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His Majesty King Funk
''His Majesty King Funk'' is a jazz album recorded in 1965 by Grant Green. It features Green with tenor saxophonist Harold Vick, organist Larry Young, drummer Ben Dixon and percussionist Candido. Reception The Allmusic review by Michael Erlewine awarded the album 3 stars and stated “This is soul-jazz with a deep groove. ''His Majesty King Funk'' is the last of five albums Green recorded with Young. Produced by Creed Taylor, it is the only album Green did for Verve and perhaps his last real jazz album before several years of inactivity, after which he became somewhat more commercial in his approach”. John Heidt wrote about this album at Vintage Guitar magazine: “Green’s ''His Majesty King Funk'' is well-named. With five cuts of soul-drenched jazz, it’s easy to see why he’s the darling of the acid-jazz movement. He had an earthiness to his playing not found in lots of other jazz guitarists, and this set, with Larry Young on organ lets that shine through”. Track li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grant Green
Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer. Recording prolifically for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynn write, "A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar ... Green's playing is immediately recognizable – perhaps more than any other guitarist." Critic Dave Hunter described his sound as "lithe, loose, slightly bluesy and righteously groovy". He often performed in an organ trio, a small group featuring a Hammond organ and drummer. Apart from fellow guitarist Charlie Christian, Green's primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other musicia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Young (jazz)
Larry Young (also known as Khalid Yasin ''Abdul Aziz October 7, 1940 – March 30, 1978) was an American jazz organist and occasional pianist. Young's early work was strongly influenced by the soul jazz of Jimmy Smith, but he later pioneered a more experimental, modal approach to the Hammond B-3. Biography Born and raised in Newark, New Jersey, United States, Young attended Newark Arts High School, where he began performing with a vocal group and a jazz band. Young played with various R&B bands in the 1950s, before gaining jazz experience with Jimmy Forrest, Lou Donaldson, Kenny Dorham, Hank Mobley and Tommy Turrentine. Recording as a leader for Prestige from 1960, Young made a number of soul jazz discs, '' Testifying'', ''Young Blues'' and '' Groove Street''. When Young signed with Blue Note around 1964, his music began to show the marked influence of John Coltrane. In this period, he produced his most enduring work. He recorded several times as part of a trio with guitari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Guitar
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars. In the early 1930s, jazz musicians sought to amplify their sound to be heard over loud big bands. When guitarists in big bands switched from acoustic to semi-acoustic guitar and began using amplifiers, it enabled them to play solos. Jazz guitar had an important influence on jazz in the beginning of the twentieth century. Although the earliest guitars used in jazz were acoustic and acoustic guitars are still sometimes used in jazz, most jazz guitarists since the 1940s have performed on an electrically amplified guitar or electric guitar. Traditionally, jazz electric guitarists use an archtop with a relatively broad hollow sound-box, violin-style f-holes, a " floating bridge", and a magnetic pickup. Solid body guitars, mass-produced since the early 1950s, are also used. Jazz guitar playing styles include '' c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beasley Smith
John Beasley Smith (September 27, 1901 – May 14, 1968)William F. Lee, ''American Big Bands'' (Hal Leonard Corporation, 2005) p50 was an American composer and big band musician. "That Lucky Old Sun" (1949) one of his better known works, was covered by many well-known artists. He often worked with Haven Gillespie and toured the nation with his group, "Beasley Smith and His Orchestra". Biography Beasley Smith was born in McEwen, Tennessee. His parents were teachers. The family moved to Nashville when he was in elementary school. While in high school at Hume-Fogg in downtown Nashville, he formed an instrumental duo with fellow piano prodigy Francis Craig. They were later roommates at Vanderbilt University. Smith left college after two years to become a musician. He formed his first band around 1922, and by 1925 the ''Beasley Smith Orchestra'' was entertaining regularly at the Andrew Jackson Hotel in downtown Nashville. From 1927-1933, the group toured nationally. On October ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haven Gillespie
