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Heshikiya Chōbin
(1700–1734) was one of the leaders of a plot to overthrow Sai On, chief royal advisor to King Shō Kei of the Ryūkyū Kingdom, a plot for which he was arrested and executed. Chōbin was a scholar of Japanese literature and member of a pro-Japanese faction in the kingdom's government. The grandson of a scholar of Japanese studies, Heshikiya Chōbin is said to have been quite talented, and studied Japan from a very young age."Heshikiya Chōbin." Okinawa rekishi jinmei jiten (沖縄歴史人名事典, Encyclopedia of People of Okinawan History). Naha: Okinawa Bunkasha, 2002. p68. As a member of the Ryūkyū mission to Edo in 1718, Chōbin enjoyed the opportunity to study Japanese subjects there, and to view kabuki, Noh, and ''ningyō jōruri (also known as ) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or ( pup ...
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Sai On
(1682–1762), or Cai Wen in Chinese, also known as , was a scholar-bureaucrat official of the Ryūkyū Kingdom, serving as regent, instructor, and advisor to King Shō Kei. He is renowned for the many reforms he initiated and oversaw, and is among the most famous figures in Okinawan history. He edited ''Chūzan Seifu'', a rewrite of ''Chūzan Seikan'' by his father Sai Taku. Life and career Sai On was born in Kumemura, the village within the major port city of Naha which served as the chief center of classical Chinese learning in Okinawa, and the source of the vast majority of the scholar-bureaucrats who were raised to serve in the administration of the kingdom. His father had likewise been a scholar-bureaucrat of Kumemura, educated in the Confucian classics, and had served on several tribute missions to China. Sai On's father wrote the ''Chūzan Seifu'' by rewriting the ''Chūzan Seikan'' in 1701. Unlike ''Chūzan Seikan'', which was written in Japanese Kanbun, ''Chūzan Seifu'' ...
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Shō Kei
was king of the Ryukyu Kingdom from 1713–1752. His reign, strongly guided by royal advisor Sai On, is regarded as a political and economic golden age and period of the flowering of Okinawan culture."Shō Kei." ''Okinawa rekishi jinmei jiten'' (沖縄歴史人名事典, "Encyclopedia of People of Okinawan History"). Naha: Okinawa Bunka-sha, 1996. p40. After succeeding his father Shō Eki in 1713, Shō Kei appointed his regent and trusted advisor Sai On to the ''Sanshikan The ''Sanshikan'' (), or Council of Three, was a government body of the Ryūkyū Kingdom, which originally developed out of a council of regents. It emerged in 1556, when the young Shō Gen, who was mute, ascended to the throne of Ryūkyū. The c ...'', the Council of Three top royal advisors, in 1728. His reign is known for a great number of developments, including economic reforms and conservation efforts implemented under the guidance of Sai On, political changes, and scholarly developments. References ...
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Ryūkyū Kingdom
The Ryukyu Kingdom, Middle Chinese: , , Classical Chinese: (), Historical English language, English names: ''Lew Chew'', ''Lewchew'', ''Luchu'', and ''Loochoo'', Historical French name: ''Liou-tchou'', Historical Dutch name: ''Lioe-kioe'' was a kingdom in the Ryukyu Islands from 1429 to 1879. It was ruled as a tributary state of Ming dynasty, imperial Ming China by the King of Ryukyu, Ryukyuan monarchy, who unified Okinawa Island to end the Sanzan period, and extended the kingdom to the Amami Islands and Sakishima Islands. The Ryukyu Kingdom played a central role in the maritime history, maritime trade networks of medieval East Asia and Southeast Asia despite its small size. The Ryukyu Kingdom became a vassal state of the Satsuma Domain of Japan after the invasion of Ryukyu in 1609 but retained ''de jure'' independence until it was transformed into the Ryukyu Domain by the Empire of Japan in 1872. The Ryukyu Kingdom was Ryūkyū Disposition, formally annexed and dissolved by ...
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Ryūkyū Mission To Edo
Over the course of Japan's Edo period, the Ryūkyū Kingdom sent eighteen , the capital of Tokugawa Japan. The unique pattern of these diplomatic exchanges evolved from models established by the Chinese, but without denoting any predetermined relationship to China or to the Chinese world order. The Kingdom became a vassal to the Japanese feudal domain (''han'') of Satsuma following Satsuma's 1609 invasion of Ryūkyū, and as such were expected to pay tribute to the shogunate; the missions also served as a great source of prestige for Satsuma, the only ''han'' to claim any foreign polity, let alone a kingdom, as its vassal.. Evolving relationships Royal princes or top-ranking officials in the royal government served as chief envoys, and were accompanied by merchants, craftsmen, scholars, and other government officials as they journeyed first by sea to the ''Ryūkyū-kan'' (琉球館) in Kagoshima, an institution which served a role similar to a consulate for the Ryūkyū Kingdom ...
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Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ...
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Bunraku
(also known as ) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or ( puppeteers), the ( chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century p ...
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Satsuma Domain
The , briefly known as the , was a domain (''han'') of the Tokugawa shogunate of Japan during the Edo period from 1602 to 1871. The Satsuma Domain was based at Kagoshima Castle in Satsuma Province, the core of the modern city of Kagoshima, located in the south of the island of Kyushu. The Satsuma Domain was ruled for its existence by the '' Tozama'' ''daimyō'' of the Shimazu clan, who had ruled the Kagoshima area since the 1200s, and covered territory in the provinces of Satsuma, Ōsumi and Hyūga. The Satsuma Domain was assessed under the '' Kokudaka'' system and its value peaked at 770,000 '' koku'', the second-highest domain in Japan after the Kaga Domain. Totman, Conrad. (1993) ''Early Modern Japan'', p. 119 The Satsuma Domain was one of the most powerful and prominent of Japan's domains during the Edo period, conquering the Ryukyu Kingdom as a vassal state after the invasion of Ryukyu in 1609, and clashing with the British during the bombardment of Kagoshima in 186 ...
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1700 Births
Seventeen or 17 may refer to: * 17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Chris ...
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1734 Deaths
Events January– March * January 8 – Salzburgers, Lutherans who were expelled by the Roman Catholic Bishop of Salzburg, Austria, in October 1731, set sail for the British Colony of Georgia in America. * February 16 – The Ostend Company, established in 1722 in the Austrian Netherlands (modern-day Belgium) to compete for trade in the West Indies (the Caribbean islands) and the East Indies (south and southeast Asia), ceases business as part of the agreement by Austria in the Second Treaty of Vienna. * March 12 – Salzburgers arrive at the mouth of the Savannah River in the British Colony of Georgia. April–June * April 25 – Easter occurs on the latest possible date (the next time is in 1886). * May 15 – Prince Charles of Spain (later King Charles III) becomes the new King of Naples and Sicily, five days after his arrival in Naples. * May 25 – Spanish forces under the command of José Carrillo de Albornoz, 1st Duke of Mo ...
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People Executed By Crucifixion
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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