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Herbert Wernicke
Herbert Wernicke (24 March 1946 – 16 April 2002) was a German opera director and a set and costume designer. He was born in Auggen, Baden-Württemberg. He studied piano, flute, and directing at the conservatory in Braunschweig and set design at the academy in Munich. After starting out as set and costume designer in Landshut and Wuppertal, and directing his first play in Darmstadt, he directed his first opera, Handel's ''Belshazzar'', in 1978 in Darmstadt. The majority of Wernicke's artistic work was at the theater in Basel, where he lived since 1990. On 16 April 2002 Wernicke died unexpectedly at age 56 after a short, serious illness in the hospital in Basel."Herbert Wernicke, 56, Director And Designer of the Opera"
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Herbert Wernicke 1987
Herbert may refer to: People Individuals * Herbert (musician), a pseudonym of Matthew Herbert Name * Herbert (given name) * Herbert (surname) Places Antarctica * Herbert Mountains, Coats Land * Herbert Sound, Graham Land Australia * Herbert, Northern Territory, a rural locality * Herbert, South Australia. former government town * Division of Herbert, an electoral district in Queensland * Herbert River, a river in Queensland * County of Herbert, a cadastral unit in South Australia Canada * Herbert, Saskatchewan, Canada, a town * Herbert Road, St. Albert, Canada New Zealand * Herbert, New Zealand, a town * Mount Herbert (New Zealand) United States * Herbert, Illinois, an unincorporated community * Herbert, Michigan, a former settlement * Herbert Creek, a stream in South Dakota * Herbert Island, Alaska Arts, entertainment, and media Fictional entities * Herbert (Disney character) * Herbert Pocket (''Great Expectations'' character), Pip's close friend and roommate in the Cha ...
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Anne Midgette
Anne Midgette (born June 22, 1965) is an American music critic who was the first woman to write classical music criticism regularly for ''The New York Times''. She was the chief classical music critic of ''The Washington Post'' from 2008 to 2019, prior to which she wrote for ''The New York Times'' from 2001 to 2007. A specialist in opera and composers of contemporary classical music, Midgette advocates the importance of online criticism and has previously maintained a classical music blog. As a freelance writer she published in a wide variety of publications, sometimes covering other fields such as dance, theater, film and the visual arts. She is the co-author of two books, one with Herbert Breslin on his management of Luciano Pavarotti, and another with the pianist Leon Fleisher on his career. Life and career Anne Midgette was born in Portland, Oregon on June 22, 1965. Midgette grew up in Brooklyn, later moving to Roswell, New Mexico in the middle high school. Her first liv ...
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Oberon (Weber)
''Oberon, or The Elf-King's Oath'' ( J. 306) is a 3-act romantic opera with spoken dialogue composed in 1825–26 by Carl Maria von Weber. The only English opera ever set by Weber, the libretto by James Robinson Planché was based on the German poem ''Oberon'' by Christoph Martin Wieland, which itself was based on the epic romance ''Huon de Bordeaux'', a French medieval tale. It was premiered in London on 12 April 1826. Against his doctor's advice, Weber undertook the project commissioned by the actor-impresario Charles Kemble for financial reasons. Having been offered the choice of Faust or Oberon as subject matter, he travelled to London to complete the music, learning English to be better able to follow the libretto, before the premiere of the opera. However, the pressure of rehearsals, social engagements and composing extra numbers destroyed his health, and Weber died in London on 5 June 1826. Performance history First performed at Covent Garden, London, on 12 April 1826, ...
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Deutsche Oper Berlin
The Deutsche Oper Berlin is a German opera company located in the Charlottenburg district of Berlin. The resident building is the country's second largest opera house (after Munich's) and also home to the Berlin State Ballet. Since 2004, the Deutsche Oper Berlin, like the Staatsoper Unter den Linden (Berlin State Opera), the Komische Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History The company's history goes back to the ''Deutsches Opernhaus'' built by the then independent city of Charlottenburg—the "richest town of Prussia"—according to plans designed by Heinrich Seeling from 1911. It opened on 7 November 1912 with a performance of Beethoven's ''Fidelio'', conducted by Ignatz Waghalter. In 1925, after the incorporation of Charlottenburg by the 1920 Greater Berlin Act, the name of the resident building was changed to ''Städtische Oper'' (Municipal Opera). With the ...
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Hippolyte Et Aricie
('' Hippolytus and Aricia'') was the first opera by Jean-Philippe Rameau. It was premiered to great controversy by the Académie Royale de Musique at its theatre in the Palais-Royal in Paris on October 1, 1733. The French libretto, by Abbé Simon-Joseph Pellegrin, is based on Racine's tragedy ''Phèdre''. The opera takes the traditional form of a with an allegorical prologue followed by five acts. Early audiences found little else conventional about the work. Background Rameau was almost 50 when he wrote ''Hippolyte et Aricie'' and there was little in his life to suggest he was about to embark on a major new career as an opera composer. He was famous for his works on music theory as well as books of harpsichord pieces. The closest he had come to writing dramatic music was composing a few secular cantatas and some popular pieces for the Paris fairs for his friend Alexis Piron. Yet Rameau's eagerness to write an opera is shown by a letter he wrote in October 1727 to Antoine H ...
