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Horror-of-demonic
The horror-of-the-demonic film is one of three subgenres of the horror film that grew out of mid- and late-20th-century American culture. Characteristics As described by the film aesthetician Charles Derry, the horror-of-the-demonic film suggested that the world was horrible because evil forces existed that were constantly undermining the quality of existence. The evil forces could either remain mere spiritual presences, as in ''Don't Look Now'' (Nicolas Roeg, 1973), or they could take the guise of witches, demons, or devils. "Films about witchcraft and ghosts have always been with us. Indeed, the idea of an evil incarnate has a long American tradition... The themes of repression and evil forces have long been a staple of American literature, from Nathaniel Hawthorne's ''The House of Seven Gables'' and Washington Irving's "The Legend of Sleepy Hollow" to Edgar Allan Poe's 'The Raven' and Henry James' ''The Turn of the Screw''."Charles Derry, ''Dark Dreams: A Psychological History o ...
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Horror Film
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apocalyptic events, and religious or folk beliefs. Cinematic techniques used in horror films have been shown to provoke psychological reactions in an audience. Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From origins in silent films and German Expressionism, horror only became a codified genre after the release of ''Dracula'' (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been produ ...
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Horror Hotel
''The City of the Dead'' (U.S. title: ''Horror Hotel'') is a 1960 supernatural horror film directed by John Llewellyn Moxey and starring Christopher Lee, Venetia Stevenson, Betta St. John, Patricia Jessel and Valentine Dyall. The film marks the directorial debut of Moxey. It was produced in the United Kingdom but set in America, and the British actors were required to speak with North American accents throughout. Plot In 1692 in fictional Whitewood, Massachusetts, a witch named Elizabeth Selwyn is burned at the stake. Before her death, Selwyn and her accomplice, Jethrow Keane, sold their souls to Lucifer for eternal life and revenge on Whitewood in return for providing the Devil with two yearly virgin human sacrifices on the Hour of Thirteen during Candlemas Eve and the Witches' Sabbath. In the present day, following his lecture on witchcraft, a university history professor, Alan Driscoll, advises an interested student named Nan Barlow to visit Whitewood during her vacat ...
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Sidney Hayers
Sidney Hayers (24 August 1921 – 8 February 2000) was a British film and television director, writer and producer. Born in Edinburgh, Scotland, Hayers began his career as a film editor. Among the films he directed are ''Circus of Horrors'' (1960), the occult thriller ''Night of the Eagle'' (1962), a musical ''Three Hats for Lisa'' (1965), and the adventure films '' The Southern Star'' (1969) and '' The Trap'' (1966). In British TV, his credits included ''The Persuaders!'' and '' The New Avengers''; he later directed several American TV shows, including episodes of ''Magnum, P.I.'', ''The A-Team'', ''Knight Rider'', ''T. J. Hooker'', ''Baywatch'' and ''The Famous Five''. Hayers died of cancer in 2000 in Altea, Spain. His wife was the actress Erika Remberg. He had two children, Susan and Robert from his first marriage, to Patricia.Obituaries: Sidney Hayers Lentz, Harris M, III. Science Fiction Chronicle; Radford Vol. 21, Iss. 4, (Aug/Sep 2000): 51. Filmography As writer * ...
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Burn Witch Burn (film)
''Night of the Eagle'' is a 1962 British horror film directed by Sidney Hayers. The script by Charles Beaumont, Richard Matheson and George Baxt was based upon the 1943 Fritz Leiber novel ''Conjure Wife''. The film was retitled ''Burn, Witch, Burn!'' for the US release.Gary A. Smith, ''The American International Pictures Video Guide'', McFarland 2009 p 36 Plot Norman Taylor ( Peter Wyngarde) is a psychology professor lecturing about belief systems and superstition. After a scene in which his wife searches frantically and finds a poppet left by a jealous work rival, he discovers that his wife, Tansy ( Janet Blair), is practising obeah, referred to in the film as "conjure magic", which she learned in Jamaica. She insists that her charms have been responsible for his rapid advancement in his academic career and for his general well-being. A firm rationalist, Norman is angered by her acceptance of superstition. He forces her to burn all her magical paraphernalia. Almost imm ...
