|
Hecuba (West Play)
''Hecuba'' is a 1726 tragedy by the British writer Richard West.Nicoll p.13 It is named after Hecuba a figure in Greek Mythology from the time of the Trojan War. The original Drury Lane cast included Mary Porter as Hecuba, Barton Booth as Polymnestor, John Mills as Agamemnon, Roger Bridgewater as Ulysses, John Roberts as Talythibius, William Mills as Aegon, John Thurmond as Maelaines, Jane Cibber Jane Cibber ( Johnson; 1704/1706 — 1733) was a British stage actress.''The Routledge Anthology of Restoration and Eighteenth-Century Drama'', pg. XIII Life She was born in 1704 or 1706 as Jane Johnson. Her guardian was the writer Richard Sav ... as Polyxena and Anne Brett as Iphis. References Bibliography * Burling, William J. ''A Checklist of New Plays and Entertainments on the London Stage, 1700-1737''. Fairleigh Dickinson Univ Press, 1992. * Nicoll, Allardyce. ''A History of Early Eighteenth Century Drama: 1700-1750''. CUP Archive, 1927. 1726 plays British plays West E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Roberts (stage Actor)
John Roberts was a British stage actor of the eighteenth century. During the early 1720s he was a member of the Drury Lane company. He then left the company for a number of years before returning in 1728. He remained in the Dury Lane company until 1734, but also made appearances at the Haymarket Theatre and in summer performances at Bartholomew Fair. From 1734 he primarily appeared at the Covent Garden Theatre. His career was generally overshadowed by that of his wife, billed as Mrs Roberts during their marriage.Highfill, Burnim & Langhans p.10 Selected roles * Messenger in '' The Briton'' by Ambrose Philips (1722) * Roberto in ''Love in a Forest'' by Charles Johnson (1723) * First Centurion in ''Caesar in Egypt'' by Colley Cibber (1724) * Talthybius in ''Hecuba'' by Richard West (1726) * Old Apeall in ''The Humours of Oxford'' by Charles Johnson (1730) * Aeschylus in ''Timoleon'' by Benjamin Martyn (1730) * Narva in ''Sophonisba'' by James Thomson (1730) * Trapwell in ''Pasqui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Plays
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Briton (d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1726 Plays
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Brett
Anne Brett or Anne Mason; Anne Gerard, Countess of Macclesfield (1667/8 – 11 October 1753) was a Kingdom of Great Britain courtier. She had a scandalous divorce. References Brett was born in Shropshire in 1667 or 1668. Her parents were Anna and Sir Richard Mason and she had a sister, Dorothy. She first married Charles Gerard, Viscount Brandon when she was fifteen. The marriage was not a success but divorce was difficult. She had two children with Richard Savage, 4th Earl Rivers before her marriage was ended in 1698. Whilst she waited for their divorce her husband became the Earl of Macclesfield so she was a countess when they parted. She was a rich countess as over £12,000 was returned to her from before her marriage. Her children, Anne and Richard Savage had been kept a secret. She said that they died young, but years later the poet Richard Savage claimed to be her son. Countess Macclesfield was appointed as a Lady in Waiting to Princess Anne. Her second husband was Henry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Cibber
Jane Cibber ( Johnson; 1704/1706 — 1733) was a British stage actress.''The Routledge Anthology of Restoration and Eighteenth-Century Drama'', pg. XIII Life She was born in 1704 or 1706 as Jane Johnson. Her guardian was the writer Richard Savage. Originally appearing at Drury Lane Theatre as Jane Johnson, in 1725 she married Theophilus Cibber the son of actor-manager Colley Cibber.Koon p. 109 She had four children with him while continuing to act on the stage in a mixture of comedies and tragedies. When Elizabeth Younger defected to work for the Lincoln's Inn Fields Theatre company, she took over the roles she had been playing. In 1731, she played the title role in '' Caelia'' by Charles Johnson. She died after childbirth in 1733. Her husband said he would never remarry. He did in 1734. Selected roles * Polyxena in ''Hecuba'' by Richard West (1726) * Jenny in ''The Provoked Husband'' (1728) * Ianthe in ''Love in a Riddle'' (1729) * Cleone in ''Timoleon'' by Benjamin Martyn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Thurmond
