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Heut Triumphieret Gottes Sohn
"" ("This Day in Triumph God the Son") is a Lutheran hymn for Easter. Kaspar Stolzhagen published the hymn in 1592, and its setting by Bartholomäus Gesius ( Zahn No. 2585) was published in 1601. The hymn was adopted in several hymnals, including the '' Evangelisches Gesangbuch''. Composers such as Johann Sebastian Bach based compositions on its hymn tune. History Although hymnologists sometimes doubt his authorship, Stolzhagen (1550–1594) would have written "" in 1591. In 1592, Stolzhagen published the text as an Easter hymn (, "song of the resurrection of Christ"). Gesius's setting of the hymn (Zahn No. 2585) appeared in two independent publications in 1601, indicating that its dissemination, and composition, dated from some time before it was printed. Hymn In its original publication, Stolzhagen's Easter hymn had sixteen stanzas of three lines. This version with three-line stanzas was possibly sung to the "Resurrexit Dominus" tune, Zahn No. 25a. In 1601, Gesius publishe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Chorale
A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant Church service. The typical four-part setting of a chorale, in which the sopranos (and the congregation) sing the melody along with three lower voices, is known as a ''chorale harmonization''. Lutheran hymns Starting in 1523, Martin Luther began translating worship texts into German from the Latin. He composed melodies for some hymns himself, such as "Ein feste Burg ist unser Gott" (" A Mighty Fortress Is Our God"), and even a few harmonized settings. For other hymns he adapted Gregorian chant melodies used in Catholic worship to fit new German texts, sometimes using the same melody more than once. For example, he fitted the melody of the hymn "Veni redemptor gentium" to three different texts, " Verleih uns Frieden gnädiglich", "Erhalt uns, Herr, bei deinem Wort", and "Nun komm, der Heiden Heiland". The first Lutheran hymns were published in 1524. These incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Graupner
Christoph Graupner (13 January 1683 – 10 May 1760) was a German composer and harpsichordist of late Baroque music who was a contemporary of Johann Sebastian Bach, Georg Philipp Telemann and George Frideric Handel. Life Born in Hartmannsdorf near Kirchberg in Saxony, Graupner received his first musical instruction from his uncle, an organist named Nicolaus Kuester. Graupner went to the University of Leipzig where he studied law (as did many composers of the time) and then completed his musical studies with Johann Kuhnau, the cantor of the Thomasschule (St. Thomas School). In 1705, Graupner left Leipzig to play the harpsichord in the orchestra of the Hamburg Opera under the direction of Reinhard Keiser, alongside George Frideric Handel, then a young violinist. In addition to playing the harpsichord, Graupner composed six operas in Hamburg, some of them in collaboration with Keiser, a popular composer of operas in Germany. In 1709, Graupner accepted a post at the court of Hess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Melodien Der Deutschen Evangelischen Kirchenlieder (Zahn, Johannes)
A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant Church service. The typical four-part setting of a chorale, in which the sopranos (and the congregation) sing the melody along with three lower voices, is known as a ''chorale harmonization''. Lutheran hymns Starting in 1523, Martin Luther began translating worship texts into German from the Latin. He composed melodies for some hymns himself, such as "Ein feste Burg ist unser Gott" ("A Mighty Fortress Is Our God"), and even a few harmonized settings. For other hymns he adapted Gregorian chant melodies used in Catholic worship to fit new German texts, sometimes using the same melody more than once. For example, he fitted the melody of the hymn "Veni redemptor gentium" to three different texts, " Verleih uns Frieden gnädiglich", "Erhalt uns, Herr, bei deinem Wort", and "Nun komm, der Heiden Heiland". The first Lutheran hymns were published in 1524. These inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankfurt An Der Oder
