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Henri Sauvage
Henri Sauvage (May 10, 1873 in Rouen – March 21, 1932 in Paris) was a French architect and designer in the early 20th century. He was one of the most important architects in the French Art nouveau movement, Art Deco, and the beginning of architectural modernism. He was also a pioneer in the construction of public housing buildings in Paris. His major works include the art nouveau Villa Majorelle in Nancy, France and the art-deco building of the La Samaritaine department store in Paris. Training and early career Henri Sauvage studied architecture at the École nationale supérieure des beaux-arts from 1892 to 1903, in the course taught by Jean-Louis Pascal, but quit the school before receiving a diploma, and described himself as self-taught in architecture. He associated with and became friends with many leading figures in the new movements in architecture and the decorative arts, including the rationalist architect Frantz Jourdain (1847-1935), the furniture designer Louis Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rouen
Rouen (, ; or ) is a city on the River Seine in northern France. It is the prefecture of the Regions of France, region of Normandy (administrative region), Normandy and the Departments of France, department of Seine-Maritime. Formerly one of the largest and most prosperous cities of Middle Ages, medieval Europe, the population of the metropolitan area (french: functional area (France), aire d'attraction) is 702,945 (2018). People from Rouen are known as ''Rouennais''. Rouen was the seat of the Exchequer of Normandy during the Middle Ages. It was one of the capitals of the Anglo-Normans, Anglo-Norman dynasties, which ruled both England and large parts of modern France from the 11th to the 15th centuries. From the 13th century onwards, the city experienced a remarkable economic boom, thanks in particular to the development of textile factories and river trade. Claimed by both the French and the English during the Hundred Years' War, it was on its soil that Joan of Arc was tried ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castel Béranger
The Castel Béranger is a residential building with thirty-six apartments located at 14 rue de la Fontaine in the 16th arrondissement of Paris. It was designed by the architect Hector Guimard, and built between 1895 and 1898. It was the first residence in Paris built in the style known as Art Nouveau. History Architect Hector Guimard (1867-1942) was born in Lyon and attended the School of Decorative Arts and the École des Beaux-Arts in Paris. He was in charge of the construction of the Pavilion of Electricity at the 1889 Paris International Exposition, and between 1891 and 1893 he built several private houses and a school in Paris, all in the traditional styles. In 1894, at the age of twenty-seven, Guimard traveled to England and to Belgium, where he met the Belgian architect Victor Horta, and saw the Hotel Tassel which Horta had built in 1893–94 in what later became known as the Art Nouveau style. It was inspired not by classical models but by nature, particularly by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Bigot
Alexandre Bigot (5 November 1862 – 27 April 1927) was a French ceramicist. He was primarily a ceramics manufacturer, producing the designs of many artists and architects of the French Art Nouveau movement, including: Jules Lavirotte, Hector Guimard, Louis Majorelle, Henri Sauvage, Henry van de Velde, Auguste Perret, Andre Arfvidson, Anatole de Baudot and more. Bigot was a physics and chemistry instructor who became interested in ceramics in 1889 after viewing Chinese porcelain at the Exposition Universelle in Paris. With his knowledge of chemistry, Bigot was able to create glazes with a large variety of colors and finishes.Turner 1996, p. 47-8 Bigot's firm was based at Rue des Petites Ecuries, Paris and he also created a ceramics factory in Mer in 1889 which employed as many as 150 people. Siegfried Bing, a German art dealer in Paris, displayed works by Bigot, among others, and was responsible for introducing the Art Nouveau style. Bigot’s Parisian firm closed in 1914 d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Roche
Pierre Roche (Paris, 2 August 1855 – Paris, 18 January 1922), pseudonym of Pierre Henry Ferdinand Massignon, was a French sculptor, painter, ceramist and medallist. He was the father to Louis Massignon. Roche first studied medicine and chemistry in Paris, but then switched to studying painting at the Académie Julian 1873–1878 under Alfred Roll, and exhibited at the Paris Salon 1884–1889. In 1888 Roche tried sculpture to compete for a monument to Georges Danton, leading to encouragement by sculptor and teacher Jules Dalou. He went on to produce a number of commissioned works, like the fountain ''April'' (1906) in the Musée Galliera gardens, and ''L'Effort'' (c.1898) in the Jardin du Luxembourg. His works are collected in the Musée d'Orsay, Fine Arts Museums of San Francisco, Courtauld Institute of Art, and Harvard University Harvard University is a private Ivy League research university in Cambridge, Massachusetts. Founded in 1636 as Harvard College and named f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loïe Fuller
Loie Fuller (born Marie Louise Fuller; January 15, 1862 – January 1, 1928), also known as Louie Fuller and Loïe Fuller, was an American actress and dancer who was a pioneer of both modern dance and theatrical lighting techniques. Career Born Marie Louise Fuller in the Chicago suburb of Fullersburg, Illinois, now Hinsdale, Illinois, Fuller began her theatrical career as a professional child actress and later choreographed and performed dances in burlesque (as a skirt dancer), vaudeville, and circus shows. Her debut took place when she was four years. An early free dance practitioner, Fuller developed her own natural movement and improvisation techniques. In multiple shows she experimented with a long skirt, choreographing its movements and playing with the ways it could reflect light. By 1891, Fuller combined her choreography with silk costumes illuminated by multi-coloured lighting of her own design, and created the ''Serpentine Dance''. After much difficulty finding someo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition Universelle (1900)
