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Het Apollohuis
''Het Apollohuis'' ( en, The Apollo House) was a space for experimental music and visual arts, "focused in particular on...sound art, new music, performance art and the new media," founded in Eindhoven, Netherlands, by Remko Scha and Paul Panhuysen in a former 19th century cigar factory in 1980. Partly funded by their own publishing house, the space was closed in 2001 after their grant was discontinued. "Between 1980 and 2001, Het Apollohuis organized 253 art exhibitions, 476 concerts and performances, 46 public lectures, symposia and several festivals (as "ECHO: images of sound II" in 1987 or FLEA Festival in 1997). Artists-in-residence, asked to create an exhibition, an installation or a publication, where provided with an apartment, studio space, and materials. Known artists that had events at the Apollohuis were for instance Ellen Fullman, Glenn Branca, Michel Waisvisz, Pauline Oliveros, Pierre Bastien, The Hub (band), Nicolas Collins, Maciunas Ensemble. The organization gave ...
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Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ...
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List Of Artistic Media
Arts media is the material and tools used by an artist, composer or designer to create a work of art, for example, "pen and ink" where the pen is the tool and the ink is the material. Here is a list of types of art and the media used within those types. Architecture *Cement, concrete, mortar * Cob *Glass *Metal *Stone, brick *Wood Carpentry *Adhesives *Wood (timber) Ceramics *Bone china *Clay * Glaze *Porcelain *Pottery *Terracotta Drawing Common drawing materials *Acrylic paint *Chalk *Charcoal *Conté *Crayon *Gouache *Graphite *Ink *Oil paint * Glass paint *Pastel *Pixel * Sketch *Tempera *Watercolor *Glitter Common supports (surfaces) for drawing *Canvas *Card stock *Concrete *Fabric *Glass *Human body *Metal *Paper *Plaster *Scratchboard *Stone *Vellum *Wood Common drawing tools and methods *Brush *Finger *Pen *Ballpoint pen *Fountain pen *Gel pen *Technical pen * Marker *Pencil * Mechanical pencil (clutch, screw, and ratchet) *Colored pencil *Stylus ...
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Music In Eindhoven
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz the p ...
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Music Venues In The Netherlands
Music venues in the Netherlands are a vivid part of the social cultural environment of the country. In every big city there are concert halls for popular music, classical music and jazz. The ten biggest dedicated music venues are Ziggo Dome, AFAS Live, Melkweg, Paradiso in Amsterdam, Paard van Troje in The Hague, Tivoli (TivoliVredenburg & Tivoli De Helling) in Utrecht , Patronaat in Haarlem, 013 in Tilburg, Effenaar in Eindhoven and Doornroosje in Nijmegen. Watt in Rotterdam has shut his doors in 2010. In every middle sized town of city (approx. 100.000 inhabitants) there's a music venue for popular music genres. In the Netherlands about fifty of these music venues receive funding from the government following the advice of Muziek Centrum Nederland. Other venues are independent or subsidiarised by the cities themselves or are local social centres, community centres and cultural centres with a stage facilitating music performances. Furthermore, there is a number of multifunc ...
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Organizations Disestablished In 2001
An organization or organisation (Commonwealth English; see spelling differences), is an entity—such as a company, an institution, or an association—comprising one or more people and having a particular purpose. The word is derived from the Greek word ''organon'', which means tool or instrument, musical instrument, and organ. Types There are a variety of legal types of organizations, including corporations, governments, non-governmental organizations, political organizations, international organizations, armed forces, charities, not-for-profit corporations, partnerships, cooperatives, and educational institutions, etc. A hybrid organization is a body that operates in both the public sector and the private sector simultaneously, fulfilling public duties and developing commercial market activities. A voluntary association is an organization consisting of volunteers. Such organizations may be able to operate without legal formalities, depending on jurisdiction, incl ...
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Organizations Established In 1980
An organization or organisation (Commonwealth English; see spelling differences), is an entity—such as a company, an institution, or an association—comprising one or more people and having a particular purpose. The word is derived from the Greek word ''organon'', which means tool or instrument, musical instrument, and organ. Types There are a variety of legal types of organizations, including corporations, governments, non-governmental organizations, political organizations, international organizations, armed forces, charities, not-for-profit corporations, partnerships, cooperatives, and educational institutions, etc. A hybrid organization is a body that operates in both the public sector and the private sector simultaneously, fulfilling public duties and developing commercial market activities. A voluntary association is an organization consisting of volunteers. Such organizations may be able to operate without legal formalities, depending on jurisdiction, includ ...
