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Henry Mark Anthony
Henry Mark Anthony (4 August 1817 – 1 December 1886) was an English landscape artist, often favourably compared to John Constable by critics. He exhibited at many major art institutions and travelled widely, being credited with introducing the ''en plein air'' style of painting to Britain. Life and work Anthony was born at Rusholme Lane, Manchester, of Welsh ancestry, and was the second son of John Anthony, merchant, and his wife, Phoebe. The family moved to Cowbridge, Glamorgan (in Wales), around 1823. Anthony was apprenticed to a doctor called Harrison who, being an amateur artist himself, encouraged his artistic leanings. Subsequently he is reported to have been a pupil of his cousin George Wilfred Anthony, a drawing-master in Manchester (later a landscape painter and art critic - as Gabriel Tinto - for the ''Manchester Guardian''). Anthony moved to London around 1833. Patronage and a legacy received in the 1830s, allowed him to travel. Thus he studied at The Hague, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geo Phoenix
Geo- is a prefix derived from the Greek word ''γη'' or ''γαια'', meaning "earth", usually in the sense of "ground or land”. GEO or Geo may also refer to: Arts, entertainment, and media * ''GEO'' (magazine), a popular scientific magazine * Geo, a fictional character on the Nick Jr. television show, ''Team Umizoomi'' *Geo City, a fictional city in the videogame ''Raw Danger'' *Geo Stelar, the protagonist in ''Mega Man Star Force'' *Geo TV, a pay television channel in Pakistan *Neo Geo, a video game system or Computer Gaming System. Brands and enterprises * Geo (automobile), a defunct brand of entry-level cars produced by General Motors * GEO Group, a prison corporation Computing and science * Geo (microformat), a microformat for marking up geographical coordinates in (X)HTML * Gene Expression Omnibus, or GEO, a National Center for Biotechnology Information database for gene expression * GEO 600, a detector for gravitational radiation * Geo URI, an IETF proposed standard f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Dupré
Jules Louis Dupré (April 5, 1811 – October 6, 1889) was a French painter, one of the chief members of the Barbizon school of landscape painters. If Corot stands for the lyric and Rousseau for the epic aspect of the poetry of nature, Dupré is the exponent of its tragic and dramatic aspects.Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. Biography Dupré was born in Nantes. He exhibited first at the Salon in 1831, and three years later was awarded a second-class medal. In the same year he came to England, where he was impressed by the genius of Constable. From then on he learned how to express movement in nature; and the districts around Southampton and Plymouth, with their wide, unbroken expanses of water, sky and ground, gave him good opportunities for studying the tempestuous motion of storm-clouds and the movement of foliage driven by the wind. He was named an Officer of the French Légion d'honneur in 1848. His daughter Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Gabriel Rossetti
Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti (), was an English poet, illustrator, painter, translator and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti inspired the next generation of artists and writers, William Morris and Edward Burne-Jones in particular. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement. Rossetti's art was characterised by its sensuality and its medieval revivalism. His early poetry was influenced by John Keats and William Blake. His later poetry was characterised by the complex interlinking of thought and feeling, especially in his sonnet sequence, ''The House of Life''. Poetry and image are closely entwined in Rossetti's work. He frequently wrote sonnets to accompany his pictures, spanning from '' The Girlhood of Mary Virgin'' (1849) and ''Astarte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ford Madox Brown
Ford Madox Brown (16 April 1821 – 6 October 1893) was a British painter of moral and historical subjects, notable for his distinctively graphic and often William Hogarth, Hogarthian version of the Pre-Raphaelite style. Arguably, his most notable painting was ''Work (painting), Work'' (1852–1865). Brown spent the latter years of his life painting the twelve works known as ''The Manchester Murals'', depicting History of Manchester, Mancunian history, for Manchester Town Hall. Early life Brown was the grandson of the medical theorist John Brown (physician, born 1735), John Brown, founder of the Brunonian system of medicine. His great-grandfather was a Scottish labourer. His father Ford Brown served as a purser in the Royal Navy, including a period serving under Sir Isaac Coffin, 1st Baronet, Sir Isaac Coffin and a period on HMS Arethusa (1781), HMS ''Arethusa''. He left the Navy after the end of the Napoleonic Wars. In 1818, Ford Brown married Caroline Madox, of an ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Michael Rossetti
William Michael Rossetti (25 September 1829 – 5 February 1919) was an English writer and critic. Early life Born in London, Rossetti was a son of immigrant Italian scholar Gabriele Rossetti and his wife Frances Rossetti ''née'' Polidori; he was the brother of Maria Francesca Rossetti, Dante Gabriel Rossetti and Christina Georgina Rossetti. Career He was one of the seven founder members of the Pre-Raphaelite Brotherhood in 1848, and became the movement's unofficial organizer and bibliographer. He edited the Brotherhood's literary magazine '' The Germ'' which published four issues in 1850. Rossetti wrote the poetry reviews for this magazine. It was William Michael Rossetti who recorded the aims of the Pre-Raphaelite Brotherhood at their founding meeting in September 1848: #To have genuine ideas to express; #To study Nature attentively, so as to know how to express them; #To sympathize with what is direct and serious and heartfelt in previous art, to the exclusion of w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre-Raphaelite Brotherhood
The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" modelled in part on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes (artist), Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerism, Mannerist artists who succeeded Raphael and Michelangelo. The Broth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolverhampton Art Gallery
