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Holy Manna
Holy Manna is the hymn tune originally written for " Brethren, We Have Met Together", which is one of the oldest published American folk hymns. Holy Manna is a pentatonic melody in Ionian mode. It was originally published by William Moore in ''Columbian Harmony'', a four-note shape-note tunebook, in 1829, and is attributed to him. Like most shape-note songs from that century, it is usually written in three parts. The meter is 87.87D. Popularity In addition to being used in a significant number of early American hymnals, including ''Southern Harmony The ''Southern Harmony, and Musical Companion'' is a shape note hymn and tune book compiled by William Walker, first published in 1835. The book is notable for having originated or popularized several hymn tunes found in modern hymnals and sha ...'' (#103) and '' Baptist Harmony'' (#1), Holy Manna appears in a large number of modern hymnals. It is also used as a common tune for other songs, especially "God, Who Stretched the Sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn Tune
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony, a fast harmonic rhythm (chords change frequently), with or without refrain or chorus. From the late sixteenth century in England and Scotland, when most people were not musically literate and learned melodies by rote, it was a common practice to sing a new text to a hymn tune the singers already knew which had a suitable meter and character. There are many hymn tunes which might fit a particular hymn: a hymn in Long Metre might be sung to any hymn tune in Long Metre, but the tunes might be as different as those tunes that have been used for centuries with hymns such as ''Te lucis ante terminum'', on one hand, and an arrangement of the calypso tune used with ''Jamaica Farewell'', on the other. Hymnal editors Editors bring extensive knowledge of theology, poetry, and music to the process of compiling a new hymn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brethren, We Have Met Together
"Brethren, We Have Met Together", commonly known by the first line "Brethren, we have met to worship", is one of the oldest published American folk hymns. The lyrics were written by George Atkins and first published in 1819. The traditional tune, Holy Manna, is a pentatonic melody in Ionian mode originally published by William Moore in '' Columbian Harmony'', a four-note shape-note tunebook, in 1829. Like most shape-note songs from that century, it is usually written in three parts. It is commonly sung as the opening song at shape-note Shape notes are a musical notation designed to facilitate congregational and social singing. The notation, introduced in late 18th century England, became a popular teaching device in American singing schools. Shapes were added to the notehe ... singing events. Lyrics The lyrics, from '' Southern Harmony'', are: Brethren, we have met to worship, And adore the Lord our God; Will you pray with all your power, While we try to preach the wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentatonic Scale
A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. There are two types of pentatonic scales: those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones. (For example, in Japanese music the anhemitonic ''yo'' scale is contrasted with the hemitonic ''in'' scale.) Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). (This should not be confu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ionian Mode
Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale. It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or ''tenor'') into a fourth species of perfect fifth (tone–tone–semitone–tone) plus a third species of perfect fourth (tone–tone–semitone): C D E F G + G A B C. This octave species is essentially the same as the major mode of tonal music. Church music had been explained by theorists as being organised in eight musical modes: the scales on D, E, F, and G in the "greater perfect system" of "musica recta," each with their authentic and plagal counterparts. Glarean's twelfth mode was the plagal version of the Ionian mode, called Hypoionian (under Ionian), based on the same relative scale, but with the major third as its ''tenor' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Shape-note Tunebooks
Shape notes are a system of music notation designed to facilitate choral singing. Shape notes of various kinds have been used for over two centuries in a variety of sacred choral music traditions practiced primarily in the Southern region of the United States. "Shape-note singers used tune books rather than hymnals. Hymnals were pocket-size books with texts only. Tune books were large oblong-shaped books with hard covers (nine inches by six inches was a typical size), often running to over four hundred pages. They included both music and text and were introduced by an extended essay on the rudiments of singing. Each song was known by the name given to its tune rather than by a title drawn from the text." The following is a partial list of the shape note tunebooks published over the last two centuries. The list is divided according to the two main systems of shape notes—four-shape vs. seven-shape—and within these two categories is sorted chronologically. For full information ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Southern Harmony
The ''Southern Harmony, and Musical Companion'' is a shape note hymn and tune book compiled by William Walker, first published in 1835. The book is notable for having originated or popularized several hymn tunes found in modern hymnals and shape note collections like ''The Sacred Harp''. The music and its notation The roots of ''Southern Harmony'' singing, like the Sacred Harp, are found in the American colonial era, when singing schools convened to provide instruction in choral singing, especially for use in church services. This practice remained popular with Baptists in the South long after it fell from use in other regions. In 1801, a book called ''The Easy Instructor'' by William Smith and William Little was published for the use of this movement; its distinguishing feature was the use of four separate shapes that indicated the notes according to the rules of solfege. A triangle indicated ''fa'', a circle ''sol'', a square ''la'' and a diamond, ''mi.'' To avoid pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baptist Harmony
Baptists form a major branch of Protestantism distinguished by baptizing professing Christian believers only (believer's baptism), and doing so by complete immersion. Baptist churches also generally subscribe to the doctrines of soul competency (the responsibility and accountability of every person before God), '' sola fide'' (salvation by just faith alone), '' sola scriptura'' (scripture alone as the rule of faith and practice) and congregationalist church government. Baptists generally recognize two ordinances: baptism and communion. Diverse from their beginning, those identifying as Baptists today differ widely from one another in what they believe, how they worship, their attitudes toward other Christians, and their understanding of what is important in Christian discipleship. For example, Baptist theology may include Arminian or Calvinist beliefs with various sub-groups holding different or competing positions, while others allow for diversity in this matter withi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
