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Herzlich Tut Mich Verlangen
"" (I do desire dearly) is a German hymn, with lyrics written in 1599 by Christoph Knoll, with a melody adapted from a secular song by Hans Leo Hassler. It is a prayer for a blessed death, beginning "" (I do desire dearly a blessed end). Its hymn tune, Zahn No. 5385a, was later also used for Paul Gerhardt's "" and "". History and lyrics Knoll wrote the "" (spiritual song for the dying) "" (I desire dearly a blessed end) during the plague of 1599. It became known already during his lifetime. It appeared in Görlitz in 1613 in the hymnal ''Harmoniae sacrae''. Hymn tune The tune, "Befiehl du deine Wege" ( Zahn No. 5385a), was written by Hans Leo Hassler around 1600 for a secular love song, "", which first appeared in print in the 1601 '.Luke DahnBWV 161.6at , 2017 It was combined with the sacred text "", first in Brieg in an organ ''tablature''. It was first printed with this text in 1613 in Görlitz in the hymnal . Johann Crüger published it in 1640 in his hymnal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheranism
Lutheranism is one of the largest branches of Protestantism, identifying primarily with the theology of Martin Luther, the 16th-century German monk and Protestant Reformers, reformer whose efforts to reform the theology and practice of the Catholic Church launched the Reformation, Protestant Reformation. The reaction of the government and church authorities to the international spread of his writings, beginning with the ''Ninety-five Theses'', divided Western Christianity. During the Reformation, Lutheranism became the state religion of numerous states of northern Europe, especially in northern Germany, Scandinavia and the then-Livonian Order. Lutheran clergy became civil servants and the Lutheran churches became part of the state. The split between the Lutherans and the Roman Catholics was made public and clear with the 1521 Edict of Worms: the edicts of the Diet (assembly), Diet condemned Luther and officially banned citizens of the Holy Roman Empire from defending or propagatin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrygian Mode
The Phrygian mode (pronounced ) can refer to three different musical modes: the ancient Greek ''tonos'' or ''harmonia,'' sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter. Ancient Greek Phrygian The octave species (scale) underlying the ancient-Greek Phrygian ''tonos'' (in its diatonic genus) corresponds to the medieval and modern Dorian mode. The terminology is based on the '' Elements'' by Aristoxenos (fl. c. 335 BC), a disciple of Aristotle. The Phrygian ''tonos'' or ''harmonia'' is named after the ancient kingdom of Phrygia in Anatolia. In Greek music theory, the ''harmonia'' given this name was based on a ''tonos'', in turn based on a scale or octave species built from a tetrachord which, in its diatonic genus, consisted of a series of rising intervals of a whole tone, followed by a semitone, followed by a whole tone. : In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eleven Chorale Preludes
Eleven Chorale Preludes, Op. 122, is a collection of works for organ by Johannes Brahms, written in 1896 at the end of the composer's life and published posthumously in 1902.Bond, Ann. ''Brahms Chorale Preludes'', Op. 122, ''The Musical Times'', Vol. 112, Nbr. 1543, pp. 898–900. September 1971. They are based on verses of nine Lutheran chorales, two of them set twice, and are relatively short: # ''Mein Jesu, der du mich'' in E minor # ''Herzliebster Jesu, was hast du verbrochen'' in G minor # ''O Welt, ich muß dich lassen (O World, I Must Leave You)'' in F major # ''Herzlich tut mich erfreuen'' in D major # '' Schmücke dich, o liebe Seele'' in E major # ''O wie selig seid ihr doch, ihr Frommen'' in D minor # ''O Gott, du frommer Gott'' in A minor # '' Es ist ein Ros’ entsprungen'' in F major # '' Herzlich tut mich verlangen (Heartily Do I Request)'' in A minor # ''Herzlich tut mich verlangen'' (second setting) in A minor # ''O Welt, ich muß dich lassen'' (second setting) in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Emb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komm, Du Süße Todesstunde, BWV 161
Johann Sebastian Bach composed the church cantata (Come, you sweet hour of death), 161, in Weimar for the 16th Sunday after Trinity, probably first performed on 27 September 1716. Bach had taken up regular cantata composition two years before when he was promoted to concertmaster at the Weimar court, writing one cantata per month to be performed in the , the court chapel in the ducal ''Schloss''. The text of , and of most other cantatas written in Weimar, was provided by court poet Salomon Franck. He based it on the prescribed gospel reading about the young man from Nain. His text reflects on longing for death, seen as a transition to a life united with Jesus. The text includes as a closing chorale the fourth stanza of the hymn "" by Christoph Knoll. The cantata in six movements opens with a sequence of alternating arias and recitatives leading to a chorus and a concluding chorale. The chorale tune, known as "", appears in the first movement, played by the organ, and musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weimar Cantata (Bach)