Frankfurt (Oder), also known as Frankfurt an der Oder (), is a city in the German state of Brandenburg. It has around 57,000 inhabitants, is one of the easternmost cities in Germany, the fourth-largest city in Brandenburg, and the largest German city on the river Oder. Frankfurt sits on the western bank of the river, opposite the Polish town of Słubice, which was a part of Frankfurt until 1945, and called ''Dammvorstadt'' until then. The city is located about east of Berlin, in the south of the historical region Lubusz Land. The large lake Helenesee lies within Frankfurt's city limits. The name of the city makes reference to the Franks, and means ''Ford (crossing), Ford of the Franks'', and there appears a Gallic rooster in the coat of arms of the city. The official name ''Frankfurt (Oder)'' and the older ''Frankfurt an der Oder'' are used to distinguish it from the larger city of Frankfurt, Frankfurt am Main. The city's recorded history began in the 13th century as a Polabian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. The Breitkopf pianos were highly esteemed in the 19th century by pianists like Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported contemporary composers and had close editorial collaboration with Beethoven, Haydn, Mendelssohn, Schumann, Chopin, Liszt, Wagner and Brahms. In the 19th century they also published the first "complete works" editions of various composers, for instance Bach (the Bach-Gesells ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV2a
Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble and orchestra. There are over 1000 known compositions by Bach. Nearly all of them are listed in the ' (BWV), which is the best known and most widely used catalogue of Bach's compositions. Listing Bach's compositions Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (adding four-part chorales which h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Schmieder
Wolfgang Schmieder (May 29, 1901 – November 8, 1990) was a German music librarian and musicologist. Schmieder was born in Bromberg (now Bydgoszcz, Poland).Eggebrecht, Hans. "Wolfgang Schmieder". ''Oxford Music Online''. 2001, https://doi.org/10.1093/gmo/9781561592630.article.24954. In 1950, he published the BWV, or Bach-Werke-Verzeichnis ("Bach Works Catalogue"), a catalog of musical works by Johann Sebastian Bach. The numbering system used in the BWV has since become a nearly universal standard, used by scholars and musicians around the world. (BWV numbers are sometimes referred to as "Schmieder" numbers; the designations S 971 and BWV 971 therefore refer to the same thing, the ''Italian Concerto''.) Schmieder served as the Special Advisor for Music for the City and University Library at Johann Wolfgang Goethe University of Frankfurt am Main from April 1942 until his retirement in 1963. He lived in Freiburg im Breisgau Freiburg im Breisgau (; abbreviated as Freiburg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kleine Ausgabe – Nach Der Von Wolfgang Schmieder Vorgelegten 2
Kleine is a German and Dutch surname meaning "small". Notable people with the surname include: * Andrea Kleine (born 1970), American writer, choreographer, and performance artist * Christian Kleine (born 1974), German musician and DJ * Cindy Kleine (born ), American film director, producer and video artist * George Kleine (1864–1931), American film producer and pioneer * Hal Kleine (1923–1957), American baseball pitcher * Joe Kleine (born 1962), American basketball player * Lil' Kleine (born 1994), stage name of Jorik Scholten (born 1994), Dutch rapper * Megan Kleine (born 1974), American swimmer * Piet Kleine (born 1951), Dutch speed skater * Robert Kleine (born 1941), American Michigan State Treasurer * Theodor Kleine (1924–2014), German sprint canoer * Thomas Kleine (born 1977), German football defender and manager See also * Klein (surname) * Kleijn Kleijn is a Dutch surname meaning "small". The ij digraph is often replaced with a "y" (''Kleyn''). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 342
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to the soprano part * text treatment: ** homophonic ** no repetitions (i.e., each syllable of the hymn text is sung one time) Around 400 of such chorale settings by Bach, mostly composed in the first four decades of the 18th century, are extant: * Around half of that number are chorales which were transmitted in the context of larger vocal works such as cantatas, motets, Passions and oratorios. A large part of these chorales are extant as autographs by the composer, and for nearly all of them a colla parte instrumental and/or continuo accompaniment are known. * All other four-part chorales exclusively survived in collections of short works, which include manuscripts and 18th-century prints. Apart from the '' Three Wedding Chorales'' collection ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
