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Highland (Irish)
A highland is an Irish musical form in duple meter, largely idiomatic of Donegal. Like the fling, it is related to the Scottish highland fling and the hornpipe, found throughout the British Isles. Like its Scottish cousin, a fling is played in cut time and has a dotted rhythm. Like the Scottish strathspey, quarter notes may sometimes be articulated as triplets or Scots snaps. However, unlike the strathspey, these Scots snaps are usually less sharply articulated. They are also played more slowly than reels and are strongly accented on the first beat, which tends to be a note quarter note in length. A typical fling has a 32-bar form divided into two parts, each consisting of eight bars which are repeated: AABB.Vallely, F. (1999). The Companion to Traditional Irish Music. New York University Press: New York, p. 187-188 *A transcription of the ''Jimmy Lyon's'' Highland See also *Highland fling *Strathspey *Schottische The schottische is a partnered country dance that apparently or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duple Meter
Duple metre (or Am. duple meter, also known as duple time) is a musical metre characterized by a ''primary'' division of 2 beats to the bar, usually indicated by 2 and multiples (simple) or 6 and multiples (compound) in the upper figure of the time signature, with (cut time), , and (at a fast tempo) being the most common examples. Shown below are a simple and a compound duple drum pattern. : \new Staff : \new Staff Though it must, the upper figure being divisible by 2 does not of itself indicate duple metre. The most common time signature in rock, blues, country, funk, and pop is .Schroedl, Scott (2001). ''Play Drums Today!'', p. 42. Hal Leonard. . Although jazz writing has become more adventurous since Dave Brubeck's'' Time Out'', the majority of jazz and jazz standards are still in four time. Duple time is common in many styles including the polka, notorious for its obvious "oom-pah" duple feel. Compare to the waltz. Quadruple metre Quadruple metre (also ''quad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuplet
In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" This is indicated by a number, or sometimes two indicating the fraction involved. The notes involved are also often grouped with a bracket or (in older notation) a slur. The most common type of tuplet is the triplet. Terminology The modern term 'tuplet' comes from a rebracketing of compound words like quintu(s)-(u)plet and sextu(s)-(u)plet, and from related mathematical terms such as "tuple", "-uplet" and "-plet", which are used to form terms denoting multiplets (''Oxford English Dictionary'', entries "multiplet", "-plet, ''comb. form''", "-let, ''suffix''", and "-et, ''suffix''1"). An alternative modern term, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schottische
The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina ("chotis"Spanish Wikipedia and "chamamé"), Finland ("jenkka"), France, Italy, Norway (""), Portugal and Brazil (''xote'', '), Spain (''chotis''), Sweden, Denmark ("schottis"), Mexico (Norteño music), and the United States, among other nations. The schottische is considered by ''The Oxford Companion to Music'' to be a kind of slower polka, with continental-European origin. The schottische basic step is made up of two sidesteps to the left and right, followed by a turn in four steps. In some countries, the sidesteps and turn are replaced by Strathspey hopping steps. Schottisches danced in Europe (in the context of balfolk), where they originated, are different from how they are danced in the United States. The European (or Continental) version (ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Highland Fling
The Highland Fling is a solo Highland dance that gained popularity in the early 19th century. The word 'Fling' means literally a movement in dancing. In John Jamieson's 1808 ''Etymological Dictionary of the Scottish Language'', the Highland Fling was defined as 'one species of movement' in dancing, not as one particular movement. There is some speculation that the first solo Highland Fling dances simply showed off steps that individual dancers preferred in the Strathspey Reel, a social dance. This dance is now performed at dance competitions and events around the world. One goal of dancers today is to stay in the same spot throughout the dance. The Highland Fling is danced at almost all competition levels, from primary to premier. It is also performed for Highland and theory examinations. Dancers wear a kilt to perform the dance, which is in time. A version of a Fling in a percussive dance style was remembered and danced by John Gillis in Cape Breton Island, Nova Scotia, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quarter Note
A quarter note (American) or crotchet ( ) (British) is a note (music), musical note played for one quarter of the duration of a whole note (or semibreve). Quarter notes are notated with a filled-in oval note head and a straight, flagless stem (music), stem. The stem usually points upwards if it is below the middle line of the musical staff, staff, and downwards if it is on or above the middle line. An upward stem is placed on the right side of the notehead, a downward stem is placed on the left (see image). The Unicode symbol is U+2669 (♩). A quarter rest (music), rest (or crotchet rest) denotes a silence of the same duration as a quarter note. It typically appears as the symbol , or occasionally, as the older symbol .''Rudiments and Theory of Music'' Associated Board of the Royal Schools of Music, London 1958. I,33 and III,25. The former section shows both forms without distinction, the latter the "old" form only. The book was the Official ABRSM theory manual in the UK ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reel (dance)
