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Here Comes My Baby (Cat Stevens Song)
"Here Comes My Baby" is a song written by British singer-songwriter Cat Stevens. It is well known for being an international hit for the Tremeloes in 1967. Original version In 1966, Stevens was discovered by Mike Hurst, formerly of the Springfields, who after their split in 1963, decided to become a record producer. Whilst working for American producer Jim Economides, Hurst was introduced to Stevens who was trying to find a record label who would sign him. He played "Here Comes My Baby", which Hurst thought was great and took it to Economides. However Economides disliked it, so Stevens wasn't signed. The company eventually went bust and some time later, Stevens went to Hurst's house asking if he was still interested after being rejected by every record label in London. Stevens played him a new song, "I Love My Dog", which Hurst thought was "so unusual and really weird" and agreed to record it, with the song eventually being released as Stevens' debut single and to launch Decca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cat Stevens
Yusuf Islam (born Steven Demetre Georgiou; ), commonly known by his stage names Cat Stevens, Yusuf, and Yusuf / Cat Stevens, is a British singer-songwriter and multi-instrumentalist. His musical style consists of folk, pop, rock, and, later in his career, Islamic music. He returned to making secular music in 2006. He was inducted into the Rock and Roll Hall of Fame in 2014. His 1967 debut album and its title song "Matthew and Son" both reached top ten in the UK charts. Stevens' albums '' Tea for the Tillerman'' (1970) and ''Teaser and the Firecat'' (1971) were certified triple platinum in the US. His 1972 album '' Catch Bull at Four'' went to No.1 on the ''Billboard'' 200 and spent weeks at the top of several other major charts.Billboard – Catch Bull at Four Allmusic. Retrieved 20 Oc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Retailer
''Record Retailer'' was the only music trade newspaper for the UK record industry. It was founded in August 1959 as a monthly newspaper covering both labels and dealers. Its founding editor was Roy Parker (who died on 27 December 1964). The title changed to ''Record Retailer and Music Industry News'' shortly after launch. With its issue of 10 March 1960, ''Record Retailer'' became a weekly magazine and started a chart showing the top 50 records in sales. For the period until February 1969, when a standardised UK chart was established with the British Market Research Bureau, the Official Charts Company recognises the listings compiled by ''Record Retailer'' as representing the official national chart. On 5 October 1967 the title reverted to ''Record Retailer'' and in January 1971 became ''Record & Tape Retailer''. The publication was relaunched on 18 March 1972 as ''Music Week''. References See also *UK Singles Chart The UK Singles Chart (currently titled Official Singles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disc (magazine)
''Disc'' was a weekly British popular music magazine, published between 1958 and 1975, when it was incorporated into ''Record Mirror''. It was also known for periods as ''Disc Weekly '' (1964–1966) and ''Disc and Music Echo '' (1966–1972). Background It first published on 8 February 1958, with the main competition being ''Record Mirror''. It gained a reputation for its emphasis on pop music as reflected in the music charts, in comparison with its more music-industry-focused rivals ''Melody Maker'' and ''New Musical Express''. Its pop music charts were based on its own sample of shops, initially no more than 25 in number, but expanding to about 100 by the mid-1960s. It also awarded silver discs (for UK sales of 250,000) and gold discs (for UK sales of 1,000,000) from 1959 until 1973. Awards were based on sales figures submitted by record companies. In 1973, ''Discs awards were superseded by the British Phonographic Industry (BPI) setting up an 'official' certification award ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tio I Topp
''Tio i Topp'' (English: ''Ten At The Top'') was a Swedish record chart and radio program broadcast by Sveriges Radio P3 between the years of 1961 and 1974. It was launched to combat pirate radio charts and was the first official Swedish record chart, predating the sales chart Kvällstoppen by a year. For a few months during the summers starting in 1962, it would turn into ''Sommartoppen'' (English: ''The Summer Top'') with a separate host and a different concept. The program ceased in June 1974 following heated debates tying in with the progg movement. Both ''Tio i Topp'' and Kvällstoppen are considered official charts in Sweden during the 1960s. Background Starting in the late 1950s, pirate radio stations had become rampant in Sweden, starting with stations such as Radio Syd and Radio Nord in south- and northern Sweden respectively. These differed significantly from the government owned Sveriges Radio stations that were largely directed towards an older, more mature audience ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Zealand Listener