Johann Sebastian Bach worked at the ducal court in Weimar from 1708 to 1717. The composition of cantatas for the (court chapel) on a regular monthly basis started with his promotion to ' in March 1714. Church cantatas From 1714 to 1717 Bach was commissioned to compose one church cantata a month. His goal was to compose a complete set of cantatas for the liturgical year within four years. In the course of almost four years there he thus covered most occasions of the liturgical year. The first version of ''Liebster Gott, vergisst du mich'', BWV 1136 (formerly ), a lost cantata the libretto of which was written by Georg Christian Lehms and published in 1711 for the seventh Sunday after Trinity, may have been composed in Weimar. Before 1714 Apart from some Weimar cycle cantatas which may have been composed before they were adopted into that cycle ( BWV 18, 21, 54 and 199): *Lost council election cantatas for Mühlhausen: ** 1709: second council election cantata for Müh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Organ Compositions By Johann Sebastian Bach
Organ compositions by Johann Sebastian Bach refers to the compositions in the seventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions), or, in the New Bach Edition, the compositions in Series IV. Six Sonatas (BWV 525–530) * BWV 525 – Sonata No. 1 in E-flat major * BWV 526 – Sonata No. 2 in C minor * BWV 527 – Sonata No. 3 in D minor * BWV 528 – Sonata No. 4 in E minor * BWV 529 – Sonata No. 5 in C major * BWV 530 – Sonata No. 6 in G major In the form of a Prelude, Toccata, Fantasia, Passacaglia, middle movement and/or Fugue (BWV 531–582) * BWV 531 – Prelude and Fugue in C major * BWV 532 – Prelude and Fugue in D major * BWV 532a – Fugue in D major (alternative version of the fugue of BWV 532) * BWV 533 – Prelude and Fugue in E minor ("Cathedral") * BWV 533a – Prelude and Fugue in E minor (alternative version of BWV 533 without pedals) * BWV 534 – P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Purification Of The Virgin
The Presentation of Jesus at the Temple (or ''in the temple'') is an early episode in the life of Jesus Christ, describing his presentation at the Temple in Jerusalem, that is celebrated by many churches 40 days after Christmas on Candlemas, or the "Feast of the Presentation of Jesus". The episode is described in chapter 2 of the Gospel of Luke in the New Testament. Within the account, "Luke's narration of the Presentation in the Temple combines the purification rite with the Jewish ceremony of the redemption of the firstborn ()." In the Eastern Orthodox Church, the Presentation of Jesus at the temple is celebrated as one of the twelve Great Feasts, and is sometimes called ''Hypapante'' (, "meeting" in Greek). The Orthodox Churches which use the Julian Calendar celebrate it on 15 February, and the Armenian Church on 14 February. In Western Christianity, the ''Feast of the Presentation of the Lord'' is also known by its earlier name as the ''Feast of the Purification of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicalische Sterbens-Gedancken
''Musicalische Sterbens-Gedancken'' ("Musical Thoughts on Dying") is a collection of keyboard music by Johann Pachelbel. It was first published in 1683 and contains four sets of chorale variations. General information First published in Erfurt in 1683, ''Musicalische Sterbens-Gedancken'' is now lost. According to Walther's ''Musicalisches Lexicon'' (Leipzig, 1732), four sets of chorale variations constituted the collection, and attempts have been made by musicologists such as Max Seiffert and Hans Joachim Moser to reconstruct the work using Pachelbel's surviving chorale variations. There is little doubt that the collection included the following three pieces: * ''Christus, der ist mein Leben'', chorale and 12 variations, in G major (G Mixolydian) * ''Alle Menschen müssen sterben'', chorale and 8 variations, in D major * ''Herzlich tut mich verlangen'', chorale and 7 variations in C major ( Ionian) Most reconstructions (and editions) include ''Was Gott tut, das ist wohlgetan''", c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Prelude
In music, a chorale prelude or chorale setting is a short liturgical composition for organ using a chorale tune as its basis. It was a predominant style of the German Baroque era and reached its culmination in the works of J.S. Bach, who wrote 46 (with a 47th unfinished) examples of the form in his Orgelbüchlein, along with multiple other works of the type in other collections. Function The precise liturgical function of a chorale prelude in the Baroque period is uncertain and is a subject of debate. One possibility is that they were used to introduce the hymn about to be sung by the congregation, usually in a Protestant, and originally in a Lutheran, church. This assumption may be valid for the shorter chorale preludes (Bach's setting of 'Liebster Jesu, wir sind hier, BWV 731, for example), but many chorale preludes are very long. It could be the case that these were played during extended ceremonial in church or in cathedrals. Style Chorale preludes are typically polyphonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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