Hilaire Penet
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Hilaire Penet
Hilaire Penet (born 1501?) was a French composer of the Renaissance, who worked for at least the earlier part of his life in Rome. Life and works Unusually for a Renaissance composer, more is known of his earlier life than his later; indeed nothing at all is known of him after 1520. He was probably born in 1501, since his age is given as 14 in a document of 1515, and he was probably born near Poitiers. He served as a singer in the papal chapel from 1514, when he arrived there in the care of Carpentras, until 1520 when he left never to return. Since much of his music was published in the 1530s and later, he may have still been alive then and working elsewhere; presumably had he been still working in association with the papal chapel, there would be records of his employment. Penet is most famous as the composer of ''Descendit angelus Domini'', a four-voice motet which was used both by Palestrina and Costanzo Porta as source material for mass composition. The motet circulated wide ...
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Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ...
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