Henri Demarquette
Henri Demarquette (born 1970) is a French contemporary classical cellist. Life ''"An enthusiastic musician with a multi-faceted personality, Henri Demarquette plays the cello as if setting a deep forest ablaze; not a single stroke of his bow leaves the listener indifferent because he awakens music’s subconscious". ''O.Bellamy (''Le Monde de la musique''). Born in 1970, Demarquette entered at the age of 13 the Conservatoire de Paris where he studied with Philippe Muller and Maurice Gendron. He was unanimously awarded a Premier Prix, and worked with Pierre Fournier and Paul Tortelier before taking lessons from Janos Starker in Bloomington, USA. Familiar with the stage by the time he was fourteen, Demarquette made his concert debut at seventeen with a recital at the Théâtre du Châtelet in Paris and a recording for France 3 Television with pianist Hélène Grimaud. He caught the attention of Lord Yehudi Menuhin, who invited him to play Dvorák’s Concerto in Prague and Paris ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Le Monde De La Musique
''Le Monde de la musique'' was a French monthly musical magazine published from 1978 to 2009 with a circulation of 20,000 copies in 2008. It was founded in 1978 by ''Le Monde'' and ''Télérama'' at the initiative of Jean-Michel Croissandeau, in charge of editorial diversification in Le Monde with , then director of the daily newspaper. The design of the project - dealing with all music and not just "classical" music - was developed in partnership with ''Télérama'', with Francis Mayor as Managing Editor, with the support of an editorial board including journalists from both parent publications. The first editors of the magazine were Louis Dandrel and Anne Rey. ''Le Monde de la musique'' was then published by various companies. Its chief editorship was assured by personalities such as Anne Rey, Jacques Drillon, François Pigeaud, Alain Lompech Alain Lompech (born 29 August 1954 in Paris) is a French journalist, music critic, writer and radio producer. Biography After studying mu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tout Un Monde Lointain
''Tout un monde lointain...'' (''A whole distant world...'') is a concertante work for cello and orchestra composed by Henri Dutilleux between 1967 and 1970 for Mstislav Rostropovich. It is considered one of the most important 20th-century additions to the cello repertoire and several major cellists have recorded it. Despite the fact that the score does not state that it is a cello concerto, ''Tout un monde lointain...'' has always been considered as such. Each of the five movements was inspired by the poetry of Charles Baudelaire, and the overall feel of the work is mysterious and oneiric. A typical performance runs approximately 27 minutes. Composition The work was initially commissioned by Igor Markevitch for the Concerts Lamoureux and Mstislav Rostropovich around 1960. Occupied with other projects, Dutilleux only completed the concerto in 1970. Since Markevitch had left the Concerts Lamoureux in 1961, Rostropovich was accompanied for the premiere by the Orchestre de Paris, co ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Florentine Mulsant
Florentine Mulsant (born 27 March 1962) is a French composer. Life Born in Dakar, Mulsant studied harmony, counterpoint, fugue, musical analysis and orchestration at the Conservatoire de Paris and the Schola Cantorum de Paris, where she won a First Prize in 1987 for composition in Allain Gaussin's class. She followed the teaching of Franco Donatoni at the Accademia Musicale Chigiana and furthered her skill with Alain Bancquart. Selected works * ''Amer'', for piano, on a poem by Saint-John Perse Alexis Leger (; 31 May 1887 – 20 September 1975), better known by his pseudonym Saint-John Perse (; also Saint-Leger Leger), was a French poet-diplomat, awarded the Nobel Prize in Literature in 1960 "for the soaring flight and evocative ..., Op. 4 * ''Sonate de concert'', for violin, Op. 19 * ''Sonate'' for viola and piano, Op. 20 (1999) * ''Sonate'' for violin and piano, Op. 21 (1999/2000) * ''In jubilo'', quartet for clarinet, violin, cello and piano, Op. 22 * ''Trio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Éric Tanguy
Éric eʁikis a French masculine given name, the equivalent of English Eric. In French-speaking Canada and Belgium it is also sometimes unaccented, and pronounced "Eric" as English with the stress on the "i". A notable French exception is Erik Satie, born Éric, but who in later life signed his name "Erik" pronounced as in English. As with Étienne, Émile, Édouard, Élisabeth, Édith the accent É is sometimes omitted in older printed sources, though French orthography is to include accents on capitals. People named Éric * Éric Abidal (b. 1979) French footballer * Éric Antoine (b. 1976) French comedy magician * Éric Bourdon (b. 1979) French painter * Éric Cantona (b. 1966) French footballer, known as "Eric Cantona" as an actor * Éric Elmosnino (b. 1964) French actor and musician * Éric Fottorino (b. 1960) French journalist and author * Éric Geoffroy (b. 1956) French philosopher, islamologist and writer * Éric Guirado (b. 1968) French film director and writer * É ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pascal Zavaro
Pascal Zavaro (born 3 October 1959) is a French composer. Life Zavaro studied at the Conservatoire de Paris. In his music, rhythmic thinking is predominant. The sources are very broad, from rock, Bartók, Stravinsky or some scores of Steve Reich, resulting in a very personal and innovative expression. Main works * ''Stratus'', for large orchestra, * ''Flashes'', for large orchestra, * ''The Meeting'', for large orchestra, * ''Alia'', for orchestra, * ''Concerto'', for cello and orchestra, * ''Silicon Music'', concerto for electric violin and ensemble, * ''Tag'', for string quartet, * ''Remiix'', for string quartet, * ''La Grève'', for clarinet, bass clarinet, percussion, piano and string quintet (music for the eponymus film by Sergei Eisenstein), * ''Trois Danses en sextuor'', for clarinet, piano and string quartet, * ''Three Studies for a Crucufixion'', for orchestra, * ''Densha Otoko'', for piano trio, External links Pascal Zavaro's websitePascal Zavaroon France Musiq ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Olivier Greif
