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Honaji Bala
Honaji Sayaji Shilarkhane (1754–1844), known professionally as Honaji Bala, was a Marathi poet from Maharashtra, India. Honaji's compositions were sung by his friend ''Bala Karanjikar'', and together the pair was known for their ''"Honaji Balacha Tamasha"''. He is known for contributions to the field of Lavani music and several classical Marathi song. Biography Honaji was born into a Nandgawali family in Saswad and moved to Pune with his mother Vithabai. His father, uncle (''Bala Bahiru''), and grand father (''Satappa'') were also musicians (''shahirs''). He was a milkman by day and musician in the evenings as a part of entertainment troupe at the Peshwa residence. Honaji was initially patronised by Sawai Madhavrao Peshwa with an honorarium of 300 per year. After Madhavrao's death, he was supported by the last Peshwa Baji Rao II. Later in career, he moved to Baroda where he received an annual sum of 200 from the Gaekwad prince. Mutual enmity brought about his murder in a ...
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Marathi Vishwakosh
The ''Marathi Vishwakosh'' () is an online free encyclopedia in Marathi language, funded by the Government of Maharashtra, India.(2 December 2011)2nd volume of Marathi encyclopedia released ''The Times of India''Gole, Swati Shinde (16 November 2011)Marathi encyclopaedia goes online ''The Times of India'' The project to create the encyclopedia started as a print project and was inaugurated in 1960, and Lakshman Shastri Joshi was named the first president of the project. The first volumes were published in 1976, and eventually 18 volumes were published by 2010.Kolhatkar, M.RVishwakosh or Marathi Encyclopedia: An Innovative Project of the New State of Maharashtra in ''Innovations in Public Administration'' (S.S. Gadkari & M.R. Kolhatkar, eds.) (2000)Gokhale, Madhav (14 September 2003)The Great Marathi ''The Indian Express'' (2003 report on status of the print version, with 16 volumes published at that time) The encyclopedia began publishing the existing volumes on the internet on Oct ...
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Shridhar Swami Nazarekar
Shridhar Brahmanand Nazarekar ( mr, श्रीधर ब्रम्हानंद नाझरेकर; CE 1658-1729), popularly known as Shridhar Swami Nazarekar or Shridhar Pandit, was a popular Marathi Akhyanaka (narrative) poet and philosopher who wrote several caritra granthas in the 17th and 18th centuries. Shridhara was a puranik, that is one who recite stories from Puranas. Later he began to compose works himself in a simple devotional style, and were not only extremely popular, but were revered and worshipped like sacred texts. Biography Shridhara was born to a Kulkarni belonging to Deshastha Yajurvedi Brahmin (DYB) family in 1658 CE in Nazare a village in Solapur district, Maharashtra state. His father Brahmananda Kadke, was also his guru with some literary works such as ''Atma Prakash'' in 1681, a vedanta. It is in the form of Ovi poetry and is divided in 14 chapters. Shridhara added 32 stanzas as a prologue to it. Shridhara was also called as ''Nazarekar'' be ...
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Marathi-language Writers
Marathi (; ''Marāṭhī'', ) is an Indo-Aryan languages, Indo-Aryan language predominantly spoken by Marathi people in the Indian state of Maharashtra. It is the official language of Maharashtra, and additional official language in the state of Goa. It is one of the 22 scheduled languages of India, with 83 million speakers as of 2011. Marathi ranks 11th in the List of languages by number of native speakers, list of languages with most native speakers in the world. Marathi has the List of languages by number of native speakers in India, third largest number of native speakers in India, after Hindi Language, Hindi and Bengali language, Bengali. The language has some of the oldest literature of all modern Indian languages. The major dialects of Marathi are Standard Marathi and the Varhadi dialect. Marathi distinguishes Clusivity, inclusive and exclusive forms of 'we' and possesses a three-way Grammatical gender, gender system, that features the neuter in addition to the masculine ...