The reel is a folk dance type as well as the accompanying dance tune type. Of Scottish origin, reels are also an important part of the repertoire of the fiddle traditions of the British Isles and North America. In Scottish country dancing, the reel is one of the four traditional dances, the others being the jig, the strathspey and the waltz, and is also the name of a dance figure (see below). In Irish dance, a reel is any dance danced to music in ''reel time'' (see below). In Irish stepdance, the reel is danced in soft shoes and is one of the first dances taught to students. There is also a treble reel, danced in hard shoes to reel music. History The reel is indigenous to Scotland. The earliest reference was in a trial of 1590, where the accused was reported to have "daunced this reill or short dance." However, the form may go back to the Middle Ages. The name may be cognate with or relate to an Old Norse form, with Suio-Gothic '' rulla'', meaning "to whirl." This became Anglo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scots Snap
The Lombard rhythm or Scotch snap is a syncopated musical rhythm in which a short, accented note is followed by a longer one. This reverses the pattern normally associated with dotted notes or ''notes inégales'', in which the longer value precedes the shorter. In Baroque music, a Lombard rhythm consists of a stressed sixteenth note, or semiquaver, followed by a dotted eighth note, or dotted quaver. Baroque composers often implemented these rhythms. For instance, Johann Georg Pisendel utilized Lombard rhythms within the largo and allegro sections of his sonata for Violin Solo in A Minor. Carl Philipp Emanuel Bach included dotted rhythms within certain excerpts of his concerto for flute, cello, and keyboard. Not only did Baroque performers and composers such as Johann Joachim Quantz, introduce these uneven rhythms in their studies and pedagogy, but Jazz also possesses these rhythms which are in the very essence of its style. In Scottish country dances, the Scotch snap (or Scots ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strathspey (dance)
A strathspey () is a type of dance tune in time, featuring dotted rhythms (both long-short and short-long "Scotch snaps"), which in traditional playing are generally somewhat exaggerated rhythmically. Examples of strathspeys are the songs "The Bonnie Banks o' Loch Lomond" and "Coming Through the Rye" (which is based on an older tune called "The Miller's Daughter"). Strathspeys may be played anywhere from 108 beats per minute for Highland dance up to 160 beats per minute for step dance). Traditionally, a strathspey will be followed by a reel, which is in with even eighth-notes, as a release of the rhythmic tension created during the strathspey. It has been hypothesized that strathspeys mimic the rhythms of Scottish Gaelic song. Among traditional musicians, strathspeys are occasionally transmitted as canntaireachd, a style of singing in which various syllables are used to vocalize traditional bagpipe embellishments. The dance is named after the Strathspey region of Scotland, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
County Donegal
County Donegal ( ; ga, Contae Dhún na nGall) is a county of Ireland in the province of Ulster and in the Northern and Western Region. It is named after the town of Donegal in the south of the county. It has also been known as County Tyrconnell (), after the historic territory of the same name, on which it was based. Donegal County Council is the local council and Lifford the county town. The population was 166,321 at the 2022 census. Name County Donegal is named after the town of Donegal () in the south of the county. It has also been known by the alternative name County Tyrconnell, Tirconnell or Tirconaill (, meaning 'Land of Conall'). The latter was its official name between 1922 and 1927. This is in reference to the kingdom of Tír Chonaill and the earldom that succeeded it, which the county was based on. History County Donegal was the home of the once-mighty Clann Dálaigh, whose best-known branch was the Clann Ó Domhnaill, better known in English as the O'Don ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dotted Note
In Western musical notation, a dotted note is a note with a small dot written after it. In modern practice, the first dot increases the duration of the basic note by half (the original note with an extra beam) of its original value. This means that a dotted note is equivalent to writing the basic note tied to a note of half the value – for instance, a dotted half note is equivalent to a half note tied to a quarter note. Subsequent dots add progressively halved value, as shown in the example to the right. Though theoretically possible, a note with more than three dots is highly uncommon; only quadruple dots have been attested. If the original note is considered as being of length 1, then a quintuple dot would only be 1/32 longer than the quadruple dotted note. The difficulty may be seen by comparing dotted notation to tied notation: a quarter note () is equivalent to 2 tied eighth notes (), a dotted quarter = 3 tied eighth notes, double dotted = 7 tied sixteenth notes (), tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cut Time
''Alla breve'' also known as cut time or cut common timeis a musical meter notated by the time signature symbol (a C with a vertical line through it), which is the equivalent of . The term is Italian for "on the breve", originally meaning that the beat was counted on the breve. ''Alla breve'' is a "simple-duple meter with a half-note pulse".Duckworth, William (2009). ''A Creative Approach to Music Fundamentals'', p. 38. . The note denomination that represents one beat is the minim or half-note. There are two of these per bar, so that the time signature may be interpreted as "two minim beats per bar". Alternatively this is read as two beats per measure, where the half note gets the beat. The name "common time" refers to , which has four beats to the bar, each of a quarter note (or crotchet). Modern usage In contemporary use, ''alla breve'' suggests a fairly quick tempo. Thus, it is used frequently for military marches. From about 1600 to 1900, its meaning with regard to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
