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Holy Trinity Church, Skipton
Holy Trinity Church is in High Street, Skipton, North Yorkshire, England. Medieval in origin, the church is recorded in the National Heritage List for England as a designated Grade I listed building. The older active Anglican parish church in the town, it is located in the deanery of Skipton, the archdeaconry of Craven and the Diocese of Leeds. Its benefice is united with that of a church in a neighbouring village: St Augustine, Draughton. History The first church on the site was built in the early 12th century, probably in wood. The present church dates from about 1300, and was extended to the east in the late 15th century. The church was damaged during the Civil War, and was repaired and restored in the 1650s with financial assistance from Lady Anne Clifford of Skipton Castle, whose father's tomb is in the church. In 1853 the tower was struck by lightning. The church was restored in 1909 by the Lancaster architects Austin and Paley. During this process, the ...
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Skipton
Skipton (also known as Skipton-in-Craven) is a market town and civil parish in the Craven district of North Yorkshire, England. Historically in the East Division of Staincliffe Wapentake in the West Riding of Yorkshire, it is on the River Aire and the Leeds and Liverpool Canal to the south of the Yorkshire Dales. It is situated north-west of Leeds and west of York. At the 2011 Census, the population was 14,623. The town was listed in the 2018 ''Sunday Times'' report on Best Places to Live in northern England. History The name Skipton means 'sheep-town', a northern dialect form of ''Shipton''. Its name derives from the Old English ''sceap'' (sheep) and ''tun'' (town or village).The name is recorded in the ''Domesday Book'' of 1086. It was important during the English Civil War and was the site of prisoner of war camps during the First and Second World Wars. Skipton Castle was built in 1090 as a wooden motte-and-bailey by Robert de Romille, a Norman baron. In the 12th ...
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Skipton Castle
Skipton Castle is a Grade I Listed medieval castle in Skipton, North Yorkshire, England. It was built in 1090 by Robert de Romille, a Norman baron, and has been preserved for over 931 years. History The castle was originally a motte and bailey castle built in 1090 by Robert de Romille, lord of the multiple estates of Bolton Abbey. Shortly after 1102 Henry I extended Romille's lands to include all of upper Wharfedale and upper Airedale. The earth and wood castle was rebuilt in stone to withstand attacks by the Scots. The cliffs behind the castle, dropping down to Eller Beck, made the castle a perfect defensive structure. The Romille line died out, and in 1310 Edward II granted the castle to Robert Clifford who was appointed Lord Clifford of Skipton and Guardian of Craven. Robert Clifford ordered many improvements to the fortifications, but died in the Battle of Bannockburn in 1314 when the improvements were barely complete. Skipton was raided by the Scots during The Great ...
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Rood
A rood or rood cross, sometimes known as a triumphal cross, is a cross or crucifix, especially the large crucifix set above the entrance to the chancel of a medieval church. Alternatively, it is a large sculpture or painting of the crucifixion of Jesus. Derivation ''Rood'' is an archaic word for ''pole'', from Old English 'pole', specifically 'cross', from , cognate to Old Saxon , Old High German 'rod'. ''Rood'' was originally the only Old English word for the instrument of Jesus Christ's death. The words and in the North (from either Old Irish or Old Norse) appeared by late Old English; ''crucifix'' is first recorded in English in the Ancrene Wisse of about 1225. More precisely, the Rood or Holyrood was the True Cross, the specific wooden cross used in Christ's crucifixion. The word remains in use in some names, such as Holyrood Palace and the Old English poem ''The Dream of the Rood''. The phrase "by the rood" was used in swearing, e.g. "No, by the rood, not so" in S ...
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Jacobean Architecture
The Jacobean style is the second phase of Renaissance architecture in England, following the Elizabethan style. It is named after King James VI and I, with whose reign (1603–1625 in England) it is associated. At the start of James' reign there was little stylistic break in architecture, as Elizabethan trends continued their development. However, his death in 1625 came as a decisive change towards more classical architecture, with Italian influence, was in progress, led by Inigo Jones; the style this began is sometimes called Stuart architecture, or English Baroque (though the latter term may be regarded as starting later). Courtiers continued to build large prodigy houses, even though James spent less time on summer progresses round his realm than Elizabeth had. The influence of Flemish and German Northern Mannerism increased, now often executed by immigrant craftsmen and artists, rather than obtained from books as in the previous reign. There continued to be very little build ...
