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Hellmouth
A Hellmouth, or the jaws of Hell, is the entrance to Hell envisaged as the gaping mouth of a huge monster, an image which first appeared in Anglo-Saxon art, and then spread all over Europe. It remained very common in depictions of the '' Last Judgment'' and ''Harrowing of Hell'' until the end of the Middle Ages, and is still sometimes used during the Renaissance and after. It enjoyed something of a revival in polemical popular prints after the Protestant Reformation, when figures from the opposite side would be shown disappearing into the mouth. A notable late appearance is in the two versions of a painting by El Greco of about 1578. Political cartoons still showed Napoleon leading his troops into one. Medieval theatre often had a hellmouth prop or mechanical device which was used to attempt to scare the audience by vividly dramatizing an entrance to Hell. These seem often to have featured a battlemented castle entrance, in painting usually associated with Heaven. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellmouth
A Hellmouth, or the jaws of Hell, is the entrance to Hell envisaged as the gaping mouth of a huge monster, an image which first appeared in Anglo-Saxon art, and then spread all over Europe. It remained very common in depictions of the '' Last Judgment'' and ''Harrowing of Hell'' until the end of the Middle Ages, and is still sometimes used during the Renaissance and after. It enjoyed something of a revival in polemical popular prints after the Protestant Reformation, when figures from the opposite side would be shown disappearing into the mouth. A notable late appearance is in the two versions of a painting by El Greco of about 1578. Political cartoons still showed Napoleon leading his troops into one. Medieval theatre often had a hellmouth prop or mechanical device which was used to attempt to scare the audience by vividly dramatizing an entrance to Hell. These seem often to have featured a battlemented castle entrance, in painting usually associated with Heaven. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fenrir
Fenrir (Old Norse: ; "fen-dweller")Orchard (1997:42). or Fenrisúlfr (O.N.: ; "Fenrir's wolf", often translated "Fenris-wolf"),Simek (2007:81). also referred to as Hróðvitnir (O.N.: ; "fame-wolf")Simek (2007:160). and Vánagandr (O.N.: ; "monster of the iverVán"),Simek (2007:350). or Vanargand, is a wolf in Norse mythology. Fenrir, together with Hel and the World Serpent, is a child of Loki and giantess Angrboða. He is attested in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'' and ''Heimskringla'', written in the 13th century by Snorri Sturluson. In both the ''Poetic Edda'' and ''Prose Edda'', Fenrir is the father of the wolves Sköll and Hati Hróðvitnisson, is a son of Loki and is foretold to kill the god Odin during the events of Ragnarök, but will in turn be killed by Odin's son Víðarr. In the ''Prose Edda'', additional information is given about Fenrir, including that, due to the gods' knowledge o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Saxon Art
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose sophisticated art was influential in much of northern Europe. The two periods of outstanding achievement were the 7th and 8th centuries, with the metalwork and jewellery from Sutton Hoo and a series of magnificent illuminated manuscripts, and the final period after about 950, when there was a revival of English culture after the end of the Viking invasions. By the time of the Conquest the move to the Romanesque style is nearly complete. The important artistic centres, in so far as these can be established, were concentrated in the extremities of England, in Northumbria, especially in the early period, and Wessex and Kent near the south coast. Anglo-Saxon art survives mostly in illuminated manuscripts, Anglo-S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Last Judgment
The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (; ar, یوم القيامة, translit=Yawm al-Qiyāmah or ar, یوم الدین, translit=Yawm ad-Dīn, label=none) is part of the Abrahamic religions and the ''Frashokereti'' of Zoroastrianism. Christianity considers the Second Coming of Jesus Christ to entail the final judgment by God of all people who have ever lived, resulting in the approval of some and the penalizing of others. The concept is found in all the canonical gospels, particularly in the Gospel of Matthew. The Christian tradition is also followed by Islam, where it is mentioned in the 43rd chapter (''Az-Zukhruf'') of the Quran, according to some interpretations. Christian futurists believe it will follow the resurrection of the dead and the Second Coming of Jesus, while full preterists believe it has already occurred. The Last Judgment has inspired numerous artistic depic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harrowing Of Hell
In Christian theology, the Harrowing of Hell ( la, Descensus Christi ad Inferos, "the descent of Christ into Hell" or Hades) is an Old English and Middle English term referring to the period of time between the Crucifixion of Jesus and his resurrection. In triumphant descent, Christ brought salvation to the souls held captive there since the beginning of the world.Warren, Kate Mary (1910)"Harrowing of Hell" ''The Catholic Encyclopedia''. Vol. 7. New York: Robert Appleton. Accessed 3 March 2013. Jesus Christ's descent into the world of the dead is referred to in the Apostles' Creed and the Athanasian Creed (), which state that he "descended into the underworld" (), although neither mention that he liberated the dead. His descent to the underworld is alluded to in the New Testament in , which states that the "good tidings were proclaimed to the dead". The ''Catechism of the Catholic Church'' notes , which states that "hristdescended into the lower parts of the earth", as also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crack Of Doom