The ''New Zealand Listener'' is a weekly New Zealand magazine that covers the political, cultural and literary life of New Zealand by featuring a variety of topics, including current events, politics, social issues, health, technology, arts, food, culture and entertainment. The Bauer Media Group closed ''The Listener'' in April 2020 as a result of the COVID-19 pandemic in New Zealand. In June 2020, Mercury Capital acquired the magazine as part of its purchase of Bauer Media's former Australia and New Zealand assets, which were rebranded as Are Media. History ''The Listener'' was first published in June 1939 as a weekly broadcasting guide for radio listeners, and the first issue was distributed free to 380,000 households. First edited by Oliver Duff then from June 1949 M. H. Holcroft, it originally had a monopoly on the publication of upcoming television and radio programmes. In the 1980s it lost that monopoly, but despite the increase in competition since that time, it was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The First Cut Is The Deepest
"The First Cut Is the Deepest" is a 1967 song written by British singer-songwriter Cat Stevens, originally released by P. P. Arnold in May 1967. Stevens's own version originally appeared on his album ''New Masters'' in December 1967. The song has been widely recorded and has become a hit single for seven different artists: P. P. Arnold (1967), Keith Hampshire (1973), Rod Stewart (1977), Dawn Penn (1994), Papa Dee (1995) and Sheryl Crow (2003). Background The lyrics describe a person wondering if and how it is possible to love again after their first love was lost. "The first cut" of the title refers to one's first love disappointment. Cat Stevens version Stevens made a demo recording of "The First Cut Is the Deepest" in 1965, while hoping to become a songwriter. He wrote the song earlier to promote his songs to other artists, but did not record it as his own performance until early October 1967 with guitarist Big Jim Sullivan, and it did not appear until his second album, ''N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthew And Son
"Matthew and Son" is a single written, composed, and performed by Cat Stevens. It was selected as the title song for his 1967 debut album. Stevens was a newly signed teenage singer-songwriter, who performed to elaborate arrangements quite different from the skiffle which had, in part, inspired him to begin writing and performing. The song remains Cat Stevens' highest charting single in the British Isles, reaching Number 2 in the UK and Number 3 in Ireland in early 1967. Origins The song, according to Stevens, took its name from the tailor, Henry Matthews, who made suits for Stevens, who thought up the story of the worker who is the main character in the song. Stevens later commented, "I had a girlfriend, and she was working for this big firm, and I didn't like the way that she had to spend so much of her time working. The riff seemed to fit the words, Matthew and Son. There was a bit of social comment there about people being slaves to other people." The song was covered b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Poole
Brian Poole (born 2 November 1941)Eder, BruceBrian Poole Biography, Allmusic. Retrieved 17 August 2014 is a singer and performer who was the lead singer of 1960s beat band The Tremeloes (1957–62) and then Brian Poole and The Tremeloes (1962–66). He was brought up in the East End of London and grew up in Barking, East London. Poole attended Park Modern Secondary School, Barking and Barking Abbey Grammar School. Career The Tremeloes Poole met Alan Blakley and Alan Howard, at Park Modern Secondary School, Barking. In 1956, heavily influenced by their interest in rock and roll music, they decided to form a band. The original line-up consisted of Poole (vocals, guitar), Blakley (guitar), Howard (bass) and Graham Scott (guitar). While still in their teens, the band members met and befriended Dave Munden, who shared a love and passion for rock n’ roll. A strong bond was formed, which saw Munden join the band on the drums in 1957. A swift change of tactics saw Blakley switch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Music
Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to the North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. The "beat" in each, however, derived from the driving rhythms which the bands had adopted from their rock and roll, R&B and soul music influences, rather than the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, later sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