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Paul Wendkos
Abraham Paul Wendkos (September 20, 1925 – November 12, 2009) was an American television and film director. Early life and education Wendkos was born in Philadelphia to parents Simon Wendkos and Judith Wendkos. Wendkos served in World War II in the United States Navy and went to Columbia University on the G.I. Bill. Paul made his first feature, a documentary on a school for the blind called ''Dark Interlude'' in 1953. Career Columbia Pictures Wendkos' first feature film was '' The Burglar''. His fluid camera technique caught the attention of the head of Columbia Pictures, Harry Cohn, who not only wished to distribute the film but put Wendkos under contract. Wendkos directed episodes of ''Playhouse 90'' then did ''The Case Against Brooklyn'' (1958) for producer Charles Schneer at Columbia. He directed a TV movie for Columbia about Jesse James, ''Bitter Heritage'' (1958) and episodes of '' Behind Closed Doors'' (1958). Wendkos directed another for Schneer, the war movie ...
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The Mephisto Waltz
''The Mephisto Waltz'' is a 1971 American horror film about an occult-murder mystery. It was directed by Paul Wendkos and starred Alan Alda, Jacqueline Bisset, Barbara Parkins, Bradford Dillman and Curd Jürgens. The name of the film is taken from the piano work by Franz Liszt of the same title (see Mephisto Waltzes). Ben Maddow adapted his screenplay from the novel of the same title by Fred Mustard Stewart. The film was the only big-screen work of veteran television producer Quinn Martin. Plot Myles Clarkson, long ago frustrated in his hope for a career as a concert pianist, is now a music journalist and interviews Duncan Ely, perhaps the world's greatest piano virtuoso. At first annoyed by Myles' presence, Duncan notices that Myles' hands seem perfect for the piano. From that point, Duncan and his adult daughter, Roxanne, strongly pursue a friendship with Myles and wife Paula. Paula does not much like Duncan and especially dislikes Roxanne. While Paula is disturbed by the le ...
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Cyril Frankel
Cyril Solomon Israel Frankel (28 December 19217 June 2017) was a British film and television director. His career in television began in 1953 and he directed for over 30 TV programmes until 1990. He directed many episodes of popular British TV shows, such as '' The Avengers'', and the pilot episodes of the ITC Entertainment shows ''Randall and Hopkirk (Deceased)'' and '' Department S'' in 1969. In 1970, he directed "Timelash", an episode of ''UFO'', which he described as a very interesting script and one of his personal favourites. Frankel also directed many documentaries and feature films, including ''Never Take Sweets from a Stranger'' (1960) and ''School for Scoundrels'' (1960; taking over from Robert Hamer, who was credited as sole director). One of his films, ''Man of Africa'' (1953) - the first film to feature a cast made up of relatively unknown black actors - was not released and was lost for some time. A complete copy has since been discovered and has been screened at a nu ...
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The Witches (1966 Film)
''The Witches'', released in the United States as ''The Devil's Own'', is a 1966 British horror film directed by Cyril Frankel and starring Joan Fontaine, Alec McCowen, Kay Walsh, Ann Bell, Ingrid Boulting (billed as Ingrid Brett) and Gwen Ffrangcon Davies. Made by Hammer Films, it was adapted by Nigel Kneale from the 1960 novel ''The Devil's Own'' by Norah Lofts, published under the pseudonym Peter Curtis. Plot Schoolteacher Gwen Mayfield comes back to England after suffering a nervous breakdown caused by an attack by witch-doctors while working in a mission in Africa. She's hired by the wealthy Reverend Alan Bax, who runs a school in the remote village of Heddaby. Once there, Gwen finds out Alan is not actually a minister, and only wears a collar out of "a sense of security"; the only church in the village is in ruins. Meanwhile, she befriends Alan's sister, an esteemed journalist. The romance between two of Gwen's students, Ronnie Dowsett and Linda Rigg, is sternly opposed ...
