|
Herman Koenig
In dance, the galop, named after the fastest running gait of a horse (see Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Duchesse de Berry and popular in Vienna, Berlin and London. In the same closed position familiar in the waltz, the step combined a glissade with a chassé on alternate feet, ordinarily in a fast time. The galop was a forerunner of the polka, which was introduced in Prague ballrooms in the 1830s and made fashionable in Paris when Raab, a dancing teacher of Prague, danced the polka at the Odéon Theatre in 1840. In Australian bush dance, the dance is often called galopede. An even livelier, faster version of the galop called the can-can developed in Paris around 1830. The galop was particularly popular as the final dance of the evening. The " Post Horn Galop", written by the cornet virtuoso Herman Koenig, was first performed in London in 1844; it remains a signal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strauss I - Wiener Scene - Der Große Galop
Strauss, Strauß or Straus is a common German language, Germanic surname. Outside Germany and Austria ''Strauß'' is always spelled ''Strauss'' (the letter "ß" is not used in the German-speaking part of Switzerland). In classical music, "Strauss" usually refers to Richard Strauss or Johann Strauss II. The name has been used by families in the Germanic area for at least a thousand years. The overlord of Gröna, for example, went by the name of Struz and used the image of an ostrich as his symbol. Examples of it could still be seen on the thousand-year-old church bell of that town. "Struz" or "Strutz" is the North-German form of the word "Strauss", which is the modern German word for ostrich. Some of the earliest Jewish bearers of the name hailed from the Judengasse in medieval Frankfurt, where families have been known by the name of the houses they inhabited. All the houses had names and these included Haus Strauss, complete with an image of an ostrich on the façade. When, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schubert
Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...s, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig (Schubert), Erlkönig" (D. 328), the Trout Quintet, Piano Quintet in A major, D. 667 (''Trout Quintet''), the Symphony No. 8 (Schubert), Symphony No. 8 in B minor, D. 759 (''Unfinished Symphony''), the Symphony No. 9 (Schubert), "Great" Symphony No. 9 in C major, D. 944, the String Quintet (Schubert), String Quintet (D. 956), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shall We Dance (1937 Film)
''Shall We Dance'', released in 1937, is the seventh of the ten Fred Astaire-Ginger Rogers musical comedy films. The story follows an American ballet dancer (Astaire) who falls in love with a tap dancer (Rogers); the tabloid press concocts a story of their marriage, after which life imitates art. George Gershwin wrote the symphonic underscore and Ira Gershwin the lyrics, for their second Hollywood musical. Plot Peter P. Peters (Fred Astaire) is an amiable American ballet dancer billed as "Petrov", who cultivates a public image of being a serious, demanding and temperamental Russian, though his employer knows the truth. Peters dances for a ballet company in Paris owned by the bumbling Jeffrey Baird ( Edward Everett Horton), and secretly never wants to blend classical ballet with modern jazz dancing because they think it does not look very professional. When Peters sees a photo of famous tap dancer Linda Keene (Ginger Rogers), he falls in love with her. He contrives to meet her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Ballet Class (Gershwin)
''French Ballet Class'' is a six-minute piece written by George Gershwin in 1937 for two pianos for the movie ''Shall We Dance''. This sequence was meant to accompany a scene of dozens of ballet dancers practicing their positions. It is written in the style of the galop In dance, the galop, named after the fastest running gait of a horse (see Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Duchesse de Berry and popul .... Only two minutes of this music was used in the final film. Compositions by George Gershwin 1937 compositions Compositions for two pianos {{1930s-song-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Champagne Galop
The ''Champagne Galop'' ( da, Champagnegaloppen) is a piece of orchestral music by the Danish composer Hans Christian Lumbye (1810–1874) which was written to celebrate the second anniversary of Copenhagen's Tivoli in 1845. Together with Lumbye's ''Telegraph Galop'' and ''Copenhagen Steam Railway Galop'', it was included in the 2006 Danish Culture Canon as a masterpiece of Danish classical music."Telegraph-Galop, 1844, Champagne-Galop, 1845, Kjöbenhavns Jernbane-Damp-Galop, 1847, H.C. Lumbye (1810–1874)" , in Kulturkontacten 20, 2006. Retrieved 13 February 2013. Background The ''Champagne Galop'' was composed for the second anniversary of Copenhage ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Christian Lumbye