Olivier Greif (3 January 1950, Paris – 13 May 2000, Paris) was a French composer of Polish-Jewish parentage. His father was an Auschwitz survivor, which led Greif to compose a number of Holocaust-themed works, including ''Todesfuge'' and ''Lettres de Westerbork'', a song cycle which uses letters written by Etty Hillesum. From 1976 onward he followed the spiritual path of Hindu teacher Sri Chinmoy. Greif began composing at the age of 9 and studied at the Paris Conservatoire and the Juilliard School. He is best known for his solo piano music and songs for voice. He left over 360 works completed at his death, along with several still in progress. His career was spent teaching composition and directing music festivals such as the Académie-Festival des Arcs. Works Greif's music is rooted in the late twentieth century tonal styles of Benjamin Britten and Dmitri Shostakovich with a strong element of folk music, as well as a gestural affinity for Franz Liszt. There is often a dark ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Salle Gaveau (Paris)
The Salle Gaveau, named after the French piano maker Gaveau, is a classical concert hall in Paris, located at 45-47 rue La Boétie, in the 8th arrondissement of Paris. It is particularly intended for chamber music. Construction The plans for the hall were drawn up by Jacques Hermant in 1905, the year the land was acquired. The construction of the Gaveau building took place from 1906 to 1907. The vocation of this hall was chamber music from the beginning, and its seating capacity was a thousand, just as it is today. The hall was home to a large organ built in 1900 by the Cavaillé-Coll, Mutin-Cavaillé-Coll firm. This instrument with 39 stops (8 on the positive, 12 on the recitative, 12 on the grand organ and 7 on the pedal) was subsequently installed in 1957 in the commune of Saint-Saëns in Normandy. The hall is a concert venue renowned for its exceptional acoustics. Beginnings The hall opened its doors on 3 October 1907 for the concert of the Lehrergesangverein (Teachers' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vadim Repin
Vadim Viktorovich Repin (russian: Вадим Викторович Репин, ; born 31 August 1971) is a Russian and Belgian violinist who lives in Vienna.Article by Susanna Dal Monte on www.oe1.orf.at, 21 June 2012 After hearing one of Repin's performances, violinist Yehudi Menuhin said: "Vadim Repin is simply the best and most perfect violinist that I have ever had the chance to hear."Interview with Vadim Repin among other things Repin talks about the relationship with Menuhin; article by Arnt Cobbers, magazine ''Partituren'', page 62, issue 14, 2008 Education ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brigitte Engerer
Brigitte Engerer (; 27 October 1952 – 23 June 2012) was a French pianist. Biography Born in Tunis, French Tunisia, Engerer started piano lessons at the age of four, and by the age of six was performing in public. When she was 11 her family moved to France and she entered the Paris Conservatoire to study under Lucette Descaves. In 1968, aged 15, she was unanimously awarded a first prize in piano, and the following year she won the Concours International Marguerite Long-Jacques Thibaud. Engerer was subsequently invited to undertake further training at the Moscow Tchaikovsky Conservatory where she joined the class of Stanislav Neuhaus, who said she was "one of the most brilliant and most original pianists of her generation". Though her scholarship was originally for one year, she loved Russia so much that she studied there for nine years. In 1980, her career took a decisive turn when Herbert von Karajan invited her to play with the Berlin Philharmonic. She subsequently rec ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ural Philharmonic Orchestra
Ural Philharmonic Orchestra (in Russian 'Уральский академический филармонический оркестр, УАФО') is a professional symphony orchestra based in Yekaterinburg, Russia. The Ural Philharmonic Orchestra was founded in 1936 by the Russian conductor Mark Paverman as the Orchestra of the Sverdlovsk Radio. The most prominent musicians of the Soviet Union – conductors, soloists and composers – worked with the Orchestra. However, due to the special status of the 'closed city' of Sverdlovsk it was 'hidden' from the rest of the world until 1991 when the city was 'opened', and the Orchestra's professional level quickly became known abroad. Overview Based in Yekaterinburg, a 1,5 million city on the border between Europe and Asia, the Ural Philharmonic Orchestra performs over 100 concerts and more than 70 programs per year, both at its domicile, the Sverdlovsk Philharmonic Hall, and on its extensive international tours. Thanks to the Philharmon ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Saint Petersburg Philharmonic Orchestra
The Saint Petersburg Philharmonic Orchestra (russian: Симфонический оркестр Санкт-Петербургской филармонии, ''Symphonic Orchestra of the Saint Petersburg Philharmonia'') is a Russian orchestra based in Saint Petersburg, at the Saint Petersburg Philharmonia. History The roots of the orchestra date back to 1802, with the founding of the Saint Petersburg Philharmonic Society that year. The orchestra was initially known as the Imperial Music Choir, and performed for the Court of Alexander III of Russia. By the 1900s, the Orchestra started to give public performances at the Philharmonia and elsewhere in Russia. After the Russian Revolution, the Orchestra was taken over by the members and the name was changed to the State Philharmonic Orchestra of Petrograd. In the 1920s, the orchestra began receiving support from the State, and began to be known internationally. Its guest conductors included Bruno Walter, Ernest Ansermet, and Hans Kn ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |