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Horagai
''Horagai'' () (or ''jinkai'' ) are large conch shells, usually from ''Charonia tritonis'', that have been used as trumpets in Japan for many centuries. The instrument, which has served a number of purposes throughout Japanese history, has been given a number of Japanese names depending on its function. Special schools still teach students to play the traditional music associated with the conch. Instrument Unlike most shell trumpets from other parts of the world which produce only one pitch, the Japanese ''hora'' or ''horagai'' can produce three or five different notes. The different pitches are achieved using a bronze or wooden mouthpiece attached to the apex of the shell's spire. At freezing temperatures (often encountered in the mountainous regions of Japan) the lips may freeze to the metal surface, so wooden or bamboo mouthpieces are used. Historical usage Religion The conch is used by Buddhist monks for religious purposes. Its use goes back at least 1,000 years, and it is ...
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Horagai - Mount Takao - 2016 3 13
''Horagai'' () (or ''jinkai'' ) are large conch shells, usually from ''Charonia tritonis'', that have been used as trumpets in Japan for many centuries. The instrument, which has served a number of purposes throughout Japanese history, has been given a number of Japanese names depending on its function. Special schools still teach students to play the traditional music associated with the conch. Instrument Unlike most shell trumpets from other parts of the world which produce only one pitch, the Japanese ''hora'' or ''horagai'' can produce three or five different notes. The different pitches are achieved using a bronze or wooden mouthpiece attached to the apex of the shell's spire. At freezing temperatures (often encountered in the mountainous regions of Japan) the lips may freeze to the metal surface, so wooden or bamboo mouthpieces are used. Historical usage Religion The conch is used by Japanese Buddhism, Buddhist monks for religious purposes. Its use goes back at least 1,0 ...
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Japanese Musical Instruments
Traditional Japanese musical instruments, known as in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string, wind, and percussion instruments. Percussion instruments *; also spelled – clapper made from wooden slats connected by a rope or cord * – wooden or bamboo clappers * – pellet drum, used as a children's toy * – small, ornately decorated hourglass-shaped drum * – hand-held bell tree with three tiers of pellet bells * – small drum used in * – small flat gong * – a pair of sticks which are beaten together slowly and rhythmically * (also called ) – clapper made from a pair of flat wooden sticks * – woodblock carved in the shape of a fish, struck with a wooden stick; often used in Buddhist chanting * – hand drum * or () – singing bowls used by Buddhist monks in religious practice or rituals * – hourglass-shaped double-headed drum; struck only on one side * – clapper made from wooden slats conne ...
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Military Communication In Feudal Japan
A variety of procedures were used to communicate across the battlefield in feudal Japan, much like in any other culture. These methods included visual signals like flags and banners and audible signals using drums and horns. Messengers on horseback used ciphers and other methods to prevent their messages from falling into the wrong hands. By the beginning of the Sengoku Period, battlefield communications had become fairly complicated affairs, with larger armies than ever before, and a multitude of flags and banners covered in a myriad of colors and designs. Flags and banners Since the beginnings of what we would today recognize as Japanese culture, and probably earlier, various symbols, crests, banners, or markings on armor were used to help identify and distinguish warriors on the battlefield. The '' mon'', or symbol, of a clan or a ''daimyō'' was particularly common, identifying which side a warrior fought on; some samurai used their own names or ''mon'' rather than that of thei ...
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Yamabushi
are Japanese mountain ascetic hermits. They are generally part of the syncretic religion, which includes Tantric Buddhist, Shinto, and Japanese Taoist elements. Their origins can be traced back to the solitary Yama-bito and some (saints or holy persons) of the eighth and ninth centuries. According to author Frederik L. Schodt: Appearance of Yamabushi Yamabushi usually wear and bring the following cloths and items:(jaKotobanc Yamabushi/ref> * Yuigesa () * Kyahan () which guard both their feet. * Tokin () which is a small hat. * Shakujō (), a metal rod which they hold in hand. * Oi (tool) (), backpack. * Horagai () an instrument made of conch shell, which they blow. See also * Cunning folk * Mount Ōfuna * Shaolin Monastery * Yama-bito The term or sanjin, as understood in Japanese folklore, has come to be applied to a group, some scholars claim,Raja, 556. of ancient, marginalized people, dating back to some unknown date during the Jōmon period of the history of J ...
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Nagak
The ''nagak'' (also called ''na'', ''sora'', or ''godong'') is a large seashell played as a horn in Korean traditional music. It produces only a single tone and is used primarily in the military procession music called ''daechwita''. The ''nagak'' has a structure that makes a mouthpiece by making a hole in the pointed end and blows out a sound. The shell is that of a very large sea snail, ''Charonia tritonis'', sometimes known as "Triton's trumpet". This shell is also used as a musical instrument in several other nations. See also *Conch (musical instrument) *Horagai, a similar shell horn used in Japan *Music of Korea *Shankha *Traditional Korean musical instruments Traditional Korean musical instruments comprise a wide range of string, wind, and percussion instruments. Many traditional Korean musical instruments (especially those used in Confucian ceremonies) derive from Chinese musical instruments. String K ... References * External links 나각at Korean National Herita ...