James Lamont Gillespie (February 6, 1888 – March 14, 1975) pen name Haven Gillespie, was an American Tin Pan Alley composer and lyricist. He was the writer of "You Go to My Head", "Honey", "By the Sycamore Tree", "That Lucky Old Sun", " Breezin' Along With The Breeze", " Right or Wrong," " Beautiful Love", "Drifting and Dreaming", and "Louisiana Fairy Tale" (Fats Waller's recording of which was used as the first theme song in the PBS Production of ''This Old House''), each song in collaboration with other people such as Beasley Smith, Ervin R. Schmidt, Richard A. Whiting, Wayne King, and Loyal Curtis. He also wrote the seasonal standard "Santa Claus Is Comin' to Town". Life and career Gillespie was one of nine children of Anna (Reilley) and William F. Gillespie. The family was poor and lived in the basement of a house on Third Street between Madison Avenue and Russell Street in Covington, Kentucky. Gillespie dropped out of school in grade four and could not find a job. His ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
That Lucky Old Sun
"That Lucky Old Sun (Just Rolls around Heaven All Day)" is a 1949 popular song with music by Beasley Smith and words by Haven Gillespie. Background Like "Ol' Man River", its lyrics contrast the toil and intense hardship of the singer's life with the obliviousness of the natural world. 1949 recordings *The biggest hit version of the song was by Frankie Laine. This recording was released by Mercury Records as catalog number 5316. It first reached the ''Billboard'' Best Seller chart on August 19, 1949, and lasted 22 weeks on the chart, peaking at No. 1. *The recording by Vaughn Monroe & His Orchestra was released by RCA Victor Records as catalog number 20-3531 (78 rpm) and 47-3018 (45 rpm) (in USA) and by EMI on the His Master's Voice label as catalog number B 9836. It first reached the ''Billboard'' Best Seller chart on September 16, 1949, and lasted 14 weeks on the chart, peaking at No. 9. *The recording by Louis Armstrong was released by Decca Records as catalog number 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ann Ronell
Ann Ronell (née Rosenblatt; December 25, 1905 — December 25, 1993) was an American composer and lyricist. She was best known for the standards "Willow Weep for Me" (1932) and "Who's Afraid of the Big Bad Wolf" (1933). Early life Ronell was born in Omaha, Nebraska, to Morris and Mollie Rosenblatt. Ronell graduated from Omaha's Central High School in 1923. She enrolled in Wheaton College, Massachusetts, but transferred after her sophomore year to pursue a more serious music education.Benjamin Sears"Ann Ronell" ''American National Biography Online'', 2000 She graduated from Radcliffe College, where she studied music with Walter Piston. While at Radcliffe, Ronell wrote music for college plays and contributed reviews and interviews to the school's music publication. After interviewing George Gershwin, she struck up a friendship with the composer, who hired her as a rehearsal pianist for his show '' Rosalie''. It was Gershwin who suggested that she change her name from Rosenblatt to R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willow Weep For Me
"Willow Weep for Me" is a popular song composed in 1932 by Ann Ronell, who also wrote the lyrics. The song form is AABA, written in time,Zimmers, Tighe, E. (2009). ''Tin Pan Alley Girl: A Biography of Ann Ronell''. McFarland. pp. 19-22. although occasionally adapted for waltz time. One account of the inspiration for the song is that, during her time at Radcliffe College, Ronell "had been struck by the loveliness of the willow trees on campus, and this simple observation became the subject of an intricate song." The song was rejected by publishers for several reasons. First, the song is dedicated to George Gershwin. A dedication to another writer was disapproved of at the time, so the first person presented with the song for publication, Saul Bornstein, passed it to Irving Berlin, who accepted it. Other reasons stated for its slow acceptance are that it was written by a woman and that its construction was unusually complex for a composition that was targeted at a commercial a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vintage Guitar (magazine)
''Vintage Guitar'' is an American magazine that focuses on vintage and classic guitars, amplifiers, effects, and related equipment, as well as notable guitarists from all genres and eras. The publication's feature stories and monthly columns cover a diverse range of topics by contributors, including some of the biggest names in the industry and renowned authorities like Dan Erlewine, George Gruhn, Wolf Marshall, Richard Smith, and Seymour W. Duncan, as well as some of the best-known writers in the field, including Pete Prown, Walter Carter, Dan Forte, Dave Hunter, Rich Kienzle, Michael Dregni, John Peden, Greg Prato, and others. The magazine's classified-ad section provides readers with access to classic, used and new guitars, amps, accessories, books, videos, and more. Other editorial content focuses on reviews of music as well as informed, objective reviews of new gear. ''Vintage Guitar'' also includes monthly repair columns written by noted repair expert/luthier Dan Erlewine. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
