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Horomos Monastery
Horomos (), also known as Horomosivank, Ghoshavank, Hochavank or Khosha Vank, is an abandoned and ruined medieval Armenian monastic complex about 15 kilometers northeast of the ruins of Ani—the capital of Bagratid Armenia—) in present-day eastern Turkey. With its collection of churches, chapels and tombs, Horomos has been described as one of the most significant spiritual and cultural religious centers in medieval Armenia and one of the largest in all the Christian East. History Horomos was founded by a group of Armenian monks around 931-36, during the reign of King Abas I Bagratuni (r. ca. 929-953). The monastic complex was enlarged over time and came to include the individual churches of Sts. John, Minas, and George, a series of large halls ( gavits), a triumphal arch, and various smaller chapels and mausolea. It served as a burial ground for noble families, particularly Ashot III of Armenia (r. 953–77), Gagik I of Armenia (r. 989-1020), Yovhannēs-Smbat, and the Zak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tavush Province
Tavush (, ) is a administrative divisions of Armenia, province of Armenia located at the northeast of Armenia, bordered by Georgia (country), Georgia from the north and Azerbaijan from the east. Internally, Tavush borders the Gegharkunik Province from the south, Kotayk Province from the southwest, and the Lori Province from west. The capital and largest city of the province is the town of Ijevan. Etymology The name of the province is derived from ''Tavush''; a variant of the original name of the Tuchkatak canton of the historical Utik province of Kingdom of Armenia (antiquity), Ancient Armenia. It first appeared during the 9th century as the name of the 9th-century Bagratid fortress near modern-day Berd. Geography Tavush has an area of 2,704 km2 (9% of total area of Armenia). It occupies the northeastern part of Armenia. It is bordered by Georgia to the north and Azerbaijan to the east. Domestically, it is bordered by the Gegharkunik Province from the south, Kotayk Provinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vachutian Dynasty
Vachutian dynasty (in Armenian Վաչուտյան տուն or Վաչուտյաններ) was an Armenian noble feudal family headed by a line of princes with the title "Prince of Princes" (in Armenian Իշխանաց իշխան pronounced Ishkhanats Ishkhan), that ruled as a suzerainty in part of Medieval Armenia from around 1206 AD to 1350 AD in the Ayraradian area and Aragatsotn Aparan (present day Aragatsotn Province in Armenia). The Vachutian dynasty was founded by Vache I Amberdtsi (also known as Vachutyan) in the beginning of the thirteenth century as one of the ruling families of the semi-independent Zakarid Armenia (1201–1335), as Zakare II Zakarian and Ivane I Zakarian had reorganized Armenia into several provinces each ruled by a feudal prince, amongst them the descendants of Vachut. Throughout their rule, the Vachutians kept close family relations through marriages with other Armenian feudal princes like the Zakarids (Զաքարյաններ) the latter keeping the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vache Vachutian
Vache I Vachutian also Vace Vacutian, also known as Amberdtsi Vachutyan (Վաչե Ա. Ամբերդեցի, ruled 1206–1230), was an Armenian prince, and a Court official of the Kingdom of Georgia holding the offices of '' Msakhurtukhutsesi'' (Majordomo), founder of the Vachutian dynasty, themselves vassals to the Zakarid dynasty of Zakarid Armenia. He was married to Mamakhatun, daughter of Abuserh. Vache I Vachutian is known for the foundation of various monastic buildings in historical Armenia. He built the churches of the Saghmosavank Monastery (1215) and Hovhannavank Monastery (1216–1221), while his son Kurt built the ''zhamatuns'' attached to them, in 1250 for Hovhannavank and 1255 for Saghmosavank. Vache Vachutian also built the church of Tegher Monastery (1213), and the vestibule (''gavit'') of St. Astvatsatsin Church in Sanahin Monastery (1211), which is evidenced by the inscription preserved on the south wall inside the vestibule. He is also known for building a mau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mausoleum Of Prince Vache Vacutian (Governor Of Ani 1213-1232), Built In 1229
A mausoleum is an external free-standing building constructed as a monument enclosing the burial chamber of a deceased person or people. A mausoleum without the person's remains is called a cenotaph. A mausoleum may be considered a type of tomb, or the tomb may be considered to be within the mausoleum. Overview The word ''mausoleum'' (from the ) derives from the Mausoleum at Halicarnassus (near modern-day Bodrum in Turkey), the grave of King Mausolus, the Persian satrap of Caria, whose large tomb was one of the Seven Wonders of the Ancient World. Mausolea were historically, and still may be, large and impressive constructions for a deceased leader or other person of importance. However, smaller mausolea soon became popular with the gentry and nobility in many countries. In the Roman Empire, these were often in necropoles or along roadsides: the via Appia Antica retains the ruins of many private mausolea for kilometres outside Rome. When Christianity became dominant, maus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divriği Great Mosque And Hospital
