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Horror And Terror
The distinction between terror and horror is a standard literary and psychological concept applied especially to Gothic and horror fiction. ''Terror'' is usually described as the feeling of dread and anticipation that ''precedes'' the horrifying experience. By contrast, ''horror'' is the feeling of revulsion that usually ''follows'' a frightening sight, sound, or otherwise experience. Terror has also been defined by Noel Carroll as a combination of horror and revulsion. Literary Gothic The distinction between terror and horror was first characterized by the Gothic writer Ann Radcliffe (1764–1823), horror being more related to being shocked or scared (being horrified) at an awful realization or a deeply unpleasant occurrence, while terror is more related to being anxious or fearful. Radcliffe considered that terror is characterized by "obscurity" or indeterminacy in its treatment of potentially horrible events, something which leads to the sublime. She says in an essay p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Charles Bell, Essays On Expression Wellcome L0021920
''Sir'' is a formal honorific address in English language, English for men, derived from Sire in the High Middle Ages. Both are derived from the old French "Sieur" (Lord), brought to England by the French-speaking Normans, and which now exist in French only as part of "Monsieur", with the equivalent "My Lord" in English. Traditionally, as governed by law and custom, Sir is used for men titled as knights, often as members of Order of chivalry, orders of chivalry, as well as later applied to baronets and other offices. As the female equivalent for knighthood is damehood, the female equivalent term is typically Dame. The wife of a knight or baronet tends to be addressed as Lady, although a few exceptions and interchanges of these uses exist. Additionally, since the late modern period, Sir has been used as a respectful way to address a man of superior social status or military rank. Equivalent terms of address for women are Madam (shortened to Ma'am), in addition to social honorifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uncanny
The uncanny is the psychological experience of something as not simply mysterious, but creepy, often in a strangely familiar way. It may describe incidents where a familiar thing or event is encountered in an unsettling, eerie, or taboo context.D. Bate, ''Photography and Surrealism'' (2004) pp. 39–40. Ernst Jentsch set out the concept of the uncanny later elaborated on by Sigmund Freud in his 1919 essay ''Das Unheimliche'', which explores the eeriness of dolls and waxworks. For Freud, the uncanny locates the strangeness in the ordinary. Expanding on the idea, psychoanalytic theorist Jacques Lacan wrote that the uncanny places us "in the field where we do not know how to distinguish bad and good, pleasure from displeasure", resulting in an irreducible anxiety that gestures to the Real. The concept has since been taken up by a variety of thinkers and theorists such as roboticist Masahiro Mori's uncanny valley and Julia Kristeva's concept of abjection. History German ideali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Routledge
Routledge () is a British multinational publisher. It was founded in 1836 by George Routledge, and specialises in providing academic books, journals and online resources in the fields of the humanities, behavioural science, education, law, and social science. The company publishes approximately 1,800 journals and 5,000 new books each year and their backlist encompasses over 70,000 titles. Routledge is claimed to be the largest global academic publisher within humanities and social sciences. In 1998, Routledge became a subdivision and imprint of its former rival, Taylor & Francis Group (T&F), as a result of a £90-million acquisition deal from Cinven, a venture capital group which had purchased it two years previously for £25 million. Following the merger of Informa and T&F in 2004, Routledge became a publishing unit and major imprint within the Informa "academic publishing" division. Routledge is headquartered in the main T&F office in Milton Park, Abingdon, Oxfords ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Monthly Magazine
''The New Monthly Magazine'' was a British monthly magazine published from 1814 to 1884. It was founded by Henry Colburn and published by him through to 1845. History Colburn and Frederic Shoberl established ''The New Monthly Magazine and Universal Register'' as a "virulently Tory" competitor to Sir Richard Phillips' ''Monthly Magazine'' in 1814. "The double-column format and the comprehensive contents combined the ''Gentleman's Magazine'' with the '' Annual Register''". In its April 1819 issue it published John Polidori's Gothic fiction ''The Vampyre'', the first significant piece of prose vampire literature in English, attributing it to Lord Byron, who partly inspired it. In 1821 Colburn recast the magazine with a more literary and less political focus, retitling it ''The New Monthly Magazine and Literary Journal''. Nominally edited by the poet Thomas Campbell, most editing fell to the sub-editor Cyrus Redding. Colburn paid contributors well, and they included Sydney Morga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nightmare
A nightmare, also known as a bad dream, Retrieved 11 July 2016. is an unpleasant dream that can cause a strong emotional response from the mind, typically fear but also despair, anxiety or great sadness. The dream may contain situations of discomfort, psychological or physical terror, or panic. After a nightmare, a person will often awaken in a state of distress and may be unable to return to sleep for a short period of time. Recurrent nightmares may require medical help, as they can interfere with sleeping patterns and cause insomnia. Nightmares can have physical causes such as sleeping in an uncomfortable position or having a fever, or psychological causes such as stress or anxiety. Eating before going to sleep, which triggers an increase in the body's metabolism and brain activity, can be a potential stimulus for nightmares. The prevalence of nightmares in children (5–12 years old) is between 20 and 30%, and for adults is between 8 and 30%. In common language, the mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monster Literature
