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Henri Le Sidaner
Henri Eugène Augustin Le Sidaner (7 August 1862 – 14 July 1939) who was a contemporary of the Post-impressionists, was an intimist painter known for his paintings of domestic interiors and quiet street scenes. His style contained elements of impressionism with the influences of Édouard Manet, Monet and of the Pointillists discernible in his work. Le Sidaner favoured a subdued use of colour, preferring nuanced greys and opals applied with uneven, dappled brushstrokes to create atmosphere and mysticism. A skilled nocturne painter, he travelled widely throughout France and Europe before settling at Gerberoy in the Picardy countryside from where he painted for over thirty years.Camille Mauclair (1930), Andrew Rickard (2019), Henri Le Sidaner, The Obolous Press, Newmarket, Ontario, Canada. Le Sidaner's paintings and pastels were widely collected throughout his career. His seductive views of the gardens he created in the ruins of the medieval fortress at Gerberoy, with their r ...
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Post-Impressionism
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon d'Automne ...
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Alexandre Cabanel
Alexandre Cabanel (; 28 September 1823 – 23 January 1889) was a French painter. He painted historical, classical and religious subjects in the academic style. He was also well known as a portrait painter. According to ''Diccionario Enciclopedico Salvat'', Cabanel is the best representative of ''L'art pompier'', and was Napoleon III's preferred painter. Biography Cabanel entered the École des Beaux-Arts in Paris at the age of seventeen, and studied with François-Édouard Picot. He exhibited at the Paris Salon for the first time in 1844, and won the Prix de Rome scholarship in 1845 at the age of 22. Cabanel was elected a member of the Institute in 1863. He was appointed professor at the École des Beaux-Arts in 1864 and taught there until his death. He was closely connected to the Paris Salon: "He was elected regularly to the Salon jury and his pupils could be counted by the hundred at the Salons. Through them, Cabanel did more than any other artist of his generation to fo ...
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Eugène Boudin
Eugène Louis Boudin (; 12 July 18248 August 1898) was one of the first French landscape painters to paint outdoors. Boudin was a marine painter, and expert in the rendering of all that goes upon the sea and along its shores. His pastels, summary and economic, garnered the splendid eulogy of Baudelaire; and Corot called him the "King of the skies". Biography Born at Honfleur, Boudin was the son of a harbor pilot, and at age 10 the young boy worked on a steamboat that ran between Le Havre and Honfleur. In 1835 the family moved to Le Havre, where Boudin's father opened a store for stationery and picture frames. Here the young Eugene worked, later opening his own small shop. Boudin's father had thus abandoned seafaring, and his son gave it up too, having no real vocation for it, though he preserved to his last days much of a sailor's character: frankness, accessibility, and open-heartedness. In his shop, in which pictures were framed, Boudin came into contact with artists workin ...
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Deauville
Deauville () is a commune in the Calvados department, Normandy, northwestern France. Major attractions include its harbour, race course, marinas, conference centre, villas, Grand Casino, and sumptuous hotels. The first Deauville Asian Film Festival took place in 1999. Deauville is regarded as the "queen of the Norman beaches" and one of the most prestigious seaside resorts in all of France. As the closest seaside resort to Paris, the city and its region of the '' Côte Fleurie'' (''Flowery Coast'') has long been home to French high society's seaside houses and is often referred to as the ''Parisian riviera''. Since the 19th century, the town of Deauville has been a fashionable holiday resort for the international upper class. Deauville is also a desirable family resort for the wealthy. In France, it is known perhaps above all for its role in Proust's ''In Search of Lost Time''. History overview The history of Deauville can be traced back to 1060, when seigneur Hubert du Mont- ...
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Paris Commune Of 1871
The Paris Commune (french: Commune de Paris, ) was a revolutionary government that seized power in Paris, the capital of France, from 18 March to 28 May 1871. During the Franco-Prussian War of 1870–71, the French National Guard had defended Paris, and working-class radicalism grew among its soldiers. Following the establishment of the Third Republic in September 1870 (under French chief executive Adolphe Thiers from February 1871) and the complete defeat of the French Army by the Germans by March 1871, soldiers of the National Guard seized control of the city on March 18. They killed two French army generals and refused to accept the authority of the Third Republic, instead attempting to establish an independent government. The Commune governed Paris for two months, establishing policies that tended toward a progressive, anti-religious system of social democracy, including the separation of church and state, self-policing, the remission of rent, the abolition of child lab ...
