition of ''pottery'', used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products". In art history and archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and sculpted figurines of the same material are called "terracottas". Pottery is one of the oldest human inventions, originating before the Neolithic period, with ceramic objects like the Gravettian culture Venus of Dolní Věstonice figurine discovered in the Czech Republic dating back to 29,000–25,000 BC, and pottery vessels that were ...
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Horsehair
Horsehair is the long hair growing on the manes and tails of horses. It is used for various purposes, including upholstery, brushes, the bows of musical instruments, a hard-wearing fabric called haircloth, and for horsehair plaster, a wallcovering material formerly used in the construction industry and now found only in older buildings. Horsehair can be very fine and flexible; mane hair is generally softer and shorter than tail hair. The texture of horsehair can be influenced by the breed and management of the horse, including natural conditions such as diet or climate. Processing may also affect quality and feel. Horsehair is a protein fiber that absorbs water slowly, but can be dyed or colored effectively using traditional dyes suitable for protein fibers. It can be felted, but not easily. Uses Horsehair fabrics are woven with wefts of tail hair from live horses and cotton or silk warps. Horsehair fabrics are sought for their lustre, durability and care properties a ...
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Carbon
Carbon () is a chemical element with the symbol C and atomic number 6. It is nonmetallic and tetravalent In chemistry, the valence (US spelling) or valency (British spelling) of an element is the measure of its combining capacity with other atoms when it forms chemical compounds or molecules. Description The combining capacity, or affinity of an ...—its atom making four electrons available to form covalent bond, covalent chemical bonds. It belongs to group 14 of the periodic table. Carbon makes up only about 0.025 percent of Earth's crust. Three Isotopes of carbon, isotopes occur naturally, Carbon-12, C and Carbon-13, C being stable, while Carbon-14, C is a radionuclide, decaying with a half-life of about 5,730 years. Carbon is one of the Timeline of chemical element discoveries#Ancient discoveries, few elements known since antiquity. Carbon is the 15th Abundance of elements in Earth's crust, most abundant element in the Earth's crust, and the Abundance of the c ...
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Pit Fired Pottery
Pit firing is the oldest known method for the firing of pottery. Examples have been dated as early as 29,000–25,000 BCE, while the earliest known kiln dates to around 6000 BCE, and was found at the Yarim Tepe site in modern Iraq. Kilns allow higher temperatures to be reached, and use fuel more efficiently, and have long replaced pit firing as the most widespread method of firing pottery, although the technique still finds limited use amongst certain studio potters and in Africa. Unfired pots are nestled together in a pit in the ground and are surrounded with combustible materials such as wood, shavings, dried manure, leaves, and sometimes metal oxides and salts to affect the surface of the pots. The top of the pit may be protected with moist clay, shards, larger pieces of wood or metal baffles. The filled pit is then set on fire and carefully tended until most of the inner fuel has been consumed. At around 1,100°C (2,000°F) the maximum temperatures are moderate compar ...
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Raku Ware
is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of ''chawan'' tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln while still glowing hot. In the traditional Japanese process, the fired raku piece is removed from the hot kiln and is allowed to cool in the open air. The Western version of raku was developed in the 20th century by studio potters. Typically wares are fired at a high temperature, and after removing pieces from the kiln, the wares are placed in an open-air container filled with combustible material, which is not a traditional Raku practice in Japan. The Western process can give a great variety of colors and surface effects, making it very popular with studio and amateur potters. History In the 16th century, Sen no Rikyū, the Japanese tea master, was involved wit ...
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Burnishing (pottery)
Burnishing is a form of pottery treatment in which the surface of the pot is polished, using a hard smooth surface such as a wooden or bone spatula, smooth stones, plastic, or even glass bulbs, while it still is in a leathery 'green' state, i.e., before firing. After firing, the surface is extremely shiny. This technique can be applied to concrete masonry, creating a polished finish. Burnishing can also be applied to wood, by rubbing two pieces together along the grain. Hard woods take the treatment best. Burnishing does not protect the wood like a varnish does, but does impart a glossy sheen. See also *Black-burnished ware, a type of Romano-British ceramic *Black-on-black ware, a pottery tradition developed by Puebloan Native American ceramic artists *Northern Black Polished Ware The Northern Black Polished Ware culture (abbreviated NBPW or NBP) is an urban Iron Age Indian culture of the Indian Subcontinent, lasting c. 700–200 BCE (proto NBPW between 1200 and 700 ...
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Terra Sigillata
Terra sigillata is a term with at least three distinct meanings: as a description of medieval medicinal earth; in archaeology, as a general term for some of the fine red Ancient Roman pottery with glossy surface slips made in specific areas of the Roman Empire; and more recently, as a description of a contemporary studio pottery technique supposedly inspired by ancient pottery. Usually roughly translated as 'sealed earth', the meaning of 'terra sigillata' is 'clay bearing little images' (Latin ''sigilla''), not 'clay with a sealed (impervious) surface'. The archaeological term is applied, however, to plain-surfaced pots as well as those decorated with figures in relief. Terra sigillata as an archaeological term refers chiefly to a specific type of plain and decorated tableware made in Italy and in Gaul (France and the Rhineland) during the Roman Empire. These vessels have glossy surface slips ranging from a soft lustre to a brilliant glaze-like shine, in a characteristic colou ...
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Native Americans In The United States
Native Americans, also known as American Indians, First Americans, Indigenous Americans, and other terms, are the Indigenous peoples of the mainland United States ( Indigenous peoples of Hawaii, Alaska and territories of the United States are generally known by other terms). There are 574 federally recognized tribes living within the US, about half of which are associated with Indian reservations. As defined by the United States Census, "Native Americans" are Indigenous tribes that are originally from the contiguous United States, along with Alaska Natives. Indigenous peoples of the United States who are not listed as American Indian or Alaska Native include Native Hawaiians, Samoan Americans, and the Chamorro people. The US Census groups these peoples as " Native Hawaiian and other Pacific Islanders". European colonization of the Americas, which began in 1492, resulted in a precipitous decline in Native American population because of new diseases, wars, ethni ...
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Pueblo
In the Southwestern United States, Pueblo (capitalized) refers to the Native tribes of Puebloans having fixed-location communities with permanent buildings which also are called pueblos (lowercased). The Spanish explorers of northern New Spain used the term ''pueblo'' to refer to permanent indigenous towns they found in the region, mainly in New Mexico and parts of Arizona, in the former province of Nuevo México. This term continued to be used to describe the communities housed in apartment structures built of stone, adobe mud, and other local material. The structures were usually multi-storied buildings surrounding an open plaza, with rooms accessible only through ladders raised/lowered by the inhabitants, thus protecting them from break-ins and unwanted guests. Larger pueblos were occupied by hundreds to thousands of Puebloan people. Various federally recognized tribes have traditionally resided in pueblos of such design. Later Pueblo Deco and modern Pueblo Revival architectu ...
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