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Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate build ...
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Decorated Gothic
English Gothic is an architectural style that flourished from the late 12th until the mid-17th century. The style was most prominently used in the construction of cathedrals and churches. Gothic architecture's defining features are pointed arches, rib vaults, buttresses, and extensive use of stained glass. Combined, these features allowed the creation of buildings of unprecedented height and grandeur, filled with light from large stained glass windows. Important examples include Westminster Abbey, Canterbury Cathedral and Salisbury Cathedral. The Gothic style endured in England much longer than in Continental Europe. The Gothic style was introduced from France, where the various elements had first been used together within a single building at the choir of the Abbey of Saint-Denis north of Paris, completed in 1144. The earliest large-scale applications of Gothic architecture in England were Canterbury Cathedral and Westminster Abbey. Many features of Gothic architecture had e ...
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Perpendicular Gothic
Perpendicular Gothic (also Perpendicular, Rectilinear, or Third Pointed) architecture was the third and final style of English Gothic architecture developed in the Kingdom of England during the Late Middle Ages, typified by large windows, four-centred arches, straight vertical and horizontal lines in the tracery, and regular arch-topped rectangular panelling. Perpendicular was the prevailing style of Late Gothic architecture in England from the 14th century to the 17th century. Perpendicular was unique to the country: no equivalent arose in Continental Europe or elsewhere in the British Isles. Of all the Gothic architectural styles, Perpendicular was the first to experience a second wave of popularity from the 18th century on in Gothic Revival architecture. The pointed arches used in Perpendicular were often four-centred arches, allowing them to be rather wider and flatter than in other Gothic styles. Perpendicular tracery is characterized by mullions that rise vertically as fa ...
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Tracery
Tracery is an architecture, architectural device by which windows (or screens, panels, and vaults) are divided into sections of various proportions by stone ''bars'' or ''ribs'' of Molding (decorative), moulding. Most commonly, it refers to the stonework elements that support the glass in a window. The term probably derives from the tracing floors on which the complex patterns of windows were laid out in late Gothic architecture. Tracery can also be found on the interior of buildings and the exterior. There are two main types: plate tracery and the later bar tracery.Hugh Honour, Honour, H. and J. Fleming, (2009) ''A World History of Art''. 7th edn. London: Laurence King Publishing, p. 948. The evolving style from Romanesque architecture, Romanesque to Gothic architecture and changing features, such as the thinning of lateral walls and enlarging of windows, led to the innovation of tracery. The earliest form of tracery, called plate tracery, began as openings that were pierced fro ...
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Chancel
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. I ...
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Clerestory
In architecture, a clerestory ( ; , also clearstory, clearstorey, or overstorey) is a high section of wall that contains windows above eye level. Its purpose is to admit light, fresh air, or both. Historically, ''clerestory'' denoted an upper level of a Roman basilica or of the nave of a Romanesque or Gothic church, the walls of which rise above the rooflines of the lower aisles and are pierced with windows. Similar structures have been used in transportation vehicles to provide additional lighting, ventilation, or headroom. History Ancient world The technology of the clerestory appears to originate in the temples of ancient Egypt. The term "clerestory" is applicable to Egyptian temples, where the lighting of the hall of columns was obtained over the stone roofs of the adjoining aisles, through gaps left in the vertical slabs of stone. Clerestory appeared in Egypt at least as early as the Amarna period. In the Minoan palaces of Crete such as Knossos, by contrast, lightwel ...
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Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ...
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Lady Chapel
A Lady chapel or lady chapel is a traditional British term for a chapel dedicated to "Our Lady", Mary, mother of Jesus, particularly those inside a cathedral or other large church. The chapels are also known as a Mary chapel or a Marian chapel, and they were traditionally the largest side chapel of a cathedral, placed eastward from the high altar and forming a projection from the main building, as in Winchester Cathedral. Most Roman Catholic and many Anglican cathedrals still have such chapels, while mid-sized churches have smaller side-altars dedicated to the Virgin.''Mary: The Imagination of Her Heart'' by Penelope Duckworth 2004 pages 125-126 The occurrence of lady chapels varies by location and exist in most of the French cathedrals and churches where they form part of the chevet. In Belgium they were not introduced before the 14th century; in some cases they are of the same size as the other chapels of the chevet, but in others (probably rebuilt at a later period) they be ...
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