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Marathi-language Poets
Marathi (; ''Marāṭhī'', ) is an Indo-Aryan languages, Indo-Aryan language predominantly spoken by Marathi people in the Indian state of Maharashtra. It is the official language of Maharashtra, and additional official language in the state of Goa. It is one of the 22 scheduled languages of India, with 83 million speakers as of 2011. Marathi ranks 11th in the List of languages by number of native speakers, list of languages with most native speakers in the world. Marathi has the List of languages by number of native speakers in India, third largest number of native speakers in India, after Hindi Language, Hindi and Bengali language, Bengali. The language has some of the oldest literature of all modern Indian languages. The major dialects of Marathi are Standard Marathi and the Varhadi dialect. Marathi distinguishes Clusivity, inclusive and exclusive forms of 'we' and possesses a three-way Grammatical gender, gender system, that features the neuter in addition to the masculine ...
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Indian Male Poets
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in the U ...
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Suresh Haldankar
Suresh Haldankar was an Indian classical singer, actor and teacher. Career Born in Goa to a Daivajna family, Suresh Haldankar learned classical music from Jagannathbuwa Purohit, Ganpatrao Dewaskar and Manhar Barve. He performed in Marathi ''Sangeet Natak'' musicals and acted alongside Bal Gandharva. His most memorable performance was in the musical ''Honaji Bala'' who was based on shahir Honaji Bala. Acharya Atre conferred upon him the title of "Maharashtra Gandharva" after listening to his singing in ''Shri Ranga Kamala Kanta''. Among his other popular songs are ''Vithu maza lekur wala'' and ''Govinda re gopala''. He conducted Indian classical music classes at Dadar Dadar ( ̪aːd̪əɾ is a densely populated residential and shopping neighbourhood in Mumbai. It is also a prominent railway and bus service hub with local and national connectivity. Dadar holds the distinction of being Mumbai’s first planne .... References Year of birth missing Year of death miss ...
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Bhalchandra Pendharkar
Bhalchandra Pendharkar (25 November 1921 – 11 August 2015) was a Marathi Marathi may refer to: *Marathi people, an Indo-Aryan ethnolinguistic group of Maharashtra, India *Marathi language, the Indo-Aryan language spoken by the Marathi people *Palaiosouda, also known as Marathi, a small island in Greece See also * * ... stage actor, singer and drama producer. Career Bhalchandra Pendharkar was affectionately known as Anna and gained immense popularity through his play Duritanche Timir Javo. Pendharkar played a vital role in the strengthening of the "Lalitkaladarsh Natak Mandali" which was founded in 1908 by Keshavrao Bhosale in the year 1907. Among Pendharkar's most memorable contributions to the field of theatre were plays like ' Duritanche Timir Jaavo', 'Panditrao Jagannath', 'Gita Gaati Dnyaneshwar' and 'Shabbas Birbal Shabbas'. He gained immense popularity through his play "Duritanche Timir Javo". The song "Aai Tujhi Aathvan Yete" in Marathi was very popular from this p ...
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Vishram Bedekar
Vishwanath Chintamani Bedekar (1906–1998), who professionally used the name Vishram Bedekar, was an Indian Marathi-language writer and film director. Bedekar was born on August 13, 1906 in Amravati. After receiving his college degree in Amravati, he went to Nagpur for his post-graduate studies. During his college days, he was drawn to English literature and theater. He moved to Pune in the 1930s. In 1938, he married Malati Bedekar, (whose maiden name was Balutai Khare). Literary work Bedekar wrote his only novel ''Ranangan'' in 1939. It portrayed romantic love between an Indian youth and a German Jewish girl against the backdrop of World War II, and created a storm in literary circles in his times, and was translated into English in 2021. The novel was based on Bedekar’s own experience on an ocean voyage in 1938 from Europe to India in which he encountered a number of Jews fleeing German persecution. Bedekar received in 1985 a Sahitya Akademi Award for his autobiographical ...
