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Heike Nokyo
The Heike Nōkyō , is a collection of Buddhist religious texts in Japan from the late Heian period. These texts include 33 scrolls of the Lotus Sutra, one Amitabha Sutra scroll, one Heart Sutra scroll and one prayer scroll dedicated to the Itsukushima Shrine. The Nōkyō is written in a form of Japanese known in English as Classical Japanese. It has had a profound influence on Japanese culture and Japanese art and was created during a golden age of Japanese art history. It is one of the masterpieces of decorated sutras ( sôshoku kyô ) of the Heian period Emakimono texts and is considered a National Treasure of Japan. History and development The Nōkyō was commissioned by the Taira clan and dedicated by Taira no Kiyomori (1118-81CE) to Itsukushima Shrine in 1164CE in a prayer scroll (Heike Nogyo). It was made by aristocratic circles in the 12th century and depicts the tale of the Heike, numbering 33 to represent the 33 goddesses found at Itsukushima who were said to take ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taira Clan
The Taira was one of the four most important clans that dominated Japanese politics during the Heian, Kamakura and Muromachi Periods of Japanese history – the others being the Fujiwara, the Tachibana, and the Minamoto. The clan is divided into four major groups, named after the emperor they descended from: Kanmu Heishi, Ninmyō Heishi, Montoku Heishi, and Kōkō Heishi. The clan is commonly referred to as or , using the character's On'yomi for ''Taira'', while means " clan", and is used as a suffix for "extended family". History Along with the Minamoto, Taira was one of the honorary surnames given by the emperors of the Heian Period (794–1185 CE) to their children and grandchildren who were not considered eligible for the throne. The clan was founded when the Imperial Court grew too large, and the emperor ordered that the descendants of previous emperors from several generations ago would no longer be princes, but would instead be given noble surnames and ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Paintings
Chinese painting () is one of the oldest continuous artistic traditions in the world. Painting in the traditional style is known today in Chinese as ''guó huà'' (), meaning "national painting" or "native painting", as opposed to Western styles of art which became popular in China in the 20th century. It is also called '' danqing'' (). Traditional painting involves essentially the same techniques as calligraphy and is done with a brush dipped in black ink or coloured pigments; oils are not used. As with calligraphy, the most popular materials on which paintings are made are paper and silk. The finished work can be mounted on scrolls, such as hanging scrolls or handscrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, and other media. The two main techniques in Chinese painting are: * Gongbi (工筆), meaning "meticulous", uses highly detailed brushstrokes that delimit details very precisely. It is often highly colored and usua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lists Of Works Of Art
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing (di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lists Of National Treasures Of Japan
Lists of National Treasures of Japan cover different types of National Treasure of Japan. They include buildings and fine arts and crafts. Buildings and structures *List of National Treasures of Japan (castles), for structures that are part of a castle *List of National Treasures of Japan (miscellaneous structures), for other structures and buildings *List of National Treasures of Japan (residences), for residential buildings and structures *List of National Treasures of Japan (shrines), for structures that are part of a Shinto shrine *List of National Treasures of Japan (temples), for structures that are part of a Buddhist temple Fine Arts and Crafts *List of National Treasures of Japan (ancient documents), for ancient documents *List of National Treasures of Japan (archaeological materials), for archaeological finds *List of National Treasures of Japan (crafts) ** List of National Treasures of Japan (crafts: others), for craft items that are not swords ** List of National Treasu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokyo Research Institute For Cultural Properties
The , commonly known as Tobunken, is an institute dedicated to the preservation and utilization of cultural properties. It is one of the two institutes in Japan that comprise the National Institutes for Cultural Heritage, an independent administrative institution created in 2001. History The Tobunken was founded in 1930 as the Art Research Institute with an endowment established by Kuroda Seiki, former president of the Imperial Academy of Fine Arts (Japan Art Academy). In 1952, it was reorganized into the Tokyo National Research Institute for Cultural Properties with the establishment of departments of Fine Arts, Performing Arts, Conservation Sciences, and General Affairs. A department of Restoration Techniques was added in 1973 and an archive set up in 1977. The Division of International Cooperation for Conservation was established in 1993 and then converted into the Japan Center for International Exchange in Conservation in 1995, expanding the Institute to its present scale. Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nara Research Institute For Cultural Properties
The , also known by its former name, the Nara Research Institute for Cultural Properties, is one of two research institutes that comprise the National Institutes for Cultural Heritage, an independent administrative institution created in 2001. Established in April 1952 as part of the National Commission for Protection of Cultural Properties, the institute is located in the city of Nara, in Nara Prefecture, Japan, with branches elsewhere in Nara Prefecture. The institute is divided into departments for the excavation and restoration of the Asuka Palace, the Fujiwara Palace, and the Heijō Palace, historical remains, gardens, and other archaeological sites, and for the study of documents from Japan's early history. The Asuka Historical Museum is also managed by the institute. History Timeline * 1952 - The Institute was established under the National Commission for Protection of Cultural Properties * 1968 - The institute moved to the Agency for Cultural Affairs, Japanese Ministry of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Japanese Art
Japanese art covers a wide range of art styles and media, including Jōmon pottery, ancient pottery, Japanese sculpture, sculpture, Ink wash painting, ink painting and Japanese calligraphy, calligraphy on silk and paper, ''ukiyo-e'' paintings and Woodblock printing in Japan, woodblock prints, Japanese pottery and porcelain, ceramics, origami, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BC, to the present-day country. Japan has been subject to sudden invasions of new ideas followed by long periods of minimal contact with the outside world. Over time the Japanese developed the ability to absorb, imitate, and finally assimilate those elements of foreign culture that complemented their aesthetic preferences. The earliest complex art in Japan was produced in the 7th and 8th centuries in connection with Buddhism. In the 9th century, as the Japanese began to turn away from China and de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
