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Hervé Niquet
Hervé Niquet (born 28 October 1957) is a French conductor, harpsichordist, tenor, and the director of Le Concert Spirituel, specializing in French Baroque music. Biography Born on 28 October 1957, Hervé Niquet was raised at Abbeville in the department of Somme. He studied harpsichord, composition, conducting, and opera singing. In 1980, he was appointed as the choir master of the Opéra National de Paris. Between 1985 and 1986, Niquet became a member of Les Arts florissants as a tenor, the ensemble that William Christie founded. In 1987, he established his own ensemble named "Le Concert Spirituel" which focuses on French grand motets of the 17th and 18th centuries.Réjean Beaucage; Jane Brierley (translation), (Sept. 3, 2003''Hervé Niquet and la Nouvele Sinfonie''at La Scena Musicale Recordings Accord, Adda * André Campra Vol.1 Te Deum. Motets Niquet (Adda 581250) no reissue * André Campra Vol.II Requiem. Benedictus Dominus. Niquet (Accord) * André Campra Vol.III D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hervé Niquet
Hervé Niquet (born 28 October 1957) is a French conductor, harpsichordist, tenor, and the director of Le Concert Spirituel, specializing in French Baroque music. Biography Born on 28 October 1957, Hervé Niquet was raised at Abbeville in the department of Somme. He studied harpsichord, composition, conducting, and opera singing. In 1980, he was appointed as the choir master of the Opéra National de Paris. Between 1985 and 1986, Niquet became a member of Les Arts florissants as a tenor, the ensemble that William Christie founded. In 1987, he established his own ensemble named "Le Concert Spirituel" which focuses on French grand motets of the 17th and 18th centuries.Réjean Beaucage; Jane Brierley (translation), (Sept. 3, 2003''Hervé Niquet and la Nouvele Sinfonie''at La Scena Musicale Recordings Accord, Adda * André Campra Vol.1 Te Deum. Motets Niquet (Adda 581250) no reissue * André Campra Vol.II Requiem. Benedictus Dominus. Niquet (Accord) * André Campra Vol.III D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Lorenzani
Paolo Francesco Lorenzani (5 January 1640 – 28 October 1713) was an Italian composer of the Baroque Era. While living in France, he helped promote appreciation for the Italian style of music. Lorenzani was born in Rome and was trained by Orazio Benevoli, ''maestro di cappella'' for the Cappella Giulia in The Vatican. He served in Rome as ''maestro di cappella'' at the Church of the Gesù and ''Collegio Romano'', the first Jesuit university, which later expanded to become Pontifical Gregorian University. He later served at the cathedral of Messina in Sicily.John Hawkins. "Paolo Lorenzani" in ''A General History of the Science and Practice of Music, V. 2'', p. 674. (Kessinger, 2006). In 1678, Lorenzani traveled to Paris, hoping to find fortune. His motets were performed for Louis XIV, who recognized his talent and appointed him music master to the queen. Under orders of the king, Lorenzani traveled back to Italy and recruited singers for the monarch's chapel. Despite a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pièces Pittoresques
''Pièces pittoresques'' (''Picturesque pieces'') are a set of ten pieces for piano by Emmanuel Chabrier. Four of the set were later orchestrated by the composer to make his ''Suite pastorale''. Background In 1880, while on a convalescent holiday at the coastal resort of Saint-Pair (near Granville), Chabrier composed what were to be called ''Pièces pittoresques''.Delage R. ''Emmanuel Chabrier''. Fayard, Paris, 1999. Both Alfred Cortot (in ''La musique française de piano'', PUF, 1932) and Francis Poulenc (''Emmanuel Chabrier'', 1961) discuss these short works enthusiastically. César Franck, at their premiere in 1881, remarked that those present had "just heard something exceptional. This music links our own time to that of Couperin and Rameau". The manuscript in the archive of Litolff publishers was destroyed by an air-raid on Brunswick in 1942. The first performances of individual pieces took place on different dates: 9 April 1881 for ''Sous-bois'', ''Idylle'', ''Danse villa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
España (Chabrier)
''España, rhapsody for orchestra'' (french: España, rapsodie pour orchestre or ''Rapsodie España'') is the most famous orchestral composition by French composer Emmanuel Chabrier (1841–1894). Written in 1883 after a trip to Spain, it was dedicated to the conductor Charles Lamoureux, who conducted the first public performance on 4 November 1883, at the Théâtre du Château d’Eau for the Société des Nouveaux Concerts in Paris.Delage R. ''Emmanuel Chabrier''. Fayard, Paris, 1999. Background From July to December 1882, Chabrier and his wife toured Spain, taking in San Sebastián, Burgos, Toledo, Sevilla, Granada, Málaga, Cádiz, Cordoba, Valencia, Zaragoza and Barcelona. His letters written during his travels are full of good humour, keen observation and his reactions to the music and dance he came across – and demonstrate his genuine literary gift.Myers R. ''Emmanuel Chabrier and his circle''. John Dent & Sons, London, 1969. In a letter to Édouard Moullé (1845–1923 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Chabrier
Alexis-Emmanuel Chabrier (; 18 January 184113 September 1894) was a French Romantic music, Romantic composer and pianist. His Bourgeoisie, bourgeois family did not approve of a musical career for him, and he studied law in Paris and then worked as a civil servant until the age of thirty-nine while immersing himself in the modernist artistic life of the French capital and composing in his spare time. From 1880 until his final illness he was a full-time composer. Although known primarily for two of his orchestral works, ''España (Chabrier), España'' and ''Joyeuse marche'', Chabrier left a List of operas and operettas by Emmanuel Chabrier, corpus of operas (including ''L'étoile (opera), L'étoile''), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important inno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Nicolas Geoffrey