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Sandhya Shantaram
Sandhya Shantaram (née Vijaya Deshmukh) is an Indian actress born in 1938. She is best known for her appearances in various Hindi and Marathi films directed by her husband V. Shantaram, in 1950s-1960s, most notably ''Jhanak Jhanak Payal Baaje'' (1955), ''Do Aankhen Barah Haath'' (1958), ''Navrang'' (1959), Marathi film '' Pinjra'' (1972) and ''Amar Bhoopali'' (1951). Career Sandhya was discovered by V. Shantaram when he was seeking new faces to cast for his film ''Amar Bhoopali'' (1951). The young woman did not have outstanding features or talent, but what struck the filmmaker was that she had a good voice, one that strangely resembled that of his second wife, the actress Jayshree. She later married him after Jayshree left him. In 1952, Sandhya debuted as an actress in his Marathi film ''Amar Bhoopali'' in the role of a vocalist, the object of poet Honaji Bala's desire. She went on to feature in most of Shantaram's films. In her next film ''Teen Batti Char Raasta'' (1953), she ...
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Lalita Pawar
Lalita Pawar (18 April 1916 – 24 February 1998) was a prolific Indian actress, who later became famous as a character actress, appearing in over 700 films in Hindi, Marathi and Gujarati cinema. She holds a Guinness world record of longest acting career spanning over 70 years. Pawar is the awardee of a Filmfare award for best supporting actress for Anari. She featured in hit films such as ''Netaji Palkar'' (1938), made by Bhalji Pendharkar, New Hana Pictures' ''Sant Damaji'', Navyug Chitrapat's ''Amrit'', written by VS Khandekar, and Chhaya Films' ''Gora Kumbhar''. Her other memorable roles were in the films ''Anari'' (1959), ''Shri 420'' and '' Mr & Mrs 55'', and the role of Manthara, in Ramanand Sagar's television epic serial '' Ramayan''. Biography Pawar was born as Amba Laxman Rao Sagun on 18 April 1916, into an orthodox family in Yeola in Nashik. Her father Laxman Rao Shagun was a rich silk and cotton piecegoods merchant. She started her acting career at age nine in the ...
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Amar Bhoopali
''Amar Bhoopali'' (English: ''The Immortal Song'', French: ''Le Chant Immortel'') is a 1951 Indian film, produced and directed by V. Shantaram and written by Vishram Bedekar. It is a true story about a simple cow herder who has an innate gift of poetry, set in the waning days of the Maratha confederacy, c. early 19th century. It is an ode to the saffron flag of Marathas, calling on people to rise again against the foreign enemy. It competed for the Grand Prize of the Festival at the 1952 Cannes Film Festival. Plot Honaji Bala, a simple cow herder, becomes a legendary bard who has an innate gift of poetry. The film is set in the last days of the Maratha confederacy of the early 19th Century. Cast In credits order translated from Marathi * Panditrao Nagarkar as Shahir Honaji Bala * Sandhya as Gunawati * Lalita Pawar as Vitabai * Bhalchandra Pendharkar as Bala Karanjikar * Vishwas as Subedar * Gulab as Suguna * Jairampant as Shastribua * Nimbalkar as Balakaka * Amina as Jamuna * ...
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Tanpura
The tanpura (), also referred to as tambura and tanpuri, is a long-necked plucked string instrument, originating in India, found in various forms in Indian music. It does not play melody, but rather supports and sustains the melody of another instrument or singer by providing a continuous harmonic bourdon or drone. A tanpura is not played in rhythm with the soloist or percussionist: as the precise timing of plucking a cycle of four strings in a continuous loop is a determinant factor in the resultant sound, it is played unchangingly during the complete performance. The repeated cycle of plucking all strings creates the sonic canvas on which the melody of the raga is drawn. The combined sound of all strings–each string a fundamental tone with its own spectrum of overtones–supports and blends with the external tones sung or played by the soloist. Hindustani musicians favour the term ''tanpura'' whereas Carnatic musicians say ''tambura''; ''tanpuri'' is a smaller varian ...
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