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Historic Dead
''Historic Dead'' is a live album by the rock group the Grateful Dead. It was recorded at the Avalon Ballroom in San Francisco, California in late 1966, and released in June 1971. History ''Historic Dead'' was produced as a vinyl LP on the Sunflower label and distributed by MGM Records. Together Records had purchased the rights to a number of concert recordings from the Avalon, including some by the Grateful Dead, for a planned anthology of Bay Area bands. When the label collapsed, MGM paid the debt owed to the studio and assumed the tapes, releasing two original albums of live Dead material. ''Historic Dead'' is therefore not a bootleg album, but the band did not participate in its production. It reached number 154 on the ''Billboard'' 200. It has long been out of print, and has never been issued on compact disc. ''Historic Dead'' was preceded by another Sunflower Records album recorded at the Avalon in 1966, ''Vintage Dead''. Both are believed to have been recorded on Septembe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grateful Dead
The Grateful Dead was an American rock music, rock band formed in 1965 in Palo Alto, California. The band is known for its eclectic style, which fused elements of rock, Folk music, folk, country music, country, jazz, bluegrass music, bluegrass, blues, rock and roll, gospel music, gospel, reggae, world music, and psychedelic music, psychedelia; for Concert, live performances of lengthy jam session, instrumental jams that typically incorporated mode (music), modal and tonality, tonal musical improvisation, improvisation; and for its devoted fan base, known as "Deadheads". "Their music", writes Lenny Kaye, "touches on ground that most other groups don't even know exists." These various influences were distilled into a diverse and psychedelic whole that made the Grateful Dead "the pioneering Godfathers of the jam band world". The band was ranked 57th by ''Rolling Stone'' magazine in its "Rolling Stone's 100 Greatest Artists of All Time, The Greatest Artists of All Time" issue. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of The Grateful Dead, Volume One (Bear's Choice)
''History of the Grateful Dead, Volume One (Bear's Choice)'' is a live album by the Grateful Dead. It is their fourth live album and their ninth album overall. Released in July 1973 on Warner Bros. Records, it offers concert highlights recorded February 13 and 14, 1970 at the Fillmore East in New York City. Often known simply as ''Bear's Choice'', the title references band soundman Owsley "Bear" Stanley. It was originally intended to be the first volume of a series. The album peaked at number 60 on the ''Billboard'' 200. Recording The album was recorded during a period when the Grateful Dead were playing concerts consisting of electric sets, plus an acoustic set, revisiting their roots as a folk/jug band. Reflecting this approach (though it was ultimately released three years later), the album has an acoustic side and an electric side. As per policy at the time at promoter Bill Graham's Fillmore East, the band played both an early show and a late show. The recordings were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Kreutzmann
William Kreutzmann Jr. ( ; born May 7, 1946) is an American drummer and founding member of the rock band Grateful Dead. He played with the band for its entire thirty-year career, usually alongside fellow drummer Mickey Hart, and has continued to perform with former members of the Grateful Dead in various lineups, and with his own bands BK3, 7 Walkers and Billy & the Kids. Early life Kreutzmann was born in Palo Alto, California, the son of Janice Beryl (née Shaughnessy) and William Kreutzmann Sr. His father was of German descent. His maternal grandfather was football coach and innovator Clark Shaughnessy. Kreutzmann started playing drums at the age of 13. At first he practiced on a Slingerland drum kit lent to him. As a teenager, he was practicing drums alone in a large building at his high school when Aldous Huxley and another man walked in. Huxley told Bill he'd never heard anything like it, and encouraged him in his drumming – despite the fact Bill had been told by h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead Guitar
Lead guitar (also known as solo guitar) is a musical part for a guitar in which the guitarist plays melody lines, instrumental fill passages, guitar solos, and occasionally, some riffs and chords within a song structure. The lead is the featured guitar, which usually plays single-note-based lines or double-stops. In rock, heavy metal, blues, jazz, punk, fusion, some pop, and other music styles, lead guitar lines are usually supported by a second guitarist who plays rhythm guitar, which consists of accompaniment chords and riffs. History The first form of lead guitar emerged in the 18th century, in the form of classical guitar styles, which evolved from the Baroque guitar, and Spanish Vihuela. Such styles were popular in much of Western Europe, with notable guitarists including Antoine de Lhoyer, Fernando Sor, and Dionisio Aguado. It was through this period of the classical shift to romanticism the six-string guitar was first used for solo composing. Through the 19th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Garcia
