Homology (sociology)
Homologies are "structural 'resonances'...between the different elements making up a socio-cultural whole." (Middleton 1990, p. 9) Examples include Alan Lomax's cantometrics, which: :Distinguishes ten musical styles, dealing most fully with Eurasian and Old European styles. These are correlated with sexual permissiveness, status of women, and treatment of children as the principal formative social influences. The musical styles are at the same time symbolic or expressive of such social influences, especially in the various musical communities of Spain and Italy, and are stable, persistent. Lomax states his expectation that further study and refinement of methods of measurement will increase our understanding of the relationships of musical style and culture in a way that Western European musical notation cannot adequately accomplish. Richard Middleton (1990, p. 9-10) argues that "such theories always end up in some kind of reductionism – 'upwards', into an idealist cultu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alan Lomax
Alan Lomax (; January 31, 1915 – July 19, 2002) was an American ethnomusicologist, best known for his numerous field recordings of folk music of the 20th century. He was also a musician himself, as well as a folklorist, archivist, writer, scholar, political activist, oral historian, and film-maker. Lomax produced recordings, concerts, and radio shows in the US and in England, which played an important role in preserving folk music traditions in both countries, and helped start both the American and British folk revivals of the 1940s, 1950s, and early 1960s. He collected material first with his father, folklorist and collector John Lomax, and later alone and with others, Lomax recorded thousands of songs and interviews for the Archive of American Folk Song, of which he was the director, at the Library of Congress on aluminum and acetate discs. After 1942, when Congress terminated the Library of Congress's funding for folk song collecting, Lomax continued to collect independentl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cantometrics
Cantometrics ("song measurements") is a method developed by Alan Lomax and a team of researchers for relating elements of the world's traditional vocal music (or folk songs) to features of social organization as defined via George Murdock's Human Relations Area Files, resulting in a taxonomy of expressive human communications style. Lomax defined Cantometrics as the study of singing as normative expressive behavior and maintained that Cantometrics reveals folk performance style to be a "systems-maintaining framework" which models key patterns of co-action in everyday life. His work on Cantometrics gave rise to further comparative studies of aspects of human communication in relation to culture, including: Choreometrics, Parlametrics, Phonotactics (an analysis of vowel frequency in speech), and Minutage (a study of breath management). Instead of the traditional Western musicological descriptive criteria of pitch, rhythm, and harmony, Cantometrics employs 37 style factors developed ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Articulation (sociology)
In sociology, articulation labels the process by which particular classes appropriate cultural forms and practices for their own use. The term appears to have originated from the work of Antonio Gramsci, specifically from his conception of superstructure. Chantal Mouffe, Stuart Hall, and others have adopted or used it.Middleton, Richard 990(2002). ''Studying Popular Music''. Philadelphia: Open University Press. . p. 8-9 Articulation (expression) theorizes the relationship between components of social formation or relationship between cultural and political economy. In this theory, cultural forms and practices (Antonio Gramsci's ''superstructure'' and Richard Middleton's ''instance'' or ''level of practice'') have relative autonomy; socio-economic structures of power do not determine them, but rather they relate to them. "The theory of articulation recognizes the complexity of cultural fields. It preserves a relative autonomy for cultural and ideological elements ... but ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Objective Possibilities
{{Disambiguation ...
Objective may refer to: * Objective (optics), an element in a camera or microscope * ''The Objective'', a 2008 science fiction horror film * Objective pronoun, a personal pronoun that is used as a grammatical object * Objective Productions, a British television production company * Goal, a result or possible outcome that a person or a system desires See also * * Object (other) * Objectivity (other) * Objective-C, a general-purpose, object-oriented programming language * Subjective (other) Subjective may refer to: * Subjectivity, a subject's personal perspective, feelings, beliefs, desires or discovery, as opposed to those made from an independent, objective, point of view ** Subjective experience, the subjective quality of conscio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Richard Middleton (musicologist)
Richard Middleton FBA is Emeritus Professor of Music at Newcastle University in Newcastle upon Tyne. He is also the founder and co-ordinating editor of the journal ''Popular Music''. Education Middleton studied at Clare College, Cambridge and at the University of York, where his PhD was supervised by Wilfrid Mellers. Career Middleton previously taught at the University of Birmingham and the Open University. He was appointed to his present position in 1998. In 2004 Professor Middleton was elected to a Fellowship by the British Academy. Middleton retired from his post at Newcastle in 2005. Bibliography Author *''Pop Music and the Blues: A Study of the Relationship and Its Significance''. London: Gollancz, 1972. . *''Studying Popular Music''. Philadelphia: Open University Press, 1990. . *''Voicing the Popular: On the Subjects of Popular Music''. London: Routledge, 2006. . Editor or co-editor *''Reading Pop''. Oxford University Press Oxford University Press (OUP) is the univ ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |