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Hermann Winkelmann
Hermann Winkelmann (or Winckelmann) (8 March 1849 – 18 January 1912) was a German Heldentenor, notable for creating the title role in Richard Wagner's ''Parsifal'' in 1882. Biography Hermann Winkelmann was born in Braunschweig in 1849. His father, Christian Ludewig Theodor Winkelmann, was the founder of , piano manufacturers, and he himself planned to continue his father's trade. He went to Paris to study piano construction, but while there he decided to become a singer. He had his initial training in Paris, and later with Koch in Hanover. Winkelmann made his debut as Manrico in Verdi's ''Il trovatore'' in the Court Theatre of Sondershausen in 1875. He then sang in such places as Altenburg, Darmstadt, and Leipzig. He joined the Hamburg State Opera in 1878. The first role he created was that of Anton Rubinstein's '' Néron'', in a German translation at the Theater am Dammtor in Hamburg on 1 October 1879 (it did not have its Russian premiere until 1884). Winkelmann became a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Winkelmann 1895
Hermann or Herrmann may refer to: * Hermann (name), list of people with this name * Arminius, chieftain of the Germanic Cherusci tribe in the 1st century, known as Hermann in the German language * Éditions Hermann, French publisher * Hermann, Missouri, a town on the Missouri River in the United States ** Hermann AVA, Missouri wine region * The German SC1000 bomb of World War II was nicknamed the "Hermann" by the British, in reference to Hermann Göring * Herrmann Hall, the former Hotel Del Monte, at the Naval Postgraduate School, Monterey, California * Memorial Hermann Healthcare System, a large health system in Southeast Texas * The Herrmann Brain Dominance Instrument (HBDI), a system to measure and describe thinking preferences in people * Hermann station (other), stations of the name * Hermann (crater), a small lunar impact crater in the western Oceanus Procellarum * Hermann Huppen, a Belgian comic book artist * Hermann 19, an American sailboat design built by Ted Herm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal (1882 Retuschiert)
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his newly built Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emil Scaria
Emil Scaria (18 September 1838 – 23 July 1886) was an Austrian bass-baritone. Born in Graz, he studied at the conservatory in Vienna before making his debut in Pest in 1860; he sang the role of St. Bris in ''Les Huguenots''. He was a failure, and abandoned the stage entirely in favor of further study; he selected Manuel García as his new teacher. Though he returned to the stage in Dessau, he did not see success until he sang at the Crystal Palace in London in 1862. In 1863, he appeared with the Leipzig Opera; in 1864, he was working in Dresden. He was engaged by the Vienna State Opera in 1872. In 1882, he created the role of Gurnemanz in ''Parsifal'' for Richard Wagner at Bayreuth. Scaria died in Blasewitz, in Germany, in 1886. Roles World premieres * 1868 Franz von Holstein: ''Der Haideschacht'' – Königliches Hoftheater Dresden * 1882 Richard Wagner: ''Parsifal'' – Bayreuther Festspiele (Gurnemanz) Repertoire References * David Ewen, ''Encyclopedia of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodore Thomas (conductor)
Theodore Thomas (October 11, 1835January 4, 1905) was a German-American violinist, conductor, and orchestrator of German birth. He is considered the first renowned American orchestral conductor and was the founder and first music director of the Chicago Symphony Orchestra (1891–1905). Biography Early life Theodore Christian Friedrich Thomas was born in Esens, Germany, on October 11, 1835, the son of Johann August Thomas. His mother, Sophia, was the daughter of a physician from Göttingen. He received his musical education principally from his father, who was a violinist of ability, and at the age of six years he played the violin in public concerts. His father was the town ''Stadtpfeifer'' (bandleader) who also arranged music for state occasions. Career Thomas showed interest in the violin at an early age, and by age ten, he was practically the breadwinner of the family, performing at weddings, balls, and even in taverns. By 1845, Johann Thomas and his family, convinced t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry-Louis De La Grange
Henry-Louis de La Grange (26 May 1924 – 27 January 2017) was a French musicologist and biographer of Gustav Mahler. Life and career La Grange was born in Paris, of an American mother (Emily Sloane, daughter of Henry T. Sloane) and a French father, , who was a senator, one-time government minister, and Vice-President of the International Aviation Federation. Henry-Louis studied the humanities in Paris and New York and literature at Aix-en-Provence University and at the Sorbonne. From 1946 to 1947 he studied at the Yale University School of Music and subsequently, from 1948 until 1953, privately in Paris – piano under Yvonne Lefébure and harmony, counterpoint, and analysis under Nadia Boulanger. La Grange began working as a music critic in 1952, writing articles for the ''New York Herald Tribune'' and ''The New York Times'', and the magazines ''Opera News'', '' Saturday Review'', ''Musical America'', and ''Opus'' in the United States, and ''Arts'', ''Disques'', ''La Rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of ''Aida'' in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 ''Simon Boccanegra'' by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for ''Otello'' in July/August 1881. However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It wasn't until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late 1885. When it finally premiere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna State Opera
The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (''Wiener Hofoper'') in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera (built in 1636 inside the Hofburg). The new site was chosen and the construction paid by Emperor Franz Joseph in 1861. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Parry
Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 18487 October 1918) was an English composer, teacher and historian of music. Born in Richmond Hill in Bournemouth, Parry's first major works appeared in 1880. As a composer he is best known for the choral song "Jerusalem", his 1902 setting for the coronation anthem "I was glad", the choral and orchestral ode '' Blest Pair of Sirens'', and the hymn tune "Repton", which sets the words "Dear Lord and Father of Mankind". His orchestral works include five symphonies and a set of Symphonic Variations. He also composed the music for ''Ode to Newfoundland'', the Newfoundland and Labrador provincial anthem (and former national anthem). After early attempts to work in insurance at his father's behest, Parry was taken up by George Grove, first as a contributor to Grove's massive '' Dictionary of Music and Musicians'' in the 1870s and '80s, and then in 1883 as professor of composition and musical history at the Royal College of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Richter (conductor)
Johann Baptist Isidor Richter, or János Richter (4 April 1843 – 5 December 1916) was an Austrian– Hungarian orchestral and operatic conductor. Biography Richter was born in Raab ( Hungarian: Győr), Kingdom of Hungary, Austrian Empire. His father was a local composer, conductor and ''regens chori'' Anton Richter. His mother was opera-singer Jozefa Csazenszky. He studied at the Vienna Conservatory. He had a particular interest in the horn, and developed his conducting career at several different opera houses in the Austro-Hungarian Empire. He became associated with Richard Wagner in the 1860s, and played the solo trumpet part in the 1870 private premiere of the ''Siegfried Idyll''. In 1876, he was chosen to conduct the first complete performance of Wagner's ''Der Ring des Nibelungen'' at the Bayreuth Festspielhaus. In 1877, he assisted the ailing composer as conductor of a major series of Wagner concerts in London, and from then onwards he became a familiar feature of En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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