Monster literature is a genre of literature that combines good and evil and intends to evoke a sensation of horror and terror in its readers by presenting the evil side in the form of a monster. History The themes and concepts of Monster Literature are rooted in 18th century Gothic literature. The earliest examples of Gothic literature can be traced all the way back to English author Horace Walpole's novel ''The Castle of Otranto'' (1764). However, monster literature first emerged in the 19th century with the release of Mary Shelley's ''Frankenstein'' (1818). Gothic literature includes elements of horror and terror as well as a victim who is helpless against his enemy or victimizer. This victimizer usually possesses some form of supernatural power or advantage over the victim, and uses it to cause strife in the life of the victim. In Monster literature, the victimizer is portrayed in the form of a monster that torments the protagonists. In addition, Gothic inspired Monster literat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medusa's Head
"Medusa's Head" (''Das Medusenhaupt'', 1922), by Sigmund Freud, is a very short, posthumously published essay on the subject of the Medusa Myth. Equating decapitation with castration, Freud maintained that the terror of Medusa was a reflection of the castration complex aroused in the young boy when the sight of the female genitals brought home the truth that females have no penis. Analysis The hair upon Medusa's head is frequently represented in works of art in the form of snakes. Freud considered that, as penis symbols derived from the pubic hair, they serve to mitigate the horror of the complex, as a form of overcompensation. This sight of Medusa's head makes the spectator stiff with terror, turns him to stone. Observe that we have here once again the same origin from the castration complex and the same transformation of effect. In the original situation, it offers consolation to the spectator: he is still in possession of a penis, and the stiffening reassures him of the fact. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fear
Fear is an intensely unpleasant emotion in response to perceiving or recognizing a danger or threat. Fear causes physiological changes that may produce behavioral reactions such as mounting an aggressive response or fleeing the threat. Fear in human beings may occur in response to a certain stimulus occurring in the present, or in anticipation or expectation of a future threat perceived as a risk to oneself. The fear response arises from the perception of danger leading to confrontation with or escape from/avoiding the threat (also known as the fight-or-flight response), which in extreme cases of fear ( horror and terror) can be a freeze response or paralysis. In humans and other animals, fear is modulated by the process of cognition and learning. Thus, fear is judged as rational or appropriate and irrational or inappropriate. An irrational fear is called a phobia. Fear is closely related to the emotion anxiety, which occurs as the result of threats that are perceive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantastic Art
Fantastic art is a broad and loosely defined art genre. It is not restricted to a specific school of artists, geographical location or historical period. It can be characterised by subject matter – which portrays non-realistic, mystical, mythical or folkloric subjects or events – and style, which is representational and naturalistic, rather than abstract – or in the case of magazine illustrations and similar, in the style of graphic novel art such as manga. Fantasy has been an integral part of art since its beginnings, but has been particularly important in mannerism, magic realist painting, romantic art, symbolism, surrealism and lowbrow. In French, the genre is called le fantastique, in English it is sometimes referred to as ''visionary art'', ''grotesque art'' or mannerist art. It has had a deep and circular interaction with fantasy literature. The subject matter of fantastic art may resemble the product of hallucinations, and Fantastic artist Richard Dadd sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychological Trauma
Psychological trauma, mental trauma or psychotrauma is an emotional response to a distressing event or series of events, such as accidents, rape, or natural disasters. Reactions such as psychological shock and psychological denial are typical. Longer-term reactions include unpredictable emotions, flashbacks, difficulties with interpersonal relationships and sometimes physical symptoms including headaches or nausea. Trauma is not the same as mental distress or suffering, both of which are universal human experiences. Given that subjective experiences differ between individuals, people will react to similar events differently. In other words, not all people who experience a potentially traumatic event will actually become psychologically traumatized (although they may be distressed and experience suffering). Some people will develop post-traumatic stress disorder (PTSD) after being exposed to a major traumatic event (or series of events). This discrepancy in risk rate can be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julia Kristeva
Julia Kristeva (; born Yuliya Stoyanova Krasteva, bg, Юлия Стоянова Кръстева; on 24 June 1941) is a Bulgarian-French philosopher, literary critic, semiotician, psychoanalyst, feminist, and, most recently, novelist, who has lived in France since the mid-1960s. She has taught at Columbia University, and is now a professor emerita at Université Paris Cité. The author of more than 30 books, including ''Powers of Horror'', ''Tales of Love'', ''Black Sun: Depression and Melancholia'', ''Proust and the Sense of Time'', and the trilogy ''Female Genius'', she has been awarded Commander of the Legion of Honor, Commander of the Order of Merit, the Holberg International Memorial Prize, the Hannah Arendt Prize, and the Vision 97 Foundation Prize, awarded by the Havel Foundation. Kristeva became influential in international critical analysis, cultural studies and feminism after publishing her first book, ''Semeiotikè'', in 1969. Her sizeable body of work includes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