Wolverhampton Art Gallery is located in the City of Wolverhampton, in the West Midlands, United Kingdom. The building was funded and constructed by local contractor Philip Horsman (1825–1890), and built on land provided by the municipal authority. It opened in May 1884. The building The two-storey building of Wolverhampton Art Gallery was designed by prominent Birmingham architect Julius Chatwin (1829–1907). It was built of Bath stone, an Oolitic Limestone from Bath, Somerset, with six red granite columns indicating the main entrance. The decorative sculptural frieze on the facade is composed of sixteen characters representing the Arts and Crafts, including sculpture, painting, architecture, pottery, glassblowing, and wrought-iron work. It is a Grade II* listed building. In 2006–07 the building was refurbished by Purcell, partly modernized and extended to create additional exhibition spaces. The collection The most outstanding artwork of international importance in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liverpool Academy Of Arts
The Liverpool Academy of Arts was founded in Liverpool in April 1810 as a regional equivalent of the Royal Academy, London. It followed the Liverpool Society of Artists, first founded in 1769, which had a fitful existence until 1794. Two local art collectors, Henry Blundell and William Roscoe were its first Patron and Secretary, the prince regent George gave his patronage for the next three years, and it was actively promoted by presidents of the Royal Academy. It had a teaching school and staff included William Spence who served as its Professor of Drawing in the 1840s.Dictionary of British Sculptors 1660-1851 by Rupert Gunnis p.363 Its membership included local artists such as the landscapists John Rathbone, Richard Ansdell, Thomas Chubbard, Alfred William Hunt and Charles Barber, and the sculptor John Gibson. Leading artists of the day competed for its prize of £50 for non-local contributors to its annual exhibition, including J. M. W. Turner, Henry Fuseli, John Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grosvenor Gallery
The Grosvenor Gallery was an art gallery in London founded in 1877 by Sir Coutts Lindsay and his wife Blanche. Its first directors were J. Comyns Carr and Charles Hallé. The gallery proved crucial to the Aesthetic Movement because it provided a home for those artists whose approaches the more classical and conservative Royal Academy did not welcome, such as Edward Burne-Jones and Walter Crane. History The gallery was founded in Bond Street, London, in 1877 by Sir Coutts Lindsay and his wife Blanche. They engaged J. Comyns Carr and Charles Hallé as co-directors. Lindsay and his wife were well-born and well-connected, and both were amateur artists. Blanche was born a Rothschild, and it was her money which made the whole enterprise possible. The Grosvenor displayed work by artists from outside the British mainstream, including Edward Burne-Jones, Walter Crane and other members of the Pre-Raphaelite Brotherhood. But it also featured work by others that were widely shown elsew ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Birmingham Society Of Artists
The Royal Birmingham Society of Artists or RBSA is an art society, based in the Jewellery Quarter in Birmingham, England, where it owns and operates an art gallery, the RBSA Gallery, on Brook Street, just off St Paul's Square. It is both a registered charity, and a registered company (no. 122616). History The RBSA was established as the Birmingham Society of Artists in 1821, though it can trace its origins back further to the life drawing academy opened by Samuel Lines, Moses Haughton, Vincent Barber and Charles Barber in Peck Lane (now the site of New Street Station) in 1809. From this group was founded the Birmingham Academy of Arts in 1814, whose first exhibition was held that year. A gallery and set of offices for the Birmingham Society of Arts was built behind a fine neo-classical portico in New Street by architect Thomas Rickman in 1829. In 1868 the RBSA received its royal charter and adopted its current name. The RBSA was to become a highly influential body i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Society Of British Artists
The Royal Society of British Artists (RBA) is a British art body established in 1823 as the Society of British Artists, as an alternative to the Royal Academy. History The RBA commenced with twenty-seven members, and took until 1876 to reach fifty. Artists wishing to resign were required to give three months' notice and pay a fine of £100. The RBA's first two exhibitions were held in 1824, with one or two exhibitions held annually thereafter. The RBA currently has 115 elected members who participate in an annual exhibition currently held at the Mall Galleries in London. The Society's previous gallery was a building designed by John Nash in Suffolk Street. Queen Victoria granted the Society the Royal Charter in 1887. It is one of the nine member societies that form the Federation of British Artists which administers the Mall Galleries, next to Trafalgar Square. Its records from 1823 to 1985 are in the Victoria and Albert Museum The Victoria and Albert Museum (often abbre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Institution
The British Institution (in full, the British Institution for Promoting the Fine Arts in the United Kingdom; founded 1805, disbanded 1867) was a private 19th-century society in London formed to exhibit the works of living and dead artists; it was also known as the Pall Mall Picture Galleries or the British Gallery. Unlike the Royal Academy it admitted only connoisseurs, dominated by the nobility, rather than practising artists to its membership, which along with its conservative taste led to tensions with the British artists it was intended to encourage and support. In its gallery in Pall Mall the Institution held the world's first regular temporary exhibitions of Old Master paintings, which alternated with sale exhibitions of the work of living artists; both quickly established themselves as popular parts of the London social and artistic calendar. From 1807 prizes were given to artists and surplus funds were used to buy paintings for the nation. Although it continued to att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
