Hirnschlacht
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Hirnschlacht
''Hirnschlacht'' (Brain battle) is the second album by German industrial band Feindflug. It was released on 3 June 2002 via the label Black Rain. The album is instrumental except for vocal samples used in the tracks. Track listing Reception Metal.de Metal.de is a German-language online magazine launched in 1996. The magazine focuses on the subgenres of heavy metal and hard rock, but also reports on similar styles. ''Metal.de'' foundation in 1996 makes it one of the longest-running heavy me ... rated the album highly, stating that it was a good successor to the previous album Vierte Version, although noting that the samples used were less aggressive. AllMusic said that "they eindflugdo one dark thing and they do it extremely well." Chain D.L.K. gave a positive review, though stating the video accompanying Roter Schnee was "really not that great." IndustrialReviews.ru and DarkItalia.com also gave positive reviews, both noting the unique style of music. Katja Kauer stated ...
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Feindflug
is a German electro-industrial band founded in 1995 by DJ Felix and DJ Banane. Translated, ''der Feindflug'' (literally "the foe-flight") corresponds in military use to the French/English word "sortie". Style and themes Feindflug's music is entirely instrumental. The only vocals that can be heard are in samples, mostly taken from movies dubbed in German or excerpts of Adolf Hitler or Klaus Kinski. The band is characterized by Jeffrey Andrew Weinstock and Isabella van Elferen as martial industrial and neo-folk, "negotiating the role of the past in the present." Recurring themes and topics are authoritarian regimes, the death-penalty and total war, especially World War II and the Third Reich. Critics have associated the band with the German Neo-Nazi scene, due to the themes presented in their music and their album cover graphics. The band-members oppose this critique and have stated that their music is intended as a reflection of the issues it describes, not as support. T ...
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Feindflug (Vierte Version)
''Feindflug (Vierte Version)'', also called ''Feindflug ‘Vierte Version’'' or simply ''Vierte Version'', is the first widely released album by German industrial band Feindflug. Although three versions of the album were released earlier, they were limited print runs and not widely distributed. It was released in June 1999 via the label Black Rain. Track listing Themes The author Reinhard Kopanski in his book ''Bezugnahmen auf den Nationalsozialismus in der populären Musik'' examined the track Grössenwahn, along with the rest of the album, as a commentary on the rise, motivations, and downfall of Nazi Germany. Reception Metal.de Metal.de is a German-language online magazine launched in 1996. The magazine focuses on the subgenres of heavy metal and hard rock, but also reports on similar styles. ''Metal.de'' foundation in 1996 makes it one of the longest-running heavy me ... stated that Vierte Version is a "almost perfect album" and a "first-class debut album." Roc ...
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Feindflug Albums
is a German electro-industrial band founded in 1995 by DJ Felix and DJ Banane. Translated, ''der Feindflug'' (literally "the foe-flight") corresponds in military use to the French/ English word "sortie". Style and themes Feindflug's music is entirely instrumental. The only vocals that can be heard are in samples, mostly taken from movies dubbed in German or excerpts of Adolf Hitler or Klaus Kinski. The band is characterized by Jeffrey Andrew Weinstock and Isabella van Elferen as martial industrial and neo-folk, "negotiating the role of the past in the present." Recurring themes and topics are authoritarian regimes, the death-penalty and total war, especially World War II and the Third Reich. Critics have associated the band with the German Neo-Nazi scene, due to the themes presented in their music and their album cover graphics. The band-members oppose this critique and have stated that their music is intended as a reflection of the issues it describes, not as suppo ...
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Volk Und Armee
''Volk und Armee'' (People and Army), also called ''Volk und Armee...'', is the third album by German industrial band Feindflug is a German electro-industrial band founded in 1995 by DJ Felix and DJ Banane. Translated, ''der Feindflug'' (literally "the foe-flight") corresponds in military use to the French/English word "sortie". Style and themes Feindflug's music i .... The album was released on 24 October 2005 via the label Black Rain. The album is instrumental except for vocal samples used in the tracks. Track listing Themes ''Volk und Armee'' has been examined by reviewers for its imagery and samples that contain references to communism and nazism. The booklet contains a series of Soviet, American, and Spanish propaganda posters from WWII. The album cover takes inspiration from the poster "Народ и Армия непобедимы" ("People and Army are invincible") by the Soviet graphic artist Viktor Koretsky. The tracks Feindbild and Ätherkrieg also cont ...
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Industrial Metal
Industrial metal is the fusion of heavy metal and industrial music, typically employing repeating metal guitar riffs, sampling, synthesizer or sequencer lines, and distorted vocals. Prominent industrial metal acts include Ministry, Nine Inch Nails, Marilyn Manson, Rammstein, Godflesh, and Fear Factory. Industrial metal developed in the late 1980s, as industrial and metal began to fuse into a common genre. Industrial metal did well in the early 1990s, particularly in North America, with the success of groups such as Nine Inch Nails, but its popularity began to fade in the latter half of the 1990s. History Early innovators Though electric guitars had been used by industrial artists since the early days of the genre, archetypal industrial groups such as Throbbing Gristle displayed a strong anti-rock stance. British post-punk band Killing Joke pioneered the crossing over between styles and was an influence on major acts associated with industrial metal such as Ministry, Go ...
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Power Noise
Power noise (also known as rhythmic noise and occasionally as distorted beat music) is a form of industrial music and a fusion of noise music and various styles of electronic dance music. It should not be confused with "power electronics", which is not influenced by electronic dance music and is closer to harsh noise. Its origins are predominantly European. History 1990s Power noise takes inspiration from Spanish industrial act Esplendor Geometrico, active since 1980, and other artists such as Le Syndicat, active since 1982.Hymen Records, Converter, Coma record description. Access date: August 8, 2008. The Belgian group Dive (Belgian band), Dive also anticipated the style in the early '90s along with a number of releases on the harder or harsher end of the techno spectrum such as several early vinyl EP releases by Aphex Twin. The term "power noise" was coined by Raoul Roucka of Noisex in 1997, with the track "United (Power Noise Movement)". The genre was exposed to the U.S. ...
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Electronic Body Music
Electronic body music (acronymized to EBM) is a genre of electronic music that combines elements of industrial music and synth-punk with elements of disco and dance music. It developed in the early 1980s in Western Europe as an outgrowth of both punk and industrial music cultures. It combines sequenced repetitive basslines, programmed dance music rhythms, and mostly undistorted vocals and commandlike shouts with confrontational or provocative themes. The evolution of the genre reflected "a general shift towards more song-oriented structures in industrial as to a general turn towards the dancefloor by many musicians and genres in the era of post-punk."Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , p. 102–104. It was considered a part of the European new wave and post-punk movement and the first style that blended synthesized sounds with an ecstatic style of dancing (e.g. pogo). EBM gai ...
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Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Metal
A metal (from Greek μέταλλον ''métallon'', "mine, quarry, metal") is a material that, when freshly prepared, polished, or fractured, shows a lustrous appearance, and conducts electricity and heat relatively well. Metals are typically ductile (can be drawn into wires) and malleable (they can be hammered into thin sheets). These properties are the result of the ''metallic bond'' between the atoms or molecules of the metal. A metal may be a chemical element such as iron; an alloy such as stainless steel; or a molecular compound such as polymeric sulfur nitride. In physics, a metal is generally regarded as any substance capable of conducting electricity at a temperature of absolute zero. Many elements and compounds that are not normally classified as metals become metallic under high pressures. For example, the nonmetal iodine gradually becomes a metal at a pressure of between 40 and 170 thousand times atmospheric pressure. Equally, some materials regarded as metals ...
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