Jean-Nicolas Geoffroy (1633 – 11 March 1694) was a French harpsichordist, organist and composer.The registration of baroque organ music Barbara Owen - 1997 "Jean-Nicolas Geoffrey (fl. 1633-94)" His birthplace is unknown; he died in Perpignan. His life before 1690 is unknown; he was probably a pupil of Nicolas Lebègue and served as titular organist of the Saint-Nicolas-du-Chardonnet church in Paris. He was considered an expert in organ building and at some point in life settled in Perpignan where he played the organ of Perpignan Cathedral (''Cathédrale Saint-Jean-Baptiste''). Geoffroy's harpsichord oeuvre is, along with those of François Couperin and Jean-François Dandrieu, one of the most important contributions to French music of the Baroque era. A single collection of his pieces survives in manuscript. It contains 255 pieces and is unique for European music of the late 17th century because the pieces systematically explore all major and minor keys Key or The Key may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orazio Benevoli
Orazio Benevoli or Benevolo (19 April 1605 – 17 June 1672), was a Franco-Italian composer of large scaled polychoral sacred choral works (e.g., one work featured forty-eight vocal and instrumental lines) of the mid-Baroque era. He was born in Rome, to a French baker and confectioner, Robert Venouot or Vénevot, which name was Italianized to ''Benevolo''. Benevoli was a choirboy at San Luigi dei Francesi in Rome (1617–23). Later, he assumed posts as ''maestro di cappella'' at Santa Maria in Trastevere (from 1624); then, at Santo Spirito in Sassia (from 1630); and, eventually, at his old church, San Luigi dei Francesi (from 1638). Benevoli served as ''Kapellmeister'' in the court of Archduke Leopold Wilhelm of Austria from 1644 to 1646. In 1646, Benevoli returned to Rome, where he remained for the rest of his life, and where he served as choirmaster at Santa Maria Maggiore and at the Cappella Giulia of St. Peter's Basilica. He was made ''Guardiano'' of the Vatican's Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis-Nicolas Clérambault
Louis-Nicolas Clérambault (19 December 1676 – 26 October 1749) was a French musician, best known as an organist and composer. He was born, and died, in Paris. Biography Clérambault came from a musical family (his father and two of his sons were also musicians). While very young, he learned to play the violin and harpsichord and he studied the organ with André Raison. Clérambault also studied composition and voice with Jean-Baptiste Moreau. Clérambault became the organist at the church of the Grands-Augustins and entered the service of Madame de Maintenon. After the death of Louis XIV and Guillaume-Gabriel Nivers, he succeeded the latter at the organ of the church of Saint-Sulpice and the royal house of Saint-Cyr, an institution for young girls from the poor nobility. He was responsible there for music, the organ, directing chants and choir, etc. It was in this post—it remained his after the death of Madame de Maintenon—that he developed the genre of the "French cant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnificat
The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Eastern Christianity, Byzantine tradition, the Ode of the Theotokos (). It is traditionally incorporated into the liturgical services of the Catholic Church, the Eastern Orthodox churches, and the Anglican Communion. Its name comes from the incipit of the Latin version of the text. The text of the canticle is taken from the Gospel of Luke () where it is spoken by Mary, mother of Jesus, Mary upon the occasion of her Visitation (Christianity), Visitation to her cousin Elizabeth (biblical figure), Elizabeth. In the narrative, after Mary greets Elizabeth, who is pregnant with John the Baptist, the latter moves within Elizabeth's womb. Elizabeth praises Mary for her Faith in Christianity, faith (using words partially reflected in the Hail Mary), and Mary responds with what is now known as the Magnificat. The Magnificat is one of the eight most a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Litany Of The Blessed Virgin Mary
The Litany of the Blessed Virgin Mary is a Marian litany originally approved in 1587 by Pope Sixtus V. It is also known as the Litany of Loreto (Latin: ''Litaniæ lauretanæ''), after its first-known place of origin, the Shrine of Our Lady of Loreto (Italy), where its usage was recorded as early as 1558. The litany contains many of the titles used formally and informally for the Virgin Mary, and would often be recited as a call and response chant in a group setting. The Litany of the Blessed Virgin Mary has also been set to music by composers such as Giovanni Pierluigi da Palestrina, Marc-Antoine Charpentier, Wolfgang Amadeus Mozart (who composed two settings), Jan Dismas Zelenka, Joseph Auer, and Johannes Habert. A partial indulgence is granted to those who recite this litany. Background According to ''Directory on Popular Piety'': Litanies are to be found among the prayers to the Blessed Virgin recommended by the Magisterium. These consist in a long series of invocations of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Charpentier
Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network, the European Broadcasting Union. Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries. He began his career by going to Italy, there he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music (composer and singer) in the service of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Bodin De Boismortier
Joseph Bodin de Boismortier (23 December 1689 – 28 October 1755) was a French baroque composer of instrumental music, cantatas, opéra-ballets, and vocal music. Boismortier was one of the first composers to have no patrons: having obtained a royal licence for engraving music in 1724, he made enormous sums of money by publishing his music for sale to the public. Biography The Boismortier family moved from the composer's birthplace in Thionville (in Lorraine) to the town of Metz where he received his musical education from Joseph Valette de Montigny, a well-known composer of motets. The Boismortier family then followed Montigny and moved to Perpignan in 1713 where Boismortier found employment in the Royal Tobacco Control. Boismortier married Marie Valette, the daughter of a rich goldsmith and a relative of his teacher Montigny. In 1724 Boismortier and his wife moved to Paris where he began a prodigious composition career, writing for many instruments and voices. He was pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