The Exposition Universelle of 1900, better known in English as the 1900 Paris Exposition, was a world's fair held in Paris, France, from 14 April to 12 November 1900, to celebrate the achievements of the past century and to accelerate development into the next. It was held at the esplanade of Les Invalides, the Champ de Mars, the Trocadéro and at the banks of the Seine between them, with an additional section in the Bois de Vincennes, and it was visited by more than 50 million people. Many international congresses and other events were held within the framework of the Exposition, including the 1900 Summer Olympics. Many technological innovations were displayed at the Fair, including the ''Grande Roue de Paris'' ferris wheel, the '' Rue de l'Avenir'' moving sidewalk, the first ever regular passenger trolleybus line, escalators, diesel engines, electric cars, dry cell batteries, electric fire engines, talking films, the telegraphone (the first magnetic audio recorder), the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Société Nationale Des Beaux-arts
Société Nationale des Beaux-Arts (SNBA; ; en, National Society of Fine Arts) was the term under which two groups of French artists united, the first for some exhibitions in the early 1860s, the second since 1890 for annual exhibitions. 1862 Established in 1862 by the painter and gallery owner Louis Martinet and the writer Théophile Gautier, the Société Nationale des Beaux-Arts was first chaired by Gautier, with the painter Aimé Millet as deputy chairman. The committee was composed of the painters Eugène Delacroix, Carrier-Belleuse, and Puvis de Chavannes, and among the exhibitors were Léon Bonnat, Jean-Baptiste Carpeaux, Charles-François Daubigny, Gustave Doré, and Édouard Manet. In 1864, just after the death of Delacroix, the society organized a retrospective exhibition of 248 paintings and lithographs of this famous painter and step-uncle of the emperor – and ceased to mount further exhibitions. The 19th century in French art is characterised by a continuous str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Charpentier
Alexandre-Louis-Marie Charpentier (1856–1909) was a French sculptor, medalist, craftsman, and cabinet-maker. Life and work From working-class origins and apprenticed to an engraver as a young man, he became a studio assistant to the innovative medallist Hubert Ponscarme. Along with Ponscarme, Louis-Oscar Roty, and other artists, Charpentier advanced a resurgence of art in French medal design. Charpentier's patrons included André Antoine, for whom he designed theatre programmes. Charpentier experimented with a wide variety of formats and materials—tin, marble, wood, leather, and terra cotta work, the latter executed by ceramic artisan Emile Müller. He opened several cabinet shops and designed many sets of furniture. Many of his custom designs for fixtures (doorknobs, door plates, window handles and the like) were subsequently mass-produced and commercially sold. Several of Charpentier's works are part of the Musée d'Orsay collection. Social circle Carpentier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Horta
Victor Pierre Horta (; Victor, Baron Horta after 1932; 6 January 1861 – 8 September 1947) was a Belgian architect and designer, and one of the founders of the Art Nouveau movement. His Hôtel Tassel in Brussels, built in 1892–93, is often considered the first Art Nouveau house. The curving stylized vegetal forms that Horta used influenced many others, including architect Hector Guimard, who used it in the first house he designed in Paris and in the entrances he designed for the Paris Metro. He is also considered a precursor of modern architecture for his open floor plans and his innovative use of iron, steel and glass. Horta's later work moved away from Art Nouveau, and became more geometric and formal, with classical touches, such as columns. He made a highly original use of steel frames and skylights to bring light into the structures, open floor plans, and finely-designed decorative details. His later major works included the Maison du Peuple/Volkshuis (1895–1899); ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hotel Tassel
A hotel is an establishment that provides paid lodging on a short-term basis. Facilities provided inside a hotel room may range from a modest-quality mattress in a small room to large suites with bigger, higher-quality beds, a dresser, a refrigerator and other kitchen facilities, upholstered chairs, a flat screen television, and En-suite, en-suite bathrooms. Small, lower-priced hotels may offer only the most basic guest services and facilities. Larger, higher-priced hotels may provide additional guest facilities such as a swimming pool, business centre (with computers, printers, and other office equipment), childcare, conference and event facilities, tennis or basketball courts, gymnasium, restaurants, day spa, and social function services. Hotel rooms are usually Room number, numbered (or named in some smaller hotels and Bed and breakfast, B&Bs) to allow guests to identify their room. Some boutique, high-end hotels have custom decorated rooms. Some hotels offer meals as part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Hankar
Paul Hankar (11 December 1859 – 17 January 1901) was a Belgian architect and furniture designer, and an innovator in the Art Nouveau style. Career Hankar was born at Frameries, in Hainaut, Belgium, the son of a stonemason. He studied at the Royal Academy of Fine Arts in Brussels, where he met fellow student (and future architect) Victor Horta. Like Horta, he closely studied the techniques of forged iron, which he would later use in many of his buildings. He began his career as a designer and sculptor of funeral monuments. From 1879 to 1904, he worked in the studio of the prominent architect Henri Beyaert, a master of eclectic and neoclassical architecture. Through Beyaert, Hankar became an admirer of Eugène Viollet-le-Duc, the French architect who advocated the use of innovative new materials such as iron and glass, while drawing from historical architecture for inspiration. Under Beyaert, he was chief designer for the Palacio de Chávarri (1889) in Bilbao, Spain, construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
