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Helen (album)
Helen is an album released by Helen Humes in 1981 on Muse Records, Muse MR 5233, her second for that company. The album was in the final nominations for the 24th Annual Grammy Awards in the category of “Best Jazz Vocal Performance.” Personnel * Helen Humes – vocals * Joe Wilder – trumpet * Buddy Tate (musician), Buddy Tate – tenor sax * Norman Simmons (musician), Norman Simmons – piano * Billy Butler (guitarist), Billy Butler – guitar * George Duvivier – bass * Butch Miles – drums Track listing # "There'll Be Some Changes Made" (B. Overstreet – B. Higgins) – 4:55 # "Easy Living (song), Easy Living" (Ralph Rainger – Leo Robin) – 4:16 # "You Brought a New Kind of Love to Me" (Sammy Fain – Irving Kahal – Pierre Norman) – 7:45 # "Evil Gal Blues" (Leonard Feather) – 6:48 # "Why Try to Change Me Now?" (C. Coleman – J. A. McCarthy) – 4:04 # "Draggin’ My Heart Around" (A. Hill) – 6:45 References {{DEFAULTSORT:Helen (Album) 1981 albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Duvivier
George Duvivier (August 17, 1920 – July 11, 1985) was an American jazz double-bassist. Biography Duvivier was born in New York City, the son of Leon V. Duvivier and Ismay Blakely Duvivier. He attended the Conservatory of Music and Art, where he studied violin. At age sixteen, he worked as assistant concertmaster for the Central Manhattan Symphony Orchestra. He began playing double bass and concentrated on composition at New York University. In the early 1940s, he accompanied Coleman Hawkins, Lucky Millinder, and Eddie Barefield. After serving in the U.S. Army, he worked as an arranger for Jimmie Lunceford, then as arranger and bassist for Sy Oliver. In the 1950s, he accompanied Lena Horne on her tour in Europe. He recorded for commercials, television shows, and movie soundtracks. Although he spent most of his career as a sideman, he recorded as a leader in 1956 with Martial Solal for Coronet. For four years beginning in 1953, he worked steadily with Bud Powell. He also worked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonard Feather
Leonard Geoffrey Feather (13 September 1914 – 22 September 1994) was a British-born jazz pianist, composer, and producer, who was best known for his music journalism and other writing. Biography Feather was born in London, England, into an upper middle-class Jewish family. He learned to play the piano and clarinet without formal training and started writing about jazz and film by his late teens. At the age of twenty-one, Feather made his first visit to the United States, and after working in the UK and the US as a record producer finally settled in New York City in 1939, where he lived until moving to Los Angeles in 1960. Feather was co-editor of ''Metronome'' magazine and served as chief jazz critic for the ''Los Angeles Times'' until his death. Feather made a significant contribution to the development of jazz broadcasting in Britain, first devising three ''Evergreens of Jazz'' programmes broadcast in August and September 1936, using George Scott-Wood and His Six Swingers. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Kahal
Irving Kahal (March 5, 1903, Houtzdale, Pennsylvania – February 7, 1942, New York City) was a popular American song lyricist active in the 1920s and 1930s. He is best remembered for his collaborations with composer Sammy Fain which started in 1926 when Kahal was working in vaudeville sketches written by Gus Edwards. Their collaboration lasted 16 years, until Kahal's death in 1942. Among many fine songs, the stand-out was "You Brought a New Kind of Love to Me" on which Pierre Norman lent a hand, which was sung by Maurice Chevalier in the film ''The Big Pond'' (1930) effectively becoming his signature tune, and featured by Frank Sinatra on his magisterial album ''Songs For Swingin' Lovers''. The Fain/Kahal catalogue also includes "Let a Smile Be Your Umbrella" (1928) with Francis Wheeler, " Wedding Bells Are Breaking Up That Old Gang of Mine" (1929) with Willie Raskin, "By a Waterfall" (1930), "When I Take My Sugar to Tea" (1931) with Pierre Norman, "I Can Dream, Can't I?" (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Fain
Sammy Fain (born Samuel E. Feinberg; June 17, 1902 – December 6, 1989) was an American composer of popular music. In the 1920s and early 1930s, he contributed numerous songs that form part of The Great American Songbook, and to Broadway theatre. Fain was also a popular musician and vocalist. Biography Sammy Fain was born in New York City, New York, United States, the son of a cantor. In 1923, Fain appeared in the short sound film, "Sammy Fain and Artie Dunn" directed by Lee De Forest filmed in DeForest's Phonofilm sound-on-film process. In 1925, Fain left the Fain-Dunn act to devote himself to music. Fain was a self-taught pianist who played by ear. He began working as a staff pianist and composer for music publisher Jack Mills. In 1932 he appeared in the short film "The Crooning Composer." Later, Fain worked extensively in collaboration with Irving Kahal. Together they wrote classics such as "Let a Smile Be Your Umbrella" and "You Brought a New Kind of Love to Me," (co-writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Brought A New Kind Of Love To Me
"You Brought a New Kind of Love to Me" is a 1930 in music, 1930 popular music, popular song. The credits list music and lyrics as written by Sammy Fain, Irving Kahal, and Pierre Norman. Since Fain was primarily a music writer and Kahal a lyricist, it may be assumed that the music was by Fain and lyrics were by Kahal, with Norman's contribution uncertain. The song was introduced in the movie ''The Big Pond'' (1930 in film, 1930) by Maurice Chevalier who also made a successful recording of it the same year. Other hit recordings in 1930 were by Paul Whiteman and his Orchestra (with a vocal by Bing Crosby), and the High Hatters. In Britain, the song was covered by Bob and Alf Pearson. The song has been used in other movies, including ''Monkey Business (1931 film), Monkey Business'' (1931), where the Marx Brothers steal Chevalier's passport and sing this song to try to prove they are Chevalier as they attempt to pass through US Customs. The song is a well-known Pop standards, standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Robin