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Roman Polanski
Raymond Roman Thierry Polański , group=lower-alpha, name=note_a (né Liebling; 18 August 1933) is a French-Polish film director, producer, screenwriter, and actor. He is the recipient of numerous accolades, including an Academy Award, two British Academy Film Awards, nine César Awards, two Golden Globe Awards, as well as the Golden Bear and a Palme d'Or. His Polish–Jewish parents moved the family from his birthplace in Paris back to Kraków in 1937.Paul Werner, ''Polański. Biografia'', Poznań: Rebis, 2013, p. 13. Two years later, the invasion of Poland by Nazi Germany started World War II, and the family found themselves trapped in the Kraków Ghetto. After his mother and father were taken in raids, Polanski spent his formative years in foster homes, surviving the Holocaust by adopting a false identity and concealing his Jewish heritage. Polanski's first feature-length film, ''Knife in the Water'' (1962), was made in Poland and was nominated for the United States ...
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Rosemary's Baby (film)
''Rosemary's Baby'' is a 1968 American psychological horror film written and directed by Roman Polanski, based on Ira Levin's 1967 novel of the same name. The film stars Mia Farrow as a young (soon pregnant) wife living in Manhattan who comes to suspect that her elderly neighbors are members of a Satanic cult and are grooming her in order to use her baby for their rituals. The film's supporting cast includes John Cassavetes, Ruth Gordon, Sidney Blackmer, Maurice Evans, Ralph Bellamy, Patsy Kelly, Angela Dorian, and, in his feature film debut, Charles Grodin. The film deals with themes related to paranoia, women's liberation, Christianity (Catholicism), and the occult. While it is primarily set in New York City, the majority of principal photography for ''Rosemary's Baby'' took place in Los Angeles throughout late 1967. The film was released on June 12, 1968 by Paramount Pictures, and was a box office success, grossing over $30 million in the United States. It received almo ...
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Robert Mulligan
Robert Patrick Mulligan (August 23, 1925 – December 20, 2008) was an American director and producer. He is best known for his humanist dramas, including ''To Kill a Mockingbird (film), To Kill a Mockingbird'' (1962), ''Summer of '42'' (1971), ''The Other (1972 film), The Other'' (1972), ''Same Time, Next Year (film), Same Time, Next Year'' (1978), and ''The Man in the Moon'' (1991). He was also known in the 1960s for his extensive collaborations with producer Alan J. Pakula. Early life Mulligan served in either the United States Navy, U.S. NavyRobert P. Mulligan; Fordham College at Rose Hill, Class of 1948, Award-Winning Director and Producer, (I ...
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The Other (1972 Film)
''The Other'' is a 1972 American horror psychological thriller film directed by Robert Mulligan, adapted for film by Thomas Tryon from his 1971 novel of the same name. It stars Uta Hagen, Diana Muldaur, and twins Chris and Martin Udvarnoky, with Victor French, John Ritter, and Jenny Sullivan in supporting roles. Plot In 1935 Connecticut, widow Alexandra Perry lives with her identical twin sons, Holland and Niles, on their family farm, overseen by Uncle George and his wife Vee, along with their bratty son Russell. Residing nearby is their Russian emigrant grandmother Ada, with whom Niles shares a close relationship. Ada has taught Niles to astrally project his mind into the bodies of other living creatures, an ability that runs in the Perry family; they refer to this as "the game". Unfortunately, it's no innocent game, considering it leads to the freak "accidental" death of Cousin Russell, the paralysis of Alexandra, and a fatal heart attack suffered by a neighbor, Mrs. Rowe. A ...
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