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Historic Masters
Historic Masters was a historical reissue record label, based in Takeley, Essex, England, dedicated to making available quality pressings on vinyl of rare 78 rpm recordings of opera singers. Historic Masters Ltd claimed to be, to its knowledge, "the only company in the world issuing 78 rpm discs of historic vocal and operatic material on a regular basis". Historic Masters Ltd appears to have ceased operation in 2011 after the death of Roger Beardsley who was director. The Historic Masters website was not maintained after this and of 2020 is a holding page. Origins and production history Originally an offshoot of the ''British Institute of Recorded Sound'' (now the British Library Sound Archive), ''Historic Masters'' was the brainchild of the actor, record collector and connoisseur of singers, Richard Bebb.Feel, Tom; Stratton, Tony (2001). ''Seventy years of issues: historical vocal 78rpm pressings from original masters 1931-2001''pp 6–10 Dundurn Press. . The initial ''Historic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Label
A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label", derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Takeley
__NOTOC__ Takeley is a village and civil parish in the Uttlesford district of Essex, England. History A number of theories have arisen over the origin of the village's name. One believes the village's name was a corruption from the "Teg-Ley" of sheep clearing. Another theory is that Takeley is derived from the Saxon lord Taecca, who owned land in Essex and Oxfordshire, the latter of which has a village named Tackley. In more recent times, Takeley is thought to have derived from "settlement next to open forest" in reference to the Forest of Essex. When Takeley was first recorded by the Normans in 1086–87 its boundaries were approximately 8 miles (13 km) in length, with a total area of 3,000 acres (12 km2). However, since the development of Stansted Airport, it has lost nearly a third of its land. The previous Cooper's End was demolished and the cargo area of Stansted Airport stands on the ground once occupied by the settlement. The access to and from the airport at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
78 Rpm
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog signal, analog sound Recording medium, storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital audio, digital media, in the form of the compact disc, had gained a larger market share, and the record left the main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Library Sound Archive
The British Library Sound Archive, formerly the British Institute of Recorded Sound; also known as the National Sound Archive (NSA), in London, England is among the largest collections of recorded sound in the world, including music, spoken word and ambient recordings. It holds more than six million recordings, including over a million discs and 200,000 tapes. These include commercial record releases (chiefly from the UK), radio broadcasts (many from the BBC Sound Archive), and privately made recordings. History The history of the Sound Archive can be traced back to 1905, when it was first suggested that the British Museum should have a collection of audio recordings of poets and statesmen. The Gramophone Company started donating metal masters of audio recordings in 1906 (on the basis that records would wear out), with a number of donations being made up until 1933. These recordings included some by Nellie Melba, Adelina Patti, Caruso and Francesco Tamagno, and others of Lev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Bebb
Richard Bebb (12 January 1927 – 12 April 2006) was an English actor of stage, screen and radio. Born Richard Bebb Williams in London, he changed his name to his mother's surname, Bebb, when he took up acting as there was already a British actor called Richard Williams. Bebb's father Herbert Edward Williams was a physician whose practice was run from part of St Mary's Lodge, the family's impressive home in Stoke Newington. Bebb was educated at Highgate School in North London, and attended Trinity College, Cambridge from . In 1952, he married actress Gwen Watford (1927–1994), who predeceased him. Bebb was a prolific performer in theatre, television and radio, probably most famously as "Second Voice" in the original 1954 BBC Radio broadcast of Dylan Thomas's ''Under Milk Wood'', opposite Richard Burton's "First Voice". On television, he appeared in early televised Shakespeare to Z Cars, Dixon of Dock Green, Softly, Softly (TV series), and a long running role in the soap-op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
His Master's Voice
His Master's Voice (HMV) was the name of a major British record label created in 1901 by The Gramophone Co. Ltd. The phrase was coined in the late 1890s from the title of a painting by English artist Francis Barraud, which depicted a Jack Russell Terrier dog named Nipper listening to a wind-up disc gramophone and tilting his head. In the original, unmodified 1898 painting, the dog was listening to a cylinder phonograph. The painting was also famously used as the trademark and logo of the Victor Talking Machine Company, later known as RCA Victor. In the 1970s, an award was created which is a copy of the statue of the dog and gramophone, ''His Master's Voice'', cloaked in bronze, and was presented by the record company (EMI) to artists, music producers and composers in recognition of selling more than 1,000,000 recordings. The painting The trademark image comes from a painting by English artist Francis Barraud titled ''His Master's Voice''. It was acquired from the artist in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Lascelles, 7th Earl Of Harewood
