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Hermann Scholtz
Hermann Scholtz (9 June 1845 – 13 July 1918) was a German pianist and composer. Life Born in Breslau, Scholtz first studied with Moritz Brosig in Breslau (harmony) and in 1865 went to the Leipzig conservatory, where he continued his studies with Louis Plaidy (piano), Carl Riedel (counterpoint) and Heinrich Schulz-Beuthen (instrumentation). On the recommendation of Franz Liszt, he moved to Munich in 1867 and completed his studies at the University of Music and Performing Arts Munich there with Hans von Bülow (piano) and Josef Gabriel Rheinberger (counterpoint). He then taught at the Munich Musikhochschule for six years, moving to Dresden in 1875, where he was appointed Royal Saxon Chamber Virtuoso in 1880 and Professor in 1910. His pupils included Hans Fährmann, Leo Kestenberg, Clara Mannes and Johannes Pache. Scholtz was on friendly terms with Marie Wieck, who temporarily left her summer house in to his family. He last lived at Nürnberger Straße 18b. As a pianist, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Scholtz
Hermann Scholtz (9 June 1845 – 13 July 1918) was a German pianist and composer. Life Born in Breslau, Scholtz first studied with Moritz Brosig in Breslau (harmony) and in 1865 went to the Leipzig conservatory, where he continued his studies with Louis Plaidy (piano), Carl Riedel (counterpoint) and Heinrich Schulz-Beuthen (instrumentation). On the recommendation of Franz Liszt, he moved to Munich in 1867 and completed his studies at the University of Music and Performing Arts Munich there with Hans von Bülow (piano) and Josef Gabriel Rheinberger (counterpoint). He then taught at the Munich Musikhochschule for six years, moving to Dresden in 1875, where he was appointed Royal Saxon Chamber Virtuoso in 1880 and Professor in 1910. His pupils included Hans Fährmann, Leo Kestenberg, Clara Mannes and Johannes Pache. Scholtz was on friendly terms with Marie Wieck, who temporarily left her summer house in to his family. He last lived at Nürnberger Straße 18b. As a pianist, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Wieck
Marie Wieck (January 17, 1832 – November 2, 1916) was a German pianist, singer, piano teacher, and composer. She was the daughter of renowned piano teacher Friedrich Wieck and the younger half-sister of Clara Schumann who was 12 years older. Early life and education Marie was born in Leipzig to Friedrich Wieck and his second wife Clementine Fechner. Her mother was a sister of painter Eduard Clemens Fechner and of experimental psychology pioneer Gustav Fechner. She was trained from an early age in piano and voice by her father Friedrich. Marie's first public appearance was in 1842, when she and her half-sister Clara performed at a concert in Dresden. She later performed with her father at the Gewandhaus in Leipzig. Musical career An eminent singer and pianist, Wieck sang in concerts with her half-sister Clara and also performed with Joseph Joachim's wife, the opera singer Amalie Schneeweiss. She was appointed court pianist for the chamber concerts of the Prince of Hohenzollern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1845 Births
Events January–March * January 10 – Elizabeth Barrett receives a love letter from the younger poet Robert Browning; on May 20, they meet for the first time in London. She begins writing her ''Sonnets from the Portuguese''. * January 23 – The United States Congress establishes a uniform date for federal elections, which will henceforth be held on the first Tuesday after the first Monday in November. * January 29 – ''The Raven'' by Edgar Allan Poe is published for the first time, in the '' New York Evening Mirror''. * February 1 – Anson Jones, President of the Republic of Texas, signs the charter officially creating Baylor University (the oldest university in the State of Texas operating under its original name). * February 7 – In the British Museum, a drunken visitor smashes the Portland Vase, which takes months to repair. * February 28 – The United States Congress approves the annexation of Texas. * March 1 – President John Tyler signs a bill authorizing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academic Staff Of The University Of Music And Performing Arts Munich
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulation, dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Romantic Composers
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century German Composers
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Einstein
Alfred Einstein (December 30, 1880February 13, 1952) was a German-American musicologist and music editor. He was born in Munich and fled Nazi Germany after Hitler's ''Machtergreifung'', arriving in the United States by 1939. He is best known for being the editor of the first major revision of the Köchel catalogue, which was published in the year 1936. The Köchel catalogue is the extensive catalogue of the works of Wolfgang Amadeus Mozart. Biography Einstein was born in Munich. Though he originally studied law, he quickly realized his principal love was music, and he acquired a doctorate at Munich University, focusing on instrumental music of the late Renaissance and early Baroque eras, in particular music for the viola da gamba. In 1918 he became the first editor of the ''Zeitschrift für Musikwissenschaft''; slightly later he became music critic for the ''Münchner Post''; and in 1927 became music critic for the ''Berliner Tageblatt''. In this period he was also a friend of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Riemann
Karl Wilhelm Julius Hugo Riemann (18 July 1849 – 10 July 1919) was a German musicologist and composer who was among the founders of modern musicology. The leading European music scholar of his time, he was active and influential as both a music theorist and music historian. Many of his contributions are now termed as Riemannian theory, a variety of related ideas on many aspects of music theory. Biography Riemann was born at Grossmehlra, Schwarzburg-Sondershausen. His first musical training came from his father Robert Riemann, a land owner, bailiff and, to judge from locally surviving listings of his songs and choral works, an active music enthusiast. Hugo Riemann was educated by Heinrich Frankenberger, the Sondershausen Choir Master, in Music theory. He was taught the piano by August Barthel and Theodor Ratzenberger (who had once studied under Liszt). He studied law, and finally philosophy and history at Berlin and Tübingen. After participating in the Franco-Prussian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Friedrich Karl Scholtz
Robert Friedrich Karl Scholtz (14 April 1877 – 29 May 1956) was a German Expressionism, expressionist Portrait painting, portrait and Landscape painting, landscape painter, graphic artist and draughtsman. He belonged to the Berlin Secession mouvement. Life Born in Dresden, Scholtz was the son of the Royal Saxon chamber virtuoso Hermann Scholtz and his wife Flora (née Nádler), a sister of the Budapest landscape painter Róbert Nádler. The Scholtz family came from Breslau, Silesia. He had three sisters. The home of pianist, music educator and composer Hermann Scholtz, who was best known as an interpreter of Chopin and editor of his collected works, served as a centre of Dresden's musical life, where some of the greats of the music world, including Edvard Grieg, Pyotr Ilyich Tchaikovsky, Hans von Bülow and Max Kalbeck frequented. Scholtz began his training in 1894 with his uncle Róbert Nádler in Budapest and continued it in Dresden with Leon Pohle. In 1900, he went to Munic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larghetto
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often indi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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