Jerome John Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for being the principal songwriter, lead guitarist, and a vocalist with the rock band Grateful Dead, which he co-founded and which came to prominence during the counterculture of the 1960s. Although he disavowed the role, Garcia was viewed by many as the leader of the band. He was inducted into the Rock and Roll Hall of Fame in 1994 as a member of the Grateful Dead. As one of its founders, Garcia performed with the Grateful Dead for the band's entire 30-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders–Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old & In the Way, the Garcia/ Grisman and Garcia/Kahn acoustic duos, Legion of Mary, and New Riders of the Purple Sage (which he co-founded with John Dawson and David Nelson). He also released several solo albums, and contributed to a number of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gus Cannon
Gustavus "Gus" Cannon (September 12, 1883 or 1884 – October 15, 1979) was an American blues musician who helped to popularize jug bands (such as his own Cannon's Jug Stompers) in the 1920s and 1930s. There is uncertainty about his birth year; his tombstone gives the date as 1874. Career Born on a plantation in Red Banks, Mississippi, Cannon moved a hundred miles to Clarksdale, then the home of W. C. Handy, at the age of 12. His musical skills came without training; he taught himself to play a banjo that he made from a frying pan and a raccoon skin. He ran away from home at the age of fifteen and began his career entertaining at sawmills and at levee and railroad camps in the Mississippi Delta around the turn of the century. While in Clarksdale, Cannon was influenced by two local musicians, Jim Turner and Alec Lee. Turner's fiddle playing in W. C. Handy's band so impressed Cannon that he decided to learn to play the fiddle himself. Lee, a guitarist, taught Cannon his first fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stealin'
"Stealin" (also called "Stealin', Stealin'") is an American blues song from the 1920s. It originated with jug bands, but gained wider popularity after several 1960s contemporary folk musicians recorded it. Although various artists have recorded different verses, the chorus has remained consistent: Origins The lines "If you don’t believe I love you, look what a fool I’ve been / If you don’t believe I’d fall for you, look what a hole I’m in" were recorded by the New Orleans jazz musician Clarence Williams in 1921 and again by Leona Williams in 1922 as "If You Don't Believe I Love You, Look What a Fool I've Been". Gus Cannon claimed to have written the opening line, "Put your arms around me like a circle 'round the sun". Consequently, Cannon is sometimes credited with authorship of the song. However, this line does not appear in any of his recorded songs, but does appear in the folk song "I Know You Rider" and may actually predate Cannon. "She's a married woman, but sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Will Shade
William Shade Jr. (February 5, 1898 – September 18, 1966), known as Will Shade, was a Memphis blues musician, best known for his leadership of the Memphis Jug Band. He was commonly called Son Brimmer, a nickname from his grandmother Annie Brimmer (''son'' is short for ''grandson''). The name apparently stuck when other members of the band noticed that the ''sun'' bothered him and he used the ''brim'' of a hat to ''shade'' his eyes. Early life Shade was born in February 1898 in Memphis, Tennessee, to William Shade and Mary ( Brimmer). Mary was fourteen years old when he was born. After her husband's death from a gunshot wound in 1903, she married a member of the Banks family, but by 1920 she was a widow once again. Shade had two half brothers, Henry Banks and Robert Banks. He credited his mother with teaching him how to play the harmonica, his first instrument. Biography Shade first heard jug band music in 1925, recorded by the Dixieland Jug Blowers, from Louisville, Kentucky. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jab Jones
The Memphis Jug Band was an American musical group active from the mid-1920s to the late-1950s. The band featured harmonica, kazoo, fiddle and mandolin or banjolin, backed by guitar, piano, washboard, washtub bass and jug. They played slow blues, pop songs, humorous songs and upbeat dance numbers with jazz and string band flavors. The band made the first commercial recordings in Memphis, Tennessee, and recorded more sides than any other prewar jug band. Beginning in 1926, African-American musicians in the Memphis area grouped around the singer, songwriter, guitarist, and harmonica player Will Shade (also known as Son Brimmer or Sun Brimmer). The personnel of the band varied from day to day, with Shade booking gigs and arranging recording sessions. The band was as a training ground for musicians who would go on to make careers of their own. Members Among the recorded members of the Memphis Jug Band at various times were Will Shade (harmonica, guitar, washtub bass, vocals), Charlie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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