George Henry Hubert Lascelles, 7th Earl of Harewood, (7 February 1923 – 11 July 2011), styled The Honourable George Lascelles before 1929 and Viscount Lascelles between 1929 and 1947, was a British classical music administrator and author. He served as director of the Royal Opera House (1951–53; 1969–72), chairman of the board of the English National Opera (ENO) (1986–95); managing director of the ENO (1972–85), managing director of the English National Opera North (1978–81), governor of the BBC (1985–87), and president of the British Board of Film Classification (1985–96). Harewood was the elder son of the 6th Earl of Harewood and Princess Mary, Princess Royal, the only daughter of King George V and Queen Mary. At his birth, he was 6th in the line of succession; at his death, he was 46th. Lord Harewood was the eldest grandchild of King George V and Queen Mary, nephew of both King Edward VIII and King George VI and first cousin of Queen Elizabeth II. He succee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desmond Shawe-Taylor (music Critic)
Desmond Christopher Shawe-Taylor, (29 May 1907 – 1 November 1995), was a British writer, co-writer of ''The Record Guide'', music critic of the ''New Statesman'', ''The New Yorker'' and ''The Sunday Times'' and a regular and long-standing contributor to ''The Gramophone''. Biography Shawe-Taylor was born in Dublin, the elder of two sons of Francis Manley Shawe-Taylor (1869–1920), magistrate and high sheriff for the county of Galway, and his wife, Agnes Mary Eleanor ''née'' Ussher (1874–1939).Warrack, John"Taylor, Desmond Christopher Shawe- (1907–1995)" ''Oxford Dictionary of National Biography'', Oxford University Press, September 2004; online edition, May 2009, retrieved 30 May 2010 (requires subscription) His parents were members of the Anglo-Irish ruling classes; he was related to the playwright and co-founder of the Abbey Theatre, Lady Gregory and a cousin of Hugh Lane, Sir Hugh Lane who founded Dublin's Dublin City Gallery The Hugh Lane, gallery of modern art."Desm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrick Saul
Anthony Patrick Hodgins Saul OBE (15 October 1913 – 9 May 1999) was an English sound archivist. Known as Patrick Saul, he was born in Dover, the son of a dentist. The family's house overlooked the seafront meaning they were inadvertently entertained by a brass band during the summer. He was educated at Dover College, a public school, but his musical education came from records and overseas radio stations. He began his working life as a bank clerk and was a conscientious objector during World War II. After the war, he gained a Psychology degree read as an external mature student of London University, later working as an organiser of extension lectures at the university's Birbeck College. At the end of the war, Saul met ''The Times'' music critic, Frank Howes, who encouraged him to pursue his idea for a national sound archive. The Association of Libraries and Information Bureaux (Aslib) held a conference on the need for a national sound archive in 1947 resulting in the a working ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernando De Lucia
Fernando De Lucia (11 October 1860 or 1 September 1861 – 21 February 1925) was an Italian opera tenor and singing teacher who enjoyed an international career. De Lucia was admired in his lifetime as a striking exponent of verismo parts — particularly Canio in Leoncavallo's '' Pagliacci'' — and of certain roles written by Verdi and Puccini. Since then, however, he has acquired a great posthumous reputation among record-collectors for something different. They hail him as the exemplar of a type of graceful, ornamental tenor singing which originated prior to verismo and that went out of fashion for a long time, only to reemerge in recent years. Especially valued are the recordings that De Lucia made of Almaviva's arias and duets from Rossini's bel canto comic opera ''Il barbiere di Siviglia'' (''The Barber of Seville''). Early career De Lucia was born in Naples, where he studied at the Naples Music Conservatory with Vincenzo Lombardi and Beniamino Carelli.Scott 1977 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nellie Melba
Dame Nellie Melba (born Helen Porter Mitchell; 19 May 186123 February 1931) was an Australian operatic dramatic coloratura soprano (three octaves). She became one of the most famous singers of the late Victorian era and the early 20th century, and was the first Australian to achieve international recognition as a classical musician. She took the pseudonym "Melba" from Melbourne, her home town. Melba studied singing in Melbourne and made a modest success in performances there. After a brief and unsuccessful marriage, she moved to Europe in search of a singing career. Failing to find engagements in London in 1886, she studied in Paris and soon made a great success there and in Brussels. Returning to London she quickly established herself as the leading lyric soprano at Royal Opera House, Covent Garden from 1888. She soon achieved further success in Paris and elsewhere in Europe, and later at the Metropolitan Opera in New York, debuting there in 1893. Her repertoire was small; in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adelina Patti
Adelina Patti (19 February 184327 September 1919) was an Italian 19th-century opera singer, earning huge fees at the height of her career in the music capitals of Europe and America. She first sang in public as a child in 1851, and gave her last performance before an audience in 1914. Along with her near contemporaries Jenny Lind and Thérèse Tietjens, Patti remains one of the most famous sopranos in history, owing to the purity and beauty of her lyrical voice and the unmatched quality of her ''bel canto'' technique. The composer Giuseppe Verdi, writing in 1877, described her as being perhaps the finest singer who had ever lived and a "stupendous artist". Verdi's admiration for Patti's talent was shared by numerous music critics and social commentators of her era. Biography She was born Adela Juana Maria Patti, in Madrid, the youngest child of tenor Salvatore Patti (1800–1869) and soprano Caterina Barilli (died 1870). Her Italian parents were working in Spain, at the time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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