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Hong Kong Café
The Hong Kong Café was a Los Angeles restaurant and music venue that was a part of the Los Angeles punk rock scene during the late 1970s and early 1980s when the club was owned and operated by Barry Seidel, Kim Turner and Suzie Frank,followed by a resurgence from 1992 to 1995. Located at 425 Gin Ling Way in the Chinatown district of Downtown Los Angeles, California and across the way from sometimes rival Esther Wong's Madame Wong's, the former Chinese restaurant was open to audiences of all ages. It can briefly be seen in the 1974 movie, ''Chinatown''. History First Run of Shows: 1979-1981 The Plugz and UXA played at the club's opening night on June 7, 1979, and numerous bands, including X, Catholic Discipline, The Mau-Mau's, Bags, The Smart Pills, Nervous Gender, and The Alley Cats, performed there until its closing in January 1981. Concert footage filmed at Hong Kong Café appears in the Penelope Spheeris documentary film ''The Decline of Western Civilization''. The Hon ...
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Chinatown, Los Angeles
Chinatown is a neighborhood in Downtown Los Angeles, California, that became a commercial center for Chinese and other Asian businesses in Central Los Angeles in 1938. The area includes restaurants, shops, and art galleries, but also has a residential neighborhood with a low-income, aging population of about 20,000 residents. The original Los Angeles Chinatown developed in the late 19th century, but it was demolished to make room for Union Station, the city's major ground-transportation center. A separate commercial center, known as "New Chinatown," opened for business in 1938. Geography and climate According to CRA/LA, borders of (the current) Chinatown neighborhood are:
"Chinatown," Mapping L.A., ''Los Angeles Times''
''The Thomas Guide, Los Angeles County'' 2006, page 634 ...
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The Decline Of Western Civilization
''The Decline of Western Civilization'' is a 1981 American documentary filmed through 1979 and 1980. The movie is about the Los Angeles punk rock scene and was directed by Penelope Spheeris. In 1981, the LAPD Chief of Police Daryl Gates wrote a letter demanding the film not be shown again in the city. The film's title is possibly a reference to music critic Lester Bangs' 1970 two-part review of the Stooges' album ''Fun House'', for ''Creem'' magazine, where Bangs quotes a friend who had said the popularity of the Stooges signaled "the decline of Western civilization". Another possibility is that the title refers to Darby Crash's reading of Oswald Spengler's ''Der Untergang des Abendlandes'' (''The Decline of the West''). In '' We Got the Neutron Bomb'', an oral history of the L.A. punk rock scene collected by Marc Spitz, Claude Bessy aka: Kickboy, claims that he came up with the title. The film is the opening act of a trilogy by Spheeris, depicting music scenes in Los Angeles ...
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Punk Rock Venues
Punk or punks may refer to: Genres, subculture, and related aspects * Punk rock, a music genre originating in the 1970s associated with various subgenres * Punk subculture, a subculture associated with punk rock, or aspects of the subculture such as: ** Punk fashion ** Punk ideologies ** Punk literature ** Punk visual art Writing genres * Cyberpunk derivatives, subgenres of speculative fiction with universes built on one particular technology that is extrapolated to a highly sophisticated level, a gritty transreal urban style, or a particular approach to social themes ** Cyberpunk, a science fiction subgenre with a computers-focused setting *** Biopunk *** Nanopunk *** Postcyberpunk ** Steampunk, a science fiction subgenre that incorporates technology and aesthetic designs inspired by 19th-century industrial steam-powered machinery *** Atompunk *** Clockpunk *** Dieselpunk ** Splatterpunk, a movement within horror fiction in the 1980s, distinguished by its graphic, often gory, ...
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Music Venues In Los Angeles
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal ...
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Agent Orange (band)
Agent Orange is an American punk rock band formed in Placentia, California in 1979. The band was one of the first to mix punk rock with surf music. History The power trio's original lineup was Mike Palm on guitar and vocals, Steve Soto on bass, and Scott Miller on drums. They first gained attention for their song "Bloodstains," originally appearing on their self-released debut 7" EP in 1980. A demo version of the song was given to Rodney Bingenheimer, a DJ at Pasadena radio station KROQ-FM, who placed it on his seminal 1980 compilation album, ''Rodney on the ROQ'', on Posh Boy Records. With James Levesque on bass (replacing Soto, who left to form the Adolescents), the group recorded their debut '' Living In Darkness'' album with Brian Elliot, best known for composing Madonna's hit "Papa Don't Preach." The record was released by Posh Boy in November 1981 and included another, newer version of "Bloodstains" (later used in ''Tony Hawk's Pro Skater 4''). A 12" EP, ''Bitchin' S ...
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Middle Class (band)
Middle Class were an American punk rock band established in 1977 from Orange County, California. The band consisted of Jeff Atta on vocals, Mike Atta on lead guitar, Mike Patton on bass, and Bruce Atta on drums. History Michael Azerrad states that "by 1979 the original punk scene n Southern Californiahad almost completely died out." "They were replaced by a bunch of toughs coming in from outlying suburbs who were only beginning to discover punk's speed, power and aggression";"dispensing with all pretension, these kids boiled the music down to its essence, then revved up the tempos...and called the result "hardcore", creating a music that was "younger, faster and angrier, ndfull of...pent-up rage..." The band's '' Out of Vogue'' record is widely regarded as the first hardcore punk record, a view supported by author Steven Blush Steven Blush is an American author, journalist, record collector and film maker who is best known for his book ''American Hardcore'' and the movie o ...