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Charles-François Daubigny
Charles-François Daubigny ( , , ; 15 February 181719 February 1878) was a French painter, one of the members of the Barbizon school, and is considered an important precursor of impressionism. He was also a prolific printmaker, mostly in etching but also as one of the main artists to use the cliché verre technique. Biography Daubigny was born in Paris, into a family of painters; taught the art by his father, , and his uncle, miniaturist Pierre Daubigny (1793-1858). He was also a pupil of Jean-Victor Bertin, Jacques Raymond Brascassat and Paul Delaroche, from whom he would quickly emancipate himself. In 1838, he set up, at the Rue des Amandiers-Popincourt, a community of artists, a phalanstery, with Adolphe-Victor Geoffroy-Dechaume, Hippolyte Lavoignat, Ernest Meissonnier, Auguste Steinheil, Louis Joseph Trimolet, with whom he already had expressed his interest in subjects drawn directly from daily life and nature. These artists will work, among others, for the publisher Léon ...
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Étaples
Étaples or Étaples-sur-Mer (; vls, Stapel, lang; pcd, Étape) is a commune in the Pas-de-Calais department in northern France. It is a fishing and leisure port on the Canche river. History Étaples takes its name from having been a medieval staple port (''stapal'' in Old Dutch), from which word the Old French word ''Estaples'' derives. As a port it was part of the administrative and economic complex centred on Montreuil after access from the sea to that town was restricted by silting. The site of modern Étaples lies on the ridge of dunes which once lay to seaward of a marsh formed off-shore from the chalk plateau of Artois. From the Canche northwards, the dunes tend to extend inland, all the way to the old chalk cliff. It lay just outside the southern edge of the mediaeval Boulonnais and some eighteen kilometres () south of the geological region of that name. The dunes were established as the sea level rose during the Quaternary and show signs of habitation during the Pala ...
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Côte D'Opale
The Opal Coast ( ; ) is a coastal region in northern France on the English Channel, popular with tourists. Geography The ''Côte d'Opale'' is a coastal region in northeastern France, in the departments of Nord and Pas-de-Calais. It extends over of French coast between the Belgian border and the border with Picardy. This coastline faces the English Channel and the North Sea, and is situated directly opposite the chalk cliffs of southeast England, which at the closest point are only away. The Côte d'Opale is composed of many varied landscapes including beaches, dunes, swamps, estuaries and cliffs. The coast is marked by the presence of two large promontories situated between Calais and Boulogne: the Cap Gris Nez (literally "grey nose cape" in English), reaching an elevation of above sea level, and the Cap Blanc Nez (literally "white nose cape" in English), which reaches . These capes are the closest points to England on the entire French coast. Cities * Boulogne-sur-M ...
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Henri Le Sidaner - Le Petit Pont Au Crépuscule, Gisors - 1910 - 001
Henri is an Estonian, Finnish, French, German and Luxembourgish form of the masculine given name Henry. People with this given name ; French noblemen :'' See the 'List of rulers named Henry' for Kings of France named Henri.'' * Henri I de Montmorency (1534–1614), Marshal and Constable of France * Henri I, Duke of Nemours (1572–1632), the son of Jacques of Savoy and Anna d'Este * Henri II, Duke of Nemours (1625–1659), the seventh Duc de Nemours * Henri, Count of Harcourt (1601–1666), French nobleman * Henri, Dauphin of Viennois (1296–1349), bishop of Metz * Henri de Gondi (other) * Henri de La Tour d'Auvergne, Duke of Bouillon (1555–1623), member of the powerful House of La Tour d'Auvergne * Henri Emmanuel Boileau, baron de Castelnau (1857–1923), French mountain climber * Henri, Grand Duke of Luxembourg (born 1955), the head of state of Luxembourg * Henri de Massue, Earl of Galway, French Huguenot soldier and diplomat, one of the principal commanders of Bat ...
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Paris Salon
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ...
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Barbizon School
The Barbizon school of painters were part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scen ...
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Pierre-Henri De Valenciennes
Pierre-Henri de Valenciennes (December 6, 1750 – February 16, 1819) was a French painter who was influential in elevating the status of ''En plein air'' (open-air painting). Life & work Valenciennes worked in Rome from 1778 to 1782, where he made a number of landscape studies directly from nature, sometimes painting the same set of trees or house at different times of day. He theorized on this idea in his 1800 treatise ''Reflections and Advice to a Student on Painting, Particularly on Landscape'', developing a concept of a "landscape portrait" in which the artist paints a landscape directly while looking upon it, taking care to capture its particular details. Painting outside allowed Valenciennes to capture the fleeting changes of a landscape due to light and weather. He was a proponent of artists working outside and painting the same view at multiple times of day. Although he spoke of this as a type of painting mainly of interest to "amateurs", as distinguished from the higher ...
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