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Homunculus C.F.
Julia Perry's ''Homunculus C.F.'', scored for harp, celesta/piano, and eight additional percussionists, was composed during the summer of 1960 in Akron, Ohio, and completed in 1961. It was during this time that Perry was living in an apartment above her father's medical office. In Perry's record liner notes, she stated, "Having selected percussion instruments for my formulae, then maneuvering and distilling them by means of the 'Chord of the Fifteenth' (C.F.), this musical test tube baby was brought to life." Instrumentation The piece is scored for four timpani, a small and large suspended cymbal, two medium cymbals, snare drum, bass drum, small and large wood blocks, xylophone, celesta/piano, vibraphone, and harp.''Homunculus C.F.'', musical score Significance This particular piece was a watershed work for Perry as she focused her attention toward more experimental music. Perry described the piece as " pantonal".Ammer, p. 179 History According to Perry's notes o ...
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Julia Perry
Julia Amanda Perry (25 March 1924 – 24 April 1979) was an American classical composer and teacher who combined European classical and neo-classical training with her African-American heritage. Life and education Born in Lexington, Kentucky, as a child Perry moved with her family to Akron, Ohio. She went on to study voice, piano, and composition at the Westminster Choir College 1943–48. It was there that she received her B.M. and M.M. She continued on to her graduate studies at Berkshire Music Center in Tanglewood, where she was a student of Luigi Dallapiccola, and then later studied at the Juilliard School of Music. Around this time she was awarded her first Guggenheim Fellowship. In 1952, Perry began studying under Nadia Boulanger in Paris, during which time she was awarded the Boulanger Grand Prix for her Viola Sonata. Soon after she was awarded her second Guggenheim Fellowship, which she used to return to Italy and continue her studies with Dallapiccola. Perry ...
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Homunculus
A homunculus ( , , ; "little person") is a representation of a small human being, originally depicted as small statues made out of clay. Popularized in sixteenth-century alchemy and nineteenth-century fiction, it has historically referred to the creation of a miniature, fully formed human. The concept has roots in preformationism as well as earlier folklore and alchemic traditions. The term lends its name to the cortical homunculus, an image of a person with the size of the body parts distorted to represent how much area of the cerebral cortex of the brain is devoted to it. History Alchemy The homunculus first appears by name in alchemical writings attributed to Paracelsus (1493–1541). ''De natura rerum'' (1537) outlines his method for creating homunculi: Comparisons have been made with several similar concepts in the writings of earlier alchemists. Although the actual word "homunculus" was never used, Carl Jung believed that the concept first appeared in the ''Visions of ...
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1961 Compositions
Events January * January 3 ** United States President Dwight D. Eisenhower announces that the United States has severed diplomatic and consular relations with Cuba ( Cuba–United States relations are restored in 2015). ** Aero Flight 311 (Koivulahti air disaster): Douglas DC-3C OH-LCC of Finnish airline Aero crashes near Kvevlax (Koivulahti), on approach to Vaasa Airport in Finland, killing all 25 on board, due to pilot error: an investigation finds that the captain and first officer were both exhausted for lack of sleep, and had consumed excessive amounts of alcohol at the time of the crash. It remains the deadliest air disaster to occur in the country. * January 5 ** Italian sculptor Alfredo Fioravanti marches into the U.S. Consulate in Rome, and confesses that he was part of the team that forged the Etruscan terracotta warriors in the Metropolitan Museum of Art. ** After the 1960 military coup, General Cemal Gürsel forms the new government of Turkey (25th governm ...
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57th Street (Manhattan)
57th Street is a broad thoroughfare in the New York City borough of Manhattan, one of the major two-way, east-west streets in the borough's grid. As with Manhattan's other "crosstown" streets, it is divided into its east and west sections at Fifth Avenue. The street runs from a small park overlooking the East River in the east to the West Side Highway along the Hudson River in the west. 57th Street runs through the neighborhoods of Sutton Place, Midtown Manhattan, and Hell's Kitchen from east to west. 57th Street was created under the Commissioners' Plan of 1811. It was developed as a mainly residential street in the mid-19th century. The central portion of 57th Street was developed as an artistic hub starting in the 1890s, with the development of Carnegie Hall. The section between Fifth and Eighth Avenues is two blocks south of Central Park. Since the early 21st century, the portion of the street south of Central Park has formed part of Billionaires' Row, which contains lu ...
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Steinway Hall
Steinway Hall (German: ) is the name of buildings housing concert halls, showrooms and sales departments for Steinway & Sons pianos. The first Steinway Hall was opened in 1866 in New York City. Today, Steinway Halls and are located in cities such as New York City, London, Berlin, and Vienna. A related concept by Steinway is "Steinway Piano Galleries". The Steinway Piano Galleries have all the same features as Steinway Halls, but are smaller. New York City 14th Street (1864–1925) In 1864, William Steinway built elegant showrooms housing over 100 Steinway & Sons pianos at 109 East 14th Street, at the corner of Fourth Ave. (now Park Ave South) in Manhattan. During the next two years, demand for Steinway pianos had increased dramatically. Construction of the first Steinway Hall was pushed by the need for expansion, increased promotion, and better presentation of pianos and music culture through regular live performances. William Steinway carried planning and construction of the ...