Hans Christian Lumbye (; 2 May 1810 – 20 March 1874) was a Danish composer of waltzes, polkas, mazurkas and galops, among other things. Beginnings As a child, he studied music in Randers and Odense, and by age 14 he was playing the trumpet in a military band. In 1829, he joined the Horse Guards in Copenhagen, still continuing his music education. In 1839, he heard a Viennese orchestra play music by Johann Strauss I, after which he composed in the style of Strauss, eventually earning the nickname "The Strauss of the North". Career From 1843 to 1872, he served as the music director and in-house composer for Tivoli Gardens, Copenhagen. Such was his popularity in the Danish capital that many Danes revered him and considered Johann Strauss II as the "Lumbye of the South". Works Lumbye is best known for his light compositions, many of which evoke non-musical sources. The ''Champagne Galop'', for example, begins with the "pop" of a champagne cork, and the ''Copenhagen Steam Railway G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Lanner
Joseph Franz Karl Lanner (12 April 1801 – 14 April 1843) was an Austrian dance music composer and dance orchestra conductor. He is best remembered as one of the earliest Viennese composers to reform the waltz from a simple peasant dance to something that even the highest society could enjoy, either as an accompaniment to the dance, or for the music's own sake. He was just as famous as his friend and musical rival Johann Strauss I, who was better known outside of Austria in their day because of his concert tours abroad, in particular, to France and England. Lanner had a lesser-known son, August Lanner, who was just as musically gifted and prodigious as his father, but whose budding career was cut short by his early death at age 20. His daughter Katharina became a well known international ballet dancer, settling in London where she became an influential choreographer and teacher. Biography Lanner was born in St. Ulrich in Vienna (today the district of Neubau). Largely self-ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Waldteufel
Charles Émile Waldteufel (9 December 1837 – 12 February 1915) was a French pianist, conductor and composer known for his numerous popular Salon music, salon pieces. Life Émile Waldteufel (German for ''forest devil'') was born at 84 Grand'Rue in the centre of Strasbourg. His grandfather and father were both musicians; his mother Flora Neubauer, originally from Bavaria, had been a student of Johann Nepomuk Hummel, Hummel and had met Joseph Haydn, Haydn; she was also a keen singer and dancer.Hering, Pierre. Emile Waldteufel (1837-1915). In: ''La Musique en Alsace hier et aujourd'hui'' (Strasbourg: Librairie Istra, 1970, p. 157–162. From a Jewish Alsace, Alsatian family of musicians, the original family surname had been ''Levy (surname), Lévy''. His father Louis led a respected orchestra, and his brother Léon was a successful performer. When Léon won a place to study violin at the Conservatoire de Paris, the family followed him there. Waldteufel received his first lesson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmitry Kabalevsky
Dmitry Borisovich Kabalevsky (russian: Дми́трий Бори́сович Кабале́вский ; 14 February 1987) was a Soviet composer, conductor, pianist and pedagogue of Russian gentry descent. He helped set up the Union of Soviet Composers in Moscow and remained one of its leading figures during his lifetime. He was a prolific composer of piano music and chamber music; many of his piano works were performed by Vladimir Horowitz. He is best known in Western Europe for his Second Symphony, the "Comedians' Galop" from '' The Comedians'' Suite, Op. 26 and his Third Piano Concerto. Life Kabalevsky was born in Saint Petersburg in 1904, but moved to Moscow at a young age. His father was a mathematician and encouraged him to study mathematics, but he showed a fascination for the arts from a young age. He studied at the Academic Music College in Moscow and graduated in 1922. He then continued his studies with Vasily Selivanov. In 1925, he then went on to study at the Mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Comedians (Kabalevsky)
''The Comedians'', Op. 26, is an orchestral suite of ten numbers by Dmitry Kabalevsky. It is one of his best-known and best-loved works. In particular, the "Comedians' Galop" (No. 2) is the single most famous piece of music he ever wrote. It is popular as a piece played on sports days in Japan. (1942). Background In 1938 or 1939, Kabalevsky wrote incidental music for a children's play called ''The Inventor and the Comedians'', by the Soviet Jewish writer Mark Daniel. The play was staged at the Central Children's Theatre in Moscow, and it was about the German inventor Johannes Gutenberg and a group of travelling buffoons. Mark Daniel died young the following year. Concert suite In 1940, Kabalevsky chose ten short numbers from the incidental music and arranged them into a concert suite. The movements are: * Prologue: ''Allegro vivace'' * Comedians' Galop: ''Presto'' * March: ''Moderato'' * Waltz: ''Moderato'' * Pantomime: ''Sostenuto e pesante'' * Intermezzo: ''Allegro sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Archivio_Storico_Ricordi_ICON010736_B.jpg "Click for more on -> Émile Waldteufel")