John Thurmond (died 1727) was a British stage actor. To distinguish him from his son, also an actor named John, he is sometimes called John Thurmond the Elder. His earliest known stage performance was in 1695, when he played in '' Cyrus the Great'' with Thomas Betterton's troupe at the Lincoln's Inn Fields Theatre. Around 1699 he joined the Smock Alley Theatre where he acted alongside his wife Winifred. By 1708 he was back in London with the Drury Lane Theatre. He died on 7 September 1727 the same night he had been due to appear in '' Othello''. He was buried in St Paul's, Covent Garden, alongside his wife Winifred who died in 1736.Highfill, Burnim & Langhans p.431 Selected roles *Artabasus in '' Cyrus the Great'' by John Banks (1695) * Frederick in '' The She-Gallants'' by George Granville (1695) * Freindly ''The City Bride'' by Joseph Harris (1696) * Rodrigo in ''The Italian Husband'' by Edward Ravenscroft (1697) * Bellgard in '' Fatal Friendship'' by Catharine Trotter Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Mills (actor)
William Mills (1701-1750) was a British stage actor. The son of veteran stage actor John Mills and his wife Margaret Mills, he was born in London and baptised at St Martin-in-the-Fields on 29 June 1701. Under his father's guidance he made his debut as a child actor in 1712. Like his father, he was a long-standing member of the Drury Lane theatre company. He took part in the Actor Rebellion of 1733, and left to work at the Haymarket Theatre for a season before returning to Drury Lane. His last appearance was in ''The Merchant of Venice'' in February 1750 and he died two months later on 18 April, shortly before a benefit was to be staged for him, and was buried at St Martin-in-the-Fields. He was married to the actress Theodosia Mills until her death in 1733, after which he married another actress Elizabeth Holliday.The Routledge Anthology of Restoration and Eighteenth-Century Drama p.lviii With his first wife he had a daughter also called Theodosia who likewise became an actre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Bridgewater
Roger Bridgewater (died 1754) was a British stage actor of the eighteenth century.''The Routledge Anthology of Restoration and Eighteenth-Century Drama'' p.XXXIX He worked as party of the Drury Lane company for many years, specialising in dramatic roles, before switching to Covent Garden in 1734. In later years he frequently played Falstaff. Selected roles * Earl of Northumberland in ''Sir Thomas Overbury'' by Richard Savage (1723) * Captain Gaylove in '' A Wife to be Let'' by Eliza Haywood (1723) * Orbasius in '' The Captives'' by John Gay (1724) * Ulysses in ''Hecuba'' by Richard West (1726) * Count Basset in ''The Provoked Husband'' by Colley Cibber (1728) * Malvil in '' Love in Several Masques'' by Henry Fielding (1728) * Timophanes in ''Timoleon'' by Benjamin Martyn (1730) * Lord Briton in '' Bayes's Opera'' by Gabriel Odingsells (1730) * Shamwell in '' The Humours of Oxford'' by James Miller (1730) * Laelius in ''Sophonisba'' by James Thomson (1730) * Athelwold in ''A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Mills (stage Actor)
John Mills (c.1670–1736) was a British stage actor. A long-standing part of the Drury Lane company from 1695 until his death, he appeared in both comedies and tragedies. His wife Margaret Mills was an actress, and his son William Mills also became an actor at Drury Lane. He was a friend of the playwright Richard Steele and Robert Wilks the lead actor and manager at Drury Lane with whom he frequently appeared on stage. He died on 17 December 1736, thirteen days after performing in his final role as the King in '' Henry IV, Part 2''.Highfill, Burnim & Langhans p.249 Selected roles * Pedro in '' Agnes de Castro'' by Catherine Trotter (1695) * Castillio in ''Neglected Virtue'' by Charles Hopkins (1696) * Pisano in ''The Unhappy Kindness'' by Thomas Scott (1696) * Lovewell in ''Love and a Bottle'' by George Farquhar (1698) * Colonel Darange in '' The Campaigners'' by Thomas D'Urfey (1698) * Vizard in ''The Constant Couple'' by George Farquhar (1699) * Don Duart in ''Love Makes a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barton Booth
Barton Booth (168210 May 1733) was one of the most famous dramatic actors of the first part of the 18th century. Early life Booth was the son of The Hon and Very Revd Dr Robert Booth (priest), Robert Booth, Dean of Bristol, by his first wife and distant cousin Ann Booth, daughter of Sir Robert Booth (judge), Robert Booth, Lord Chief Justice of Ireland, and was educated at Westminster School, where his success in the Roman comedy ''Andria (comedy), Andria'' gave him a gave him an inclination for the stage. He was intended for the church, and to attend Trinity College, Cambridge; but in 1698 he ran away and obtained employment in a theatrical company in Dublin, where he made his first appearance as the title character in Aphra Behn's ''Oroonoko''. London success After two seasons in Ireland he returned to London, where Thomas Betterton, who had previously failed to help him, probably out of regard for Booth's family, now gave him all the assistance in his power. At the Lincoln's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