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Norman Bergen
Norman Bergen (born May 17, 1945 in Brooklyn, New York, United States) is an American pianist, arranger, record producer, band leader, musical director, and vocalist. Biography Early years Norman Bergen comes from a musical family. He is the younger son of Pauline and Sam Bergen. The largest item in their small apartment was a baby grand piano which was played by his mother Pauline. His older brother Danny played trumpet. Norman started playing piano at the age of three. Bergen’s early influences were the pianists played by New York DJs Alan Freed and Symphony Sid: Ray Charles, Fats Domino, Little Richard, Jerry Lee Lewis, Thelonious Monk, Ramsey Lewis, and Dave Brubeck. Catskill Mountains Bergen went on to perform in New York’s Catskill Mountains sitting in with his brother's band in 1957. He was a band leader and pianist at the early age of 14. In that same year, 1959, he also appeared on the Jerry Lewis Labor Day Telethon with his own band. During his years in th ...
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Chord Of The Fifteenth
Chord may refer to: * Chord (music), an aggregate of musical pitches sounded simultaneously ** Guitar chord a chord played on a guitar, which has a particular tuning * Chord (geometry), a line segment joining two points on a curve * Chord (astronomy), a line crossing a foreground astronomical object during an occultation which gives an indication of the object's size and/or shape * Chord (graph theory), an edge joining two nonadjacent nodes in a cycle * Chord in truss construction – an outside member of a truss, as opposed to the inner "webbed members" * Chord (aeronautics), the distance between the front and back of a wing, measured in the direction of the normal airflow. The term chord was selected due to the curved nature of the wing's surface * Chord (peer-to-peer), a peer-to-peer protocol and algorithm for distributed hash tables (DHT) * Chord (concurrency), a concurrency construct in some object-oriented programming languages * In British railway terminology, a ch ...
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Recapitulation (music)
In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition. This material is most often recapitulated in the tonic key of the movement, in such a way that it reaffirms that key as the movement's home key. In some sonata form movements, the recapitulation presents a straightforward image of the movement's exposition. However, many sonata form movements, even early examples, depart from this simple procedure. Devices used by composers include incorporating a secondary development section, or varying the character of the original material, or rearranging its order, or adding new material, or omitting material altogether, or overlaying material that was kept separate in the exposition. The composer of a sonata form movement may disguise the start of the recapitulation as an extension of the de ...
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Melodic
A melody (from Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively, the term can include other musical elements such as tonal color. It is the foreground to the background accompaniment. A line or part need not be a foreground melody. Melodies often consist of one or more musical phrases or motifs, and are usually repeated throughout a composition in various forms. Melodies may also be described by their melodic motion or the pitches or the intervals between pitches (predominantly conjunct or disjunct or with further restrictions), pitch range, tension and release, continuity and coherence, cadence, and shape. Function and elements Johann Philipp Kirnberger argued: The Norwegian composer Marcus Paus has argued: Given the many and varied elements a ...
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Middle C
C or Do is the first note and semitone of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63  Hz. The actual frequency has depended on historical pitch standards, and for transposing instruments a distinction is made between written and sounding or concert pitch. It has enharmonic equivalents of B and D. In English the term ''Do'' is used interchangeably with C only by adherents of fixed Do solfège; in the movable Do system Do refers to the tonic of the prevailing key. Frequency Historically, concert pitch has varied. For an instrument in equal temperament tuned to the A440 pitch standard widely adopted in 1939, middle C has a frequency around 261.63 Hz (for other notes see piano key frequencies). Scientific pitch was originally proposed in 1713 by French physicist Joseph Sauveur and based on the numerically convenient frequency of 256  ...
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Minor Third
In music theory, a minor third is a musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval number). The minor third is one of two commonly occurring thirds. It is called ''minor'' because it is the smaller of the two: the major third spans an additional semitone. For example, the interval from A to C is a minor third, as the note C lies three semitones above A. Coincidentally, there are three staff positions from A to C. Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The minor third is a skip melodically. Notable examples of ascending minor thirds include the opening two notes of " Greensleeves" and of " Light My Fire". The minor third may be derived from the harmonic series as the interval between the fifth and sixth harmonics, or from the 19th harmonic. The minor third is co ...
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Major Third
In classical music, a third is a musical interval encompassing three staff positions (see Interval number for more details), and the major third () is a third spanning four semitones. Forte, Allen (1979). ''Tonal Harmony in Concept and Practice'', p.8. Holt, Rinehart, and Winston. Third edition . "A large 3rd, or ''major 3rd'' (M3) encompassing four half steps." Along with the minor third, the major third is one of two commonly occurring thirds. It is qualified as ''major'' because it is the larger of the two: the major third spans four semitones, the minor third three. For example, the interval from C to E is a major third, as the note E lies four semitones above C, and there are three staff positions from C to E. Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The major third may be derived from the harmonic series as the interval between the fourth and fifth harmonics. The maj ...
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