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WORM (Rotterdam)
WORM is a Rotterdam based non-profit foundation and a multi-media alternative cultural centre focused on experimental, new media art, avant-garde and underground art, primarily music and movies. WORM is funded by the Triodos Bank and part of the culture nota 2009-2012 from the Dutch government. The foundation has received the Pendrecht Culture Prize and its venue is part of the Rotterdam culture plan. WORM organises festivals and concerts, movie nights, runs an independent record label, a radio station. Part of the organisation is also a media lab, a hackerspace, and a music studio. The media lab and music studio both run free artist in residence programmes for artists and experimental musicians. Experimental musician Lukas Simonis is the programmer of the artist in residence programme for the music studio. The studio has a collection of experimental musical instrument An experimental musical instrument (or custom-made instrument) is a musical instrument that modifies or extend ...
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Maciunas Ensemble
George Maciunas (; lt, Jurgis Mačiūnas; November 8, 1931 – May 9, 1978) was a Lithuanian American artist, born in Kaunas. A founding member and the central coordinator of Fluxus, an international community of artists, architects, composers, and designers, he is most famous for organising and performing early happenings and for assembling a series of highly influential artists' multiples. Biography Early life His father, Alexander M. Maciunas, was a Lithuanian architect and engineer who had trained in Berlin, and his mother, Leokadija, was a Russian-born dancer from Tiflis affiliated with the Lithuanian National Opera Mr. Fluxus, p. 338 and, later, Aleksandr Kerensky's private secretary, helping him complete his memoirs. After fleeing Lithuania to avoid being arrested by the advancing Red Army in 1944, and living briefly in Bad Nauheim, Frankfurt, Germany, initially under Nazi control and then under the occupying forces, Jurgis Mačiūnas and his family emigrated to the ...
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Nicolas Collins
Nicolas Collins (born March 26, 1954 in New York City) is a composer of mostly electronic music, a sound artist and writer. He received his BA and MA from Wesleyan University, and his PhD from the University of East Anglia. Upon graduating from Wesleyan, he was a Watson Fellow. Biography In the 1980s Collins was "a pioneer in the use of microcomputers in live performance, and has made extensive use of 'home-made' electronic circuitry, radio, found sound material, and transformed musical instruments." Trained in the experimental compositional tradition of Alvin Lucier, David Behrman, and David Tudor, all of whom he worked with closely, Collins also immersed himself in the New York Improvised Music scene of the 1980s. Using home-built instruments that combined circuitry, simple computers and traditional instruments such as trombones and slide guitars, he collaborated and performed with Tom Cora, Shelley Hirsch, Christian Marclay, Zeena Parkins, John Zorn and others. Collins's c ...
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The Hub (band)
The Hub is an American "computer network music" ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham-Lancaster, Mark Trayle and Phil Stone. "The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software." The Hub grew from the League of Automatic Music Composers: John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad-hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure-prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked m ...
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Pierre Bastien
Pierre Bastien (born 1953 in Paris) is a French musician, composer, and experimental musical instrument builder. Life and career Bastien began building mechanical-based musical instruments at an early age, using items such as metronomes, cymbals, and pulleys. In 1977, he began collaborating with Pascal Comelade and composing music for dance companies. He performed in ensembles such as Operation Rhino, Nu Creative Methods, and Effectifs de Profil. In 1986, he formed his own orchestra, Mecanium, composed of Meccano machines which play various instruments, such as Chinese lute, Moroccan bendir, Javanese saron, koto, and violin. These machines were often driven by the rotation of old turntables. By the 1990s, Mecanium consisted of up to 80 machine 'musicians', and toured various art and music festivals, including events in Norway, Australia, Japan, Canada, Poland, and the United States. Bastien has collaborated with artists such as Robert Wyatt, Jac Berrocal, Emmanuelle Parrenin, ...
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Pauline Oliveros
Pauline Oliveros (May 30, 1932 – November 24, 2016) was an American composer, accordionist and a central figure in the development of post-war experimental and electronic music. She was a founding member of the San Francisco Tape Music Center in the 1960s, and served as its director. She taught music at Mills College, the University of California, San Diego (UCSD), Oberlin Conservatory of Music, and Rensselaer Polytechnic Institute. Oliveros authored books, formulated new music theories, and investigated new ways to focus attention on music including her concepts of "deep listening" and "sonic awareness", drawing on metaphors from cybernetics. She was an Eyebeam resident. Early life and career Oliveros was born in Houston, Texas. She started to play music as early as kindergarten, and at nine years of age she began to play the accordion, received from her mother, a pianist, because of its popularity in the 1940s.Baker, Alan"An interview with Pauline Oliveros" January 2003. '' ...
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