Leo Robin (April 6, 1900 – December 29, 1984) was an American composer, lyricist and songwriter. He is probably best known for collaborating with Ralph Rainger on the 1938 Oscar-winning song "Thanks for the Memory," sung by Bob Hope and Shirley Ross in the film ''The Big Broadcast of 1938'', and with Jule Styne on "Diamonds Are a Girl's Best Friend," a song whose witty, Cole Porter style of lyric came to be identified with its famous interpreter Marilyn Monroe. Biography Robin was born in Pittsburgh, Pennsylvania, United States. His father was Max Robin, a salesman. Leo's mother was Fannie Finkelpearl Robin. He studied at the University of Pittsburgh School of Law and at Carnegie Tech's drama school. He later worked as a reporter and as a publicist. Robin's first hits came in 1926 with the Broadway production ''By the Way'', with hits in several other musicals immediately following, such as ''Bubbling Over'' (1926), ''Hit the Deck, Judy'' (1927), and ''Hello Yourself'' (1928 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Rainger
Ralph Rainger ( Reichenthal; October 7, 1901 – October 23, 1942) was an American composer of popular music principally for films. Biography Born Ralph Reichenthal in New York City, United States, Rainger initially embarked on a legal career, having obtained his law degree at Brown University in 1926. He had, however, studied piano from a young age and attended the Institute of Musical Art in New York. Public performances include radio broadcasts from New York and WOR (New Jersey) as early as 1922. These were as soloist, accompanist to singers, and as duo-pianist with Adam Carroll or "Edgar Fairchild" (the name Milton Suskind used for commercial work).“Round the Radio Circuit.” New York Telegram and Evening Mail, 2 July 1924. He also prepared piano rolls between 1922 and 1928 for Ampico, Standard, and DeLuxe. Some of these used the "Reichenthal" surname, others the "Rainger" name he was gradually adopting commercially. Other early musical activities include arranging for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Easy Living (song)
"Easy Living" (1937) is a jazz standard written by Ralph Rainger and lyrics by Leo Robin for the film '' Easy Living'' where it was the main theme of the score but not sung. A popular recording in 1937 was by Teddy Wilson with Billie Holiday, Benny Goodman, and Lester Young. A multitude of other artists have also recorded the song. See also *List of 1930s jazz standards Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1930s that are considered standards by at least one ... References {{DEFAULTSORT:Easy Living (song) 1937 songs 1930s jazz standards Songs with lyrics by Leo Robin Songs with music by Ralph Rainger Billie Holiday songs The Coasters songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
There'll Be Some Changes Made
"There'll Be Some Changes Made" ("Changes") is a popular song by Benton Overstreet (composer) and Billy Higgins (lyricist). Published in 1921, the song has flourished in several genres, particularly jazz. The song has endured for as many years as a jazz standard. According to the online '' The Jazz Discography'' (an index of jazz-only recordings), "Changes" had been recorded 404 times as of May 2018. The song and its record debut were revolutionary, in that the songwriters ( Overstreet and Higgins, the original copyright publisher, Harry Herbert Pace, the vocalist to first record it (Ethel Waters), the owners of Black Swan (the record label), the opera singer (Elizabeth Greenfield) for whom the label was named, and the musicians on the recording led by Fletcher Henderson, were all African American. The production is identified by historians as a notable part of the Harlem Renaissance. History and popularity milestones 1920s The debut recording with Ethel Waters was recorde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Butch Miles
Butch Miles (born Charles J. Thorton, Jr. on July 4, 1944) is an American jazz drummer. He has played with the Count Basie Orchestra, Dave Brubeck, Ella Fitzgerald, Sammy Davis Jr., Frank Sinatra, Lena Horne and Tony Bennett Career Miles, who cites Buddy Rich, Gene Krupa, and Jo Jones as favorite drummers, began playing snare drum at the age of nine and majored in music at West Virginia State University (1962–1966). After receiving his degree, he went on tour with the Iris Bell Trio. He was Mel Torme's drummer for 3 1/2 years and it was Torme and Buddy Rich who recommended Miles to Count Basie when a drummer was needed. Miles was with the Count Basie Orchestra from 1975 to 1979, returning for ten years from 1997 to 2007. From Count Basie’s autobiography (published in 1985): “Butch came to us from Mel Torme’s outfit. He was a real crowd pleaser, like Buddy Rich and Sonny Payne, and he picked up on things very nicely, and he was also interested in sticking around for a whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Butler (guitarist)
William Butler Jr. (December 15, 1924 – March 20, 1991) was an American soul jazz guitarist. Career A native of Philadelphia, Butler began his career in the 1940s behind the Harlemaires. In the 1950s he was a member of a trio led by Doc Bagby and accompanied keyboardist Bill Doggett. He co-wrote "Honky Tonk (song), Honky Tonk", an R&B hit for Doggett. Butler also worked with Al Casey (jazz guitarist), Al Casey, King Curtis, Eddie "Lockjaw" Davis, Bill Davison, Tommy Flanagan, Panama Francis, Dizzy Gillespie, Benny Goodman, Johnny Hodges, Floyd "Candy" Johnson, David "Fathead" Newman, Houston Person, Sammy Price, Jimmy Smith (musician), Jimmy Smith, Norris Turney, and Dinah Washington. He is credited as the guitarist on Joey Dee and the Starliters' "Peppermint Twist, Parts 1 & 2" recorded in September 1961 at the Peppermint Lounge in New York City. Part 1 of the song went to the top of the Billboard pop charts in January 1962. Butler died of a heart attack at home in Teaneck, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
