Hoffmanniana
Andrei Arsenyevich Tarkovsky ( rus, Андрей Арсеньевич Тарковский, p=ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪtɕ tɐrˈkofskʲɪj; 4 April 1932 – 29 December 1986) was a Russian filmmaker. Widely considered one of the greatest and most influential filmmakers of all time, his films explore spiritual and metaphysical themes, and are noted for their slow pacing and long takes, dreamlike visual imagery, and preoccupation with nature and memory. Tarkovsky studied film at Moscow's VGIK under filmmaker Mikhail Romm, and subsequently directed his first five features in the Soviet Union: ''Ivan's Childhood'' (1962), '' Andrei Rublev'' (1966), '' Solaris'' (1972), ''Mirror'' (1975), and '' Stalker'' (1979). A number of his films from this period are ranked among the best films ever made. After years of creative conflict with state film authorities, Tarkovsky left the country in 1979 and made his final two films abroad; ''Nostalghia'' (1983) and '' The Sacrifice'' ( ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Zavrazhye, Kadyysky District, Kostroma Oblast
Zavrazhye (russian: Завражье) is a types of inhabited localities in Russia, rural locality (a Village#Slavic countries, selo) in Kadyysky District, Kostroma Oblast, Russia. Population: . The director Andrey Tarkovsky was born in this village. References {{KostromaOblast-geo-stub Rural localities in Kostroma Oblast ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Soviet Union
The Soviet Union,. officially the Union of Soviet Socialist Republics. (USSR),. was a transcontinental country that spanned much of Eurasia from 1922 to 1991. A flagship communist state, it was nominally a federal union of fifteen national republics; in practice, both its government and its economy were highly centralized until its final years. It was a one-party state governed by the Communist Party of the Soviet Union, with the city of Moscow serving as its capital as well as that of its largest and most populous republic: the Russian SFSR. Other major cities included Leningrad (Russian SFSR), Kiev (Ukrainian SSR), Minsk ( Byelorussian SSR), Tashkent (Uzbek SSR), Alma-Ata (Kazakh SSR), and Novosibirsk (Russian SFSR). It was the largest country in the world, covering over and spanning eleven time zones. The country's roots lay in the October Revolution of 1917, when the Bolsheviks, under the leadership of Vladimir Lenin, overthrew the Russian Provisional Government ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Prize Of The Ecumenical Jury
The Prize of the Ecumenical Jury (french: Prix du Jury Œcuménique) is an independent film award for feature length films shown at major international film festivals since 1973. The award was created by Christian film makers, film critics and other film professionals. The objective of the award is to "honour works of artistic quality which witnesses to the power of film to reveal the mysterious depths of human beings through what concerns them, their hurts and failings as well as their hopes." The ecumenical jury can be composed out of 8, 6, 5, 4 or 3 members, who are nominated by SIGNIS for the Catholics and Interfilm for the Protestants. SIGNIS and Interfilm appoint ecumenical juries at various international film festivals, including Cannes Film Festival (where The Ecumenical Jury (french: Jury Œcuménique) is one of three juries at the film festival, along with the official jury and the FIPRESCI jury), Berlin International Film Festival, Locarno International Film Festival, Mo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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International Federation Of Film Critics
The International Federation of Film Critics (FIPRESCI, short for Fédération Internationale de la PRESse CInématographique) is an association of national organizations of professional film critics and film journalists from around the world for "the promotion and development of film culture and for the safeguarding of professional interests." It was founded in June 1930 in Brussels, Belgium. At present it has members in more than 50 countries worldwide. In reaction to the 2022 Russian invasion of Ukraine, FIPRESCI announced that it will not participate in festivals and other events organized by the Russian government and its offices, and canceled a colloquium in St. Petersburg, that was to make it familiar with new Russian films. FIPRESCI Award The FIPRESCI often gives out awards during film festivals (such as at the Berlin International Film Festival, the Cannes Film Festival, Vienna International Film Festival, the Toronto International Film Festival, the Venice Film Festiv ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cannes Film Festival
The Cannes Festival (; french: link=no, Festival de Cannes), until 2003 called the International Film Festival (') and known in English as the Cannes Film Festival, is an annual film festival held in Cannes, France, which previews new films of all genres, including Documentary film, documentaries, from all around the world. Founded in 1946, the invitation-only festival is held annually (usually in May) at the Palais des Festivals et des Congrès. The festival was formally accredited by the FIAPF in 1951. On 1 July 2014, co-founder and former head of French pay-TV operator Canal+, Pierre Lescure, took over as President of the Festival, while Thierry Frémaux became the General Delegate. The board of directors also appointed Gilles Jacob as Honorary President of the Festival. It is one of the "Big Three" major European film festivals, alongside the Venice Film Festival in Italy and the Berlin International Film Festival in Germany, as well as one of the "Big Five" major interna ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sculpting In Time