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Yamabushi
are Japanese mountain ascetic hermits. They are generally part of the syncretic religion, which includes Tantric Buddhist, Shinto, and Japanese Taoist elements. Their origins can be traced back to the solitary Yama-bito and some (saints or holy persons) of the eighth and ninth centuries. According to author Frederik L. Schodt: Appearance of Yamabushi Yamabushi usually wear and bring the following cloths and items:(jaKotobanc Yamabushi/ref> * Yuigesa () * Kyahan () which guard both their feet. * Tokin () which is a small hat. * Shakujō (), a metal rod which they hold in hand. * Oi (tool) (), backpack. * Horagai () an instrument made of conch shell, which they blow. See also * Cunning folk * Mount Ōfuna * Shaolin Monastery * Yama-bito The term or sanjin, as understood in Japanese folklore, has come to be applied to a group, some scholars claim,Raja, 556. of ancient, marginalized people, dating back to some unknown date during the Jōmon period of the history of J ...
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Taiko
are a broad range of Japanese percussion instruments. In Japanese, the term refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various Japanese drums called and to the form of ensemble drumming more specifically called . The process of constructing varies between manufacturers, and the preparation of both the drum body and skin can take several years depending on the method. have a mythological origin in Japanese folklore, but historical records suggest that were introduced to Japan through Chinese and Korean cultural influence as early as the 6th century CE; pottery from the Haniwa period depicting drums has also been found. Some are similar to instruments originating from India. Archaeological evidence also supports the view that were present in Japan during the 6th century in the Kofun period. Their function has varied throughout history, ranging from communication, military action, theatrical accompaniment, religious ce ...
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Bugle
The bugle is one of the simplest brass instruments, normally having no valves or other pitch-altering devices. All pitch control is done by varying the player's embouchure. History The bugle developed from early musical or communication instruments made of animal horns, with the word "bugle" itself coming from "buculus", Latin for bullock (castrated bull). The earliest bugles were shaped in a coil – typically a double coil, but also a single or triple coil – similar to the modern horn, and were used to communicate during hunts and as announcing instruments for coaches (somewhat akin to today's automobile horn). Predecessors and relatives of the bugle included the post horn, the Pless horn (sometimes called the "Prince Pless horn"), the bugle horn, and the shofar, among others. The ancient Roman army used the buccina. The first verifiable formal use of a brass bugle as a military signal device was the ''Halbmondbläser'', or half-moon bugle, used in Hanover in 1758. I ...
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Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ...
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Daimyō
were powerful Japanese magnates, feudal lords who, from the 10th century to the early Meiji era, Meiji period in the middle 19th century, ruled most of Japan from their vast, hereditary land holdings. They were subordinate to the shogun and nominally to the Emperor of Japan, emperor and the ''kuge''. In the term, means 'large', and stands for , meaning 'private land'. From the ''shugo'' of the Muromachi period through the Sengoku period, Sengoku to the ''daimyo'' of the Edo period, the rank had a long and varied history. The backgrounds of ''daimyo'' also varied considerably; while some ''daimyo'' clans, notably the Mōri clan, Mōri, Shimazu clan, Shimazu and Hosokawa clan, Hosokawa, were cadet branches of the Imperial family or were descended from the ''kuge'', other ''daimyo'' were promoted from the ranks of the samurai, notably during the Edo period. ''Daimyo'' often hired samurai to guard their land, and they paid the samurai in land or food as relatively few could aff ...
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The Last Samurai
''The Last Samurai'' is a 2003 epic period action drama film directed and co-produced by Edward Zwick, who also co-wrote the screenplay with John Logan and Marshall Herskovitz from a story devised by Logan. The film stars Ken Watanabe in the title role, with Tom Cruise, who also co-produced, as a soldier-turned-samurai who befriends him, and Timothy Spall, Billy Connolly, Tony Goldwyn, Hiroyuki Sanada, Koyuki, and Shin Koyamada in supporting roles. Tom Cruise portrays an American captain of the 7th Cavalry Regiment, whose personal and emotional conflicts bring him into contact with samurai warriors in the wake of the Meiji Restoration in 19th century Japan. The film's plot was inspired by the 1877 Satsuma Rebellion led by Saigō Takamori, and the Westernization of Japan by foreign powers, though in the film the United States is portrayed as the primary force behind the push for Westernization. It is also influenced by the stories of Jules Brunet, a French Imperial Guard sub-li ...
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