Divriği Great Mosque and Hospital () was built in 1228–1229 by the local dynasty of the Mengujekids in the small Central Anatolia Region, Anatolian town of Divriği, now in Sivas Province, Turkey. The complex is in the upper town, below the citadel. The exquisite stone carvings and eclectic Anatolian Seljuk architecture, architecture of the complex places it among the most important works of architecture in Anatolia and led to its inclusion on UNESCO's World Heritage Site, World Heritage List in 1985. History Background The city of Divriği was founded in the 9th century under Byzantine Empire, Byzantine rule, but after the defeat of the Byzantines in the Battle of Manzikert (1071) it was occupied by Turkish people, Turkish tribes who settled the region. In this period the region of Anatolia came to be ruled by numerous competing Anatolian beyliks, beyliks ruled by local Turkish dynasties and offshoots of the Seljuk dynasty. In the 12th century, the House of Mengüjek, Men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seljuk Empire
The Seljuk Empire, or the Great Seljuk Empire, was a High Middle Ages, high medieval, culturally Turco-Persian tradition, Turco-Persian, Sunni Islam, Sunni Muslim empire, established and ruled by the Qiniq (tribe), Qïnïq branch of Oghuz Turks. The empire spanned a total area of from Anatolia and the Levant in the west to the Hindu Kush in the east, and from Central Asia in the north to the Persian Gulf in the south, and it spanned the time period 1037–1308, though Seljuk rule beyond the Anatolian peninsula ended in 1194. The Seljuk Empire was founded in 1037 by Tughril (990–1063) and his brother Chaghri Beg, Chaghri (989–1060), both of whom co-ruled over its territories; there are indications that the Seljuk leadership otherwise functioned as a triumvirate and thus included Seljuk dynasty, Musa Yabghu, the uncle of the aforementioned two. During the formative phase of the empire, the Seljuks first advanced from their original homelands near the Aral Sea into Greater Kho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khatchkar
A ''khachkar'' (also spelled as ''khatchkar'') or Armenian cross-stone (, , խաչ ''xačʿ'' "cross" + քար ''kʿar'' "stone") is a carved, memorial stele bearing a cross, and often with additional motifs such as rosettes, interlaces, and botanical motifs. ''Khachkars'' are characteristic of medieval Christian Armenian art.The Grove Encyclopedia of Medieval Art and Architecture. — Oxford University Press, 2012. — Vol. 2. — P. 222.''"'Khatck'ar' rmen.:'cross-stone'Typical Armenian stone monument, comprising an upright slab (h. c. 1—3 m) carved with a cross design, usually set on a plinth or rectangular base. "'' Since 2010, khachkars, their symbolism and craftsmanship are inscribed in the UNESCO list of Intangible Cultural Heritage. Description The most common ''khachkar'' feature is a cross surmounting a rosette or a solar disc. The remainder of the stone face is typically filled with elaborate patterns of leaves, grapes, pomegranates, and bands of interlace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Last Judgment
The Last Judgment is a concept found across the Abrahamic religions and the '' Frashokereti'' of Zoroastrianism. Christianity considers the Second Coming of Jesus Christ to entail the final judgment by God of all people who have ever lived, resulting in the salvation of a few and the damnation of many. Some Christian denominations believe most people will be saved, some believe most people will be damned, and some believe the number of the saved and of the damned is unknown. The concept of the Last Judgment is found in all the canonical gospels, particularly in the Gospel of Matthew. The Christian tradition is also followed by Islam, where it is mentioned in many chapters of the Quran, according to some interpretations. The Last Judgment has inspired numerous artistic depictions, including painting, sculpture and evangelical work. In Judaism In Judaism, beliefs vary. Rosh HaShanah is sometimes referred to as a 'day of judgement', but it is not conceptualized as ''the'' Day ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetramorph
A tetramorph is a symbolic arrangement of four differing elements, or the combination of four disparate elements in one unit. The term is derived from the Greek ''tetra'', meaning four, and ''morph'', shape. The word comes from the Greek for "four forms" or "shapes". In English usage, each symbol may be described as a tetramorph in the singular, and a group as "the tetramorphs", but usually only in contexts where all four are included. The tetramorphs were especially common in Early Medieval art, above all in illuminated Gospel books, but remain common in religious art to the present day. In Christian art, the tetramorph is the union of the symbols of the Four Evangelists, derived from the four living creatures in the Book of Ezekiel, into a single figure or, more commonly, a group of four figures. Each of the four Evangelists is associated with one of the living creatures, usually shown with wings. The most common association, but not the original or only, is: Mark the King, Li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oculus (architecture)
An oculus (; ) is a circular opening in the center of a dome or in a wall. Originating in classical architecture, it is a feature of Byzantine architecture, Byzantine and Neoclassical architecture. A horizontal oculus in the center of a dome is also called opaion (; ). Oeil-de-boeuf An ''oeil-de-boeuf'' (; ), also ''œil de bœuf'' and sometimes anglicized as ''ox-eye window'', is a relatively small ellipse, elliptical window, typically for an upper storey, and sometimes set in a roof slope as a dormer, or above a door to let in Daylighting (architecture), natural light. These are relatively small windows, traditionally oval. The term is increasingly used for circular windows (in which case it could also be called an oculus), but not for holes in domes or ceilings. Windows of this type are commonly found in the grand architecture of baroque architecture, Baroque France. The term is also applied to similar round windows, such as those found in Georgian architecture in Great B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