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Suburban Lawns
Suburban Lawns were an American post-punk band formed in Long Beach, California in 1978 by CalArts students William "Vex Billingsgate" Ranson and Sue "Su Tissue" McLane. They later recruited Richard "Frankie Ennui" Whitney, Charles "Chuck Roast" Rodriguez, and John "John Gleur" McBurney. History After forming in 1978, Suburban Lawns released their debut single, "Gidget Goes to Hell", in 1979 on their own Suburban Industrial label. The song gained the band notoriety when its Jonathan Demme-directed music video was shown on ''Saturday Night Live''. The band was part of the LA punk scene at the time, alongside bands such as X, Saccharine Trust and Fear. Their musical performances included creative costumes with Su Tissue delivering, according to Ennui a "full mind blowing impact". Though music journalists found her performances confusing, that she "looked so bored and uncomfortable standing on stage with all of these boys that looked like they were having so much fun". Their sol ...
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Germs (band)
The Germs were an American punk rock band from Los Angeles, California, originally active from 1976 to 1980. The band's "classic" lineup consisted of singer Darby Crash, guitarist Pat Smear, bassist Lorna Doom and drummer Don Bolles. They released only one album, 1979's ''(GI)'', produced by Joan Jett, and were featured in Penelope Spheeris' seminal documentary film ''The Decline of Western Civilization'', which chronicled the Los Angeles punk movement. The Germs disbanded following Crash's suicide in 1980. Their music was influential to many later rock acts, and Smear went on to achieve greater fame performing with Nirvana and Foo Fighters. In 2005, actor Shane West was cast to play Crash in the biographical film '' What We Do Is Secret''. He performed with Smear, Doom, and Bolles at the film's wrap party, and afterwards, the Germs reunited with West as their new frontman. This lineup of the band toured worldwide, which included performances at the 2006 and 2008 Warped Tours. ...
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Fear (band)
Fear, stylized as FEAR, is an American punk rock band from Los Angeles, California, formed in 1977. The band is credited for helping to shape the sound and style of Californian hardcore punk. The group gained national prominence after an infamous 1981 performance on ''Saturday Night Live''. Frontman Lee Ving has been the band's only constant member. Since its formation, the band has gone through various lineup changes, and at one point featured Flea, later a member of the Red Hot Chili Peppers, on bass. The classic FEAR lineup existed from 1978 to 1982, and was composed of Ving, guitarist Philo Cramer, bassist Derf Scratch and drummer Spit Stix. History 1970s Fear was formed in 1977 by singer/guitarist Lee Ving and bassist Derf Scratch, who recruited guitarist Burt Good and drummer Johnny Backbeat. In 1978, Fear released the single "I Love Livin' in the City". Shortly after this, Good and Backbeat left the band and were replaced by Philo Cramer and Spit Stix. 1980s Film directo ...
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The Controllers (band)
The Controllers were an American Los Angeles-based punk rock band, who were formed in early 1977. The original members were Kidd Spike (guitar/vocals), guitarist/vocalist Johnny Stingray, and Gaye Austin (drums). Later members included Hillary Dillary (drums), D.O.A. Danny ( Dan Davis, bass), Charlie Trash (drums) and Mad Dog (a.k.a. Karla Duplantier, drums). The Controllers were part of the rapidly growing Los Angeles punk rock scene in 1977, even becoming favorites at Brendan Mullen's underground club The Masque. They were the first band to play an advertised show at The Masque and the last to play there in any form in 1996 at a record release party held by Exene Cervenka. Their debut releases, in 1978, was the "Neutron Bomb" single on the seminal punk label, What Records? A different version of the song, "(The Original) Neutron Bomb", appeared as part of a 1978 three-song compilation EP on What Records? along with songs by The Eyes and The Skulls. They released the "Slow Boy" ...
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Elton Duck
Elton Duck was an American power pop band from Los Angeles, California. They played southern Californian stages in the period 1976 – 1981, a time described by Bud Scoppa as when new wave and punk launched "countless bands that filled clubs from the beach towns to the San Fernando Valley with devoted fans and label A&R reps in search of the next big thing."Bud Scoppa's liner notes from ''Elton Duck's'' album booklet (2012) History The band was founded by Mike McFadden and Mike Condello, earlier friends in their native Phoenix area. The first lineup featured another Phoenix native, Dave Birkett, on bass. Afterwards, Andy Robinson, the former Horsefeathers drummer, stepped in after being introduced by Birkett, at that time a coworker at Studio Instrument Rentals. Robinson was invited for an audition, being welcomed to the band almost immediately afterwards. After a short period with this line-up, Birkett decided to quit the band to focus more on life outside music. He was subsequen ...
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Voodoo Glow Skulls
Voodoo Glow Skulls are an American ska punk band formed in 1988 in Riverside, California, by brothers Frank, Eddie, and Jorge Casillas and their longtime friend Jerry O'Neill. Voodoo Glow Skulls first played at backyard parties and later at Spanky's Café in their hometown of Riverside, where they played shows with the Angry Samoans, The Mighty Mighty Bosstones, Firehose, Murphy's Law, and The Dickies. History Their first recording was in 1989a four-song demo on a four-track machine which they duplicated onto about sixty cassettes on a home stereo then sold at shows. In 1990, Voodoo Glow Skulls released their first 7" EP ''The Old of Tomorrow'', a parody title inspired by the straight edge band named Youth of Today, with the help of local band Public Humiliation, and also booked their own DIY US tour. In 1991, the band added a horn section to their live shows and recordings, due mostly to the influence of two of their favorite bands at the time, Fishbone and Red Hot Chi ...
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