The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (; ar, یوم القيامة, translit=Yawm al-Qiyāmah or ar, یوم الدین, translit=Yawm ad-Dīn, label=none) is part of the Abrahamic religions and the ''Frashokereti'' of Zoroastrianism. Christianity considers the Second Coming of Jesus Christ to entail the final judgment by God of all people who have ever lived, resulting in the approval of some and the penalizing of others. The concept is found in all the canonical gospels, particularly in the Gospel of Matthew. The Christian tradition is also followed by Islam, where it is mentioned in the 43rd chapter (''Az-Zukhruf'') of the Quran, according to some interpretations. Christian futurists believe it will follow the resurrection of the dead and the Second Coming of Jesus, while full preterists believe it has already occurred. The Last Judgment has inspired numerous artistic depi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haguenau StGeorges24b
Haguenau (; Alsatian language, Alsatian: or ; and historically in English: ''Hagenaw'') is a Communes of France, commune in the Bas-Rhin Département in France, department of France, of which it is a Subprefectures in France, sub-prefecture. It is second in size in the Bas-Rhin only to Strasbourg, some to the south. To the north of the town, the Forest of Haguenau (french: Forêt de Haguenau) is the largest undivided forest in France. Haguenau was founded by German dukes and has swapped back and forth several times between Germany and France over the centuries, with its spelling altering between "Hagenau" and "Haguenau" by the turn. After the French defeat in the Franco-Prussian War, Haguenau was ceded to the new German Empire. It was part of the German Empire for 48 years from 1871 to 1918, when at the end of World War I it was returned to France. This transfer was officially ratified in 1919 with the Treaty of Versailles. Haguenau is a rapidly growing town, its populatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meyer Schapiro
Meyer Schapiro (23 September 1904 – 3 March 1996) was a Lithuanian-born American art historian known for developing new art historical methodologies that incorporated an interdisciplinary approach to the study of works of art. An expert on early Christian, Medieval, and Modern art, Schapiro explored art historical periods and movements with a keen eye towards the social, political, and the material construction of art works. Credited with fundamentally changing the course of the art historical discipline, Schapiro's scholarly approach was dynamic and it engaged other scholars, philosophers, and artists. An active professor, lecturer, writer, and humanist, Schapiro maintained a long professional association with Columbia University in New York as a student, lecturer, and professor. Background Meir Schapiro was born in Šiauliai, Lithuania (then Governorate of Kaunas of the Russian Empire) on September 23, 1904. His ancestors were Talmudic scholars. His parents, Nathan Menache ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoria And Albert Museum
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Royal Borough of Kensington and Chelsea, in an area known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Scandinavian
Anglo-Scandinavian is an academic term referring to the hybridisation between Norse and Anglo-Saxon cultures in Britain during the early medieval period. It remains a term and concept often used by historians and archaeologists, and in linguistic spheres. Although evidence for interconnection between Scandinavia and England is present throughout the entire early medieval period, two major concentrations of Scandinavian settlement are evident: the creation of the Danelaw during the mid-ninth century, and the conquest of Sweyn Forkbeard and Cnut Cnut (; ang, Cnut cyning; non, Knútr inn ríki ; or , no, Knut den mektige, sv, Knut den Store. died 12 November 1035), also known as Cnut the Great and Canute, was King of England from 1016, King of Denmark from 1018, and King of Norwa ... in the 1010s. Archaeology There are a number of artefact types that appear only within Scandinavian-occupied England, and thus appear to be exclusively 'Anglo-Scandinavian'. Norse bells, li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gosforth Cross
The Gosforth Cross is a large stone monument in St Mary's churchyard at Gosforth in the English county of Cumbria, dating to the first half of the 10th century AD. Formerly part of the kingdom of Northumbria, the area was settled by Scandinavians some time in either the 9th or 10th century. It has gained reputation for its combination of Christian symbols with Nordic symbols, being a tangible piece of evidence of the impact of the Christianization of Scandinavia. Description The Gosforth Cross has elaborate carvings which have been interpreted as representing characters and scenes from Norse mythology, similarly to how the Jelling stones in Denmark depict Jesus with other Norse mythological characters. Its design is modelled after the cross design that originated during the Christianization of Ireland. The Gosforth Cross was first identified in 1886 by the amateur antiquarian Charles Arundel Parker in his book ''The Ancient Crosses at Gosford and Cumberland''. He demonstrated th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