''Sculpting in Time'' (Russian "Запечатлённое время", literally "Captured Time") is a book by Russian filmmaker Andrei Tarkovsky about art and cinema in general, and his own films in particular. It was originally published in 1985 in German shortly before the author's death, and published in English in 1987, translated by Kitty Hunter-Blair. The title refers to Tarkovsky's own name for his style of filmmaking. Synopsis The book's main statement about the nature of cinema is summarized in the statement, "The dominant, all-powerful factor of the film image is ''rhythm'', expressing the course of time within the frame." It contains a great deal of poetry written by the filmmaker's father Arseny Alexandrovich Tarkovsky along with a fair amount of Tarkovsky's personal writings on his life and work, lectures and discussions during making of ''Andrei Rublev'' with a film history student named Olga Surkova, who later became a professional critic and helped in writing o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Sacrifice (1986 Film)
''The Sacrifice'' ( sv, Offret) is a 1986 drama film written and directed by Andrei Tarkovsky. Starring Erland Josephson, the film was produced by the Swedish Film Institute. Many of the crew were alumni of Ingmar Bergman's films. ''The Sacrifice'' centers on a middle-aged intellectual who attempts to bargain with God to stop an impending nuclear holocaust. The film combines pagan and Christian religious themes; Tarkovsky called it a "parable". ''The Sacrifice'' was Tarkovsky's third film as a Soviet expatriate, after ''Nostalghia'' and the documentary ''Voyage in Time'', and he died shortly after its completion. He was diagnosed with cancer after making of the film, and by 1986 was unable to attend its presentation at the Cannes Film Festival due to his illness. Like 1972's ''Solaris'', it won the Grand Prix at the Cannes Film Festival. Plot The film opens on the birthday of Alexander (Erland Josephson), an actor who gave up the stage to work as a journalist, critic and lecture ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nostalghia
''Nostalghia'' (UK: ''Nostalgia'') is a 1983 Soviet-Italian drama film directed by Andrei Tarkovsky and starring Oleg Yankovsky, Domiziana Giordano, and Erland Josephson. Tarkovsky co-wrote the screenplay with Tonino Guerra. The film depicts a Russian writer (Oleg Yankovsky) who visits Italy to carry out research about an 18th-century Russian composer, but is stricken by homesickness. The film utilizes autobiographical elements drawn from Tarkovsky's own experiences visiting Italy, and explores themes surrounding the untranslatability of art and culture. The film won the Prize of the Ecumenical Jury, the prize for Best Director and the FIPRESCI Prize at the 1983 Cannes Film Festival. It received generally positive reviews from critics. The film received nine total votes in the 2012 ''Sight & Sound'' polls of the greatest films ever made. Plot The Russian writer Andrei Gorchakov travels to Italy to research the life of 18th-century Russian composer Pavel Sosnovsky, who lived th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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State Committee For Cinematography
Goskino USSR (russian: link=Yes, Госкино СССР) is the abbreviated name for the USSR State Committee for Cinematography (Государственный комитет по кинематографии СССР) in the Soviet Union. It was a central state directory body of Soviet film production. History The first main film production and distribution organisation in the Russian Soviet Federative Socialist Republic until 1924 was Goskino; this was succeeded by Sovkino from 1924 to 1930, and then replaced with Soyuzkino in 1930 chaired by Martemyan Ryutin, which had jurisdiction over the entire USSR until 1933, when it was then replaced by GUKF (The Chief Directorate of the Film and Photo Industry, largely headed by Boris Shumyatsky); which, again, was replaced in 1939 by the Central Committee for Cinema Affairs until 1946, when it was replaced by the Ministry of the Cinema. The responsible heads of Soviet Cinema: * 1919–1921 Dmitry Ilyich Leshchenko (head of the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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List Of Films Considered The Best
This is a list of films considered the best in national and international surveys of critics and the public. Some surveys focus on all films, while others focus on a particular genre or country. Voting systems differ, and some surveys suffer from biases such as self-selection or skewed demographics, while others may be susceptible to forms of interference such as vote stacking. Critics and filmmakers ''Sight and Sound'' Every decade, starting in 1952, the British film magazine ''Sight and Sound'' asks an international group of film critics to vote for the greatest film of all time. Since 1992, they have invited directors to vote in a separate poll. Sixty-three critics participated in 1952, 70 critics in 1962, 89 critics in 1972, 122 critics in 1982, 132 critics and 101 directors in 1992, 145 critics and 108 directors in 2002, 846 critics and 358 directors in 2012, and 1639 critics and 480 directors in 2022. The ''Sight and Sound'' Poll of the Greatest Films of All Tim ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mirror (1975 Film)
''Mirror'' (russian: Зеркало, Zerkalo, link=no) is a 1975 Russian drama film directed by Andrei Tarkovsky. It is loosely autobiographical, unconventionally structured, and incorporates poems composed and read by the director's father, Arseny Tarkovsky. The film features Margarita Terekhova, Ignat Daniltsev, Alla Demidova, Anatoly Solonitsyn, Tarkovsky's wife Larisa Tarkovskaya and his mother Maria Vishnyakova. Innokenty Smoktunovsky provides voiceover and Eduard Artemyev the incidental music and sound effects. ''Mirror'' is structured in the form of a nonlinear narrative, with its main concept dating back to 1964 and undergoing multiple scripted versions by Tarkovsky and Aleksandr Misharin. It unfolds around memories recalled by a dying poet of key moments in his life and in Soviet culture. The film combines contemporary scenes with childhood memories, dreams, and newsreel footage. Its cinematography slips between color, black-and-white, and sepia. The film's loose fl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |