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Hellé
''Hellé'' (''Helle'') is an opera by the French composer Étienne-Joseph Floquet, first performed at the Académie Royale de Musique (the Paris Opéra) on 5 January 1779. It takes the form of a tragédie lyrique in three acts. The libretto, by Pierre Lemonnier, is based on the Greek myth of Helle. At this time, there was little demand for operas by native French composers (Parisian audiences preferred works by the German Christoph Willibald Gluck or the Italian Niccolò Piccinni) and Floquet struggled to have ''Hellé'' staged.Rushton When it eventually appeared in 1779, it was booed, despite Floquet's attempt to imitate the style of Piccinni, and ran for only three performances. Roles Synopsis Hellé is a princess of Colchis. Her father Athamas has died and left her to the care of his sister Ino, Queen of Thebes. The god Neptune is in love with Hellé and has been wooing her disguised as a mortal called Arsame. However, Ino is also in love with Arsame and resorts to a magici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étienne-Joseph Floquet
Étienne-Joseph Floquet (23 November 174810 May 1785) was a French composer, mainly of operas. He was born in Aix-en-Provence and began his career by writing church music, before moving to Paris in 1767.Rushton There, Floquet made a name for himself with the requiem he wrote for the funeral of the composer Jean-Joseph de Mondonville in 1772.Dratwicki, ''Antoine Dauvergne'', p. 297 Floquet's first work for the Paris Opéra, the ''ballet héroïque'' ''L'union de l'amour et les arts,'' was a triumph, enjoying 60 performances between its premiere in September 1773 and January 1774. The audience at the premiere was so enthusiastic that the performance had to be stopped several times because of the applause and, at the final curtain, Floquet was presented on stage, the first composer in the history of the Paris Opéra to enjoy such an honour. However, the arrival of the German composer Christoph Willibald Gluck in Paris later that year changed French musical taste and Floquet's style beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colchis
In Greco-Roman geography, Colchis (; ) was an exonym for the Georgian polity of Egrisi ( ka, ეგრისი) located on the coast of the Black Sea, centered in present-day western Georgia (country), Georgia. Its population, the Colchians are generally thought to have been an early Kartvelian languages, Kartvelian-speaking tribe ancestral to the contemporary western Georgians, namely Svans and Zans. According to David Marshall Lang: "one of the most important elements in the modern Georgian nation, the Colchians were probably established in the Caucasus by the Middle Bronze Age."''The Cambridge Ancient History'', John Anthony Crook, Elizabeth Rawson, p. 255 It has been described in modern scholarship as "the earliest Georgian formation", which, along with the Kingdom of Iberia, would later contribute significantly to the development of the Kingdom of Georgia and the Georgians, Georgian nation.Cyril Toumanoff, ''Studies in Christian Caucasian History'', pp. 69, 84Christopher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian Rushton
Julian Gordon Rushton (born 22 May 1941) is an English musicologist, born in Cambridge. He has contributed the entry on Mozart in ''The New Grove Dictionary of Opera'' and several other articles in ''The New Grove Dictionary of Music and Musicians'' and other reference works. He has written a critical study of the style of Hector Berlioz and was involved in critical editions of that composer's works. In 1999, he published an analysis of Elgar's ''Enigma Variations''. His book '' Coffee with Mozart'' (2007) has been translated into German. He also wrote Mozart (The Master Musicians, 2006) and Mozart: An Extraordinary Life (2006). In addition to his 1983 work ''The Musical Language of Berlioz'', he wrote ''The Music of Berlioz'' (OUP, 2001) as well as several articles on Mozart, Berlioz, and Elgar. He was General Editor of Cambridge Music Handbooks (c. 60 volumes), contributing Berlioz, ''Roméo et Juliette'' and Elgar, '' 'Enigma' Variations''. He has edited works by Charpentier, Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christophe Rousset
Christophe Rousset (; born 12 April 1961) is a French harpsichordist and conductor, who specializes in the performance of Baroque music on period instruments. He is also a musicologist, particularly of opera and European music of the 17th and 18th centuries and is the founder of the French music ensemble Les Talens Lyriques. Biography Rousset was born in Avignon, France on 12 April 1961. He studied harpsichord at La Schola Cantorum de Paris with Huguette Dreyfus, and subsequently at the Royal Conservatory of The Hague with Bob van Asperen winning the prestigious First Prize in the 7th Bruges Harpsichord Competition at the age of 22. This was followed by the creation of his own ensemble, Les Talens Lyriques, in 1991. At the heart of the ensemble is Rousset's research and expertise across the music of the Baroque, Classical and early Romantic periods. Having initially attracted the notice of the international press and record companies for his proficiency as a harpsichordist, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellespont
The Dardanelles (; tr, Çanakkale Boğazı, lit=Strait of Çanakkale, el, Δαρδανέλλια, translit=Dardanéllia), also known as the Strait of Gallipoli from the Gallipoli peninsula or from Classical Antiquity as the Hellespont (; grc-x-classical, Ἑλλήσποντος, translit=Hellēspontos, lit=Sea of Helle), is a narrow, natural strait and internationally significant waterway in northwestern Turkey that forms part of the continental boundary between Asia and Europe and separates Asian Turkey from European Turkey. Together with the Bosporus, the Dardanelles forms the Turkish Straits. One of the world's narrowest straits used for international navigation, the Dardanelles connects the Sea of Marmara with the Aegean and Mediterranean seas while also allowing passage to the Black Sea by extension via the Bosporus. The Dardanelles is long and wide. It has an average depth of with a maximum depth of at its narrowest point abreast the city of Çanakkale. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athamas
In Greek mythology, Athamas (; grc, Ἀθάμας, Athámas) was a Boeotian king.Apollodorus1.9.1/ref> Family Athamas was formerly a Thessalian prince and the son of King Aeolus of Aeolia and Enarete, daughter of Deimachus. He was the brother of Salmoneus, Sisyphus, Cretheus, Perieres, Deioneus, Magnes, Calyce, Canace, Alcyone, Pisidice and Perimede. Athamas sired several children by his first wife, the goddess Nephele, and his other wives Ino and Themisto. Nephele first bore to him twins, a son Phrixus and a daughter Helle;Apollodorus1.9.1 Hyginus, ''Fabulae'1/ref> and also a second son, Makistos. He subsequently married Ino, daughter of Cadmus, with whom he had two children: Learches and Melicertes. By the daughter of Hypseus, Themisto, he was the father of Sphincius and OrchomenusHyginus, ''Fabulae'1/ref> or Schoeneus and Leucon and also, Erythrius and Ptous.Apollodorus, 1.9.2; Tzetzes on Lycophron, 22 Mythology Phrixus and Helle were hated by their stepm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Legros
Joseph Legros, often also spelt Le Gros, (7 September or 8 September 1739 – 20 December 1793) was a French singer and composer of the 18th century. He is best remembered for his association with the composer Christoph Willibald Gluck and is usually regarded as the most prominent ''haute-contre'' of his generation, though his acting is reputed to have been mediocre. Biography Legros was born at Monampteuil, Laon. After initial training as a choirboy, when his voice broke Legros developed the voice of a ''haute-contre'', a type of French high tenor that was typically used for the heroic male lead in French operas of the period. Legros made his début at the Paris Opéra in 1764 in a revival of Mondonville's '' Titon et l'Aurore'' and became the leading ''haute-contre'' at the Opéra, a status he held until his retirement in 1783, caused in part by his increasing obesity. Legros began his operatic career singing the principal roles in revivals of the operas by Jean-Baptiste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opéra
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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