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Der Fliegende Holländer
' (''The Flying Dutchman''), WWV 63, is a German-language opera, with libretto and music by Richard Wagner. The central theme is redemption through love. Wagner conducted the premiere at the Königliches Hoftheater Dresden in 1843. Wagner claimed in his 1870 autobiography '' Mein Leben'' that he had been inspired to write the opera following a stormy sea crossing he made from Riga to London in July and August 1839. In his 1843 '' Autobiographic Sketch'', Wagner acknowledged he had taken the story from Heinrich Heine's retelling of the legend in his 1833 satirical novel ''The Memoirs of Mister von Schnabelewopski'' (''Aus den Memoiren des Herrn von Schnabelewopski''). This work shows early attempts at operatic styles that would characterise his later music dramas. In ''Der fliegende Holländer'' Wagner uses a number of leitmotifs (literally, "leading motifs") associated with the characters and themes. The leitmotifs are all introduced in the overture, which begins with a well- ...
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Bavarian State Opera
The Bayerische Staatsoper is a German opera company based in Munich. Its main venue is the Nationaltheater München, and its orchestra the Bayerische Staatsorchester. History The parent ensemble of the company was founded in 1653, under Electress consort Princess Henriette Adelaide of Savoy, when Giovanni Battista Maccioni's ''L'arpa festante'' was performed in the court theatre. In 1753, the Residence Theatre (Cuvilliés Theatre) was opened as a major stage. While opera performances were also held in the Prinzregententheater (completed in 1901), the company's home base is the Nationaltheater München on Max-Joseph-Platz. In 1875, the Munich Opera Festival took place for the first time. Sir Peter Jonas became the general manager in 1993, the first British general manager of any major German-speaking opera house. In 2008, Nikolaus Bachler became Intendant (general manager) of the opera company, and Kirill Petrenko became Generalmusikdirektor (GMD) in 2013. In 2014, the ...
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Judas Maccabaeus (Handel)
''Judas Maccabaeus'' ( HWV 63) is an oratorio in three acts composed in 1746 by George Frideric Handel based on a libretto written by Thomas Morell. The oratorio was devised as a compliment to the victorious Prince William Augustus, Duke of Cumberland upon his return from the Battle of Culloden (16 April 1746). Other catalogues of Handel's music have referred to the work as HG xxii; and HHA 1/24. Synopsis Morell's libretto is based on the deuterocanonical (or apocryphal) book 1 Maccabees (2–8), with motives added from the ''Antiquitates Judaicae'' by Flavius Josephus. The events depicted in the oratorio are from the period 170–160 BC when Judea was ruled by the Seleucid Empire which undertook to destroy the Jewish religion. Being ordered to worship Zeus, many Jews obeyed under the threat of persecution; however, some did not. One who defied was the elderly priest Mattathias who killed a fellow Jew who was about to offer a pagan sacrifice. After tearing down a pagan alt ...
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O Ewigkeit, Du Donnerwort 1987
O, or o, is the fifteenth letter and the fourth vowel letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''o'' (pronounced ), plural ''oes''. History Its graphic form has remained fairly constant from Phoenician times until today. The name of the Phoenician letter was '' ʿeyn'', meaning "eye", and indeed its shape originates simply as a drawing of a human eye (possibly inspired by the corresponding Egyptian hieroglyph, cf. Proto-Sinaitic script). Its original sound value was that of a consonant, probably , the sound represented by the cognate Arabic letter ع ''ʿayn''. The use of this Phoenician letter for a vowel sound is due to the early Greek alphabets, which adopted the letter as O "omicron" to represent the vowel . The letter was adopted with this value in the Old Italic alphabets, including the early Latin alphabet. In Greek, a variation of the f ...
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Staatstheater Kassel
The Staatstheater Kassel is a state-owned and operated theater in Kassel, Germany. History A permanent theatre house existed in Kassel during the first decade of the 17th century. It stood immediately next to the Ottoneum near the State Theatre which is now used as a Natural History Museum and is considered one of the oldest of its kind north of the Alps. Further buildings were constructed for use as public theatre venues, and in the 18th century the opera house was erected on Königsstraße, in which the singer Elisabeth Mara staged her first success and which was conducted by Louis Spohr. On the orders of the German emperor Kaiser Wilhelm II, a theatre was built in 1909 possessing one of the largest stages in the country and seating for an audience of over 1,450. The building was heavily damaged during World War II. The architectural competition for a replacement was won by Hans Scharoun Bernhard Hans Henry Scharoun (20 September 1893 – 25 November 1972) was a Ger ...
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Die Prophezeihung Des Goldenen Zeitalters 1984
Die, as a verb, refers to death, the cessation of life. Die may also refer to: Games * Die, singular of dice, small throwable objects used for producing random numbers Manufacturing * Die (integrated circuit), a rectangular piece of a semiconductor wafer * Die (manufacturing), a material-shaping device * Die (philately) * Coin die, a metallic piece used to strike a coin * Die casting, a material-shaping process ** Sort (typesetting), a cast die for printing * Die cutting (web), process of using a die to shear webs of low-strength materials * Die, a tool used in paper embossing * Tap and die, cutting tools used to create screw threads in solid substances * Tool and die, the occupation of making dies Arts and media Music * ''Die'' (album), the seventh studio album by rapper Necro * Die (musician), Japanese musician, guitarist of the band Dir en grey * DJ Die, British DJ and musician with Reprazent * "DiE", a 2013 single by the Japanese idol group BiS * die!, an inactive G ...
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Il Barbiere Di Siviglia
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fig ...
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