Heart Of Darkness (opera)
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Heart Of Darkness (opera)
''Heart of Darkness'' is a chamber opera in one act by Tarik O'Regan, with an English-language libretto by artist Tom Phillips, based on the 1899 novella of the same name by Joseph Conrad. It was first performed in a co-production by Opera East and ROH2 at the Linbury Theatre of the Royal Opera House in London on 1 November 2011 directed by Edward Dick. In May, 2015, the opera received its North American premiere in a production by Opera Parallèle, presented by Z Space in San Francisco, California. Background The initial idea of adapting the Conrad novella into an opera stemmed from O'Regan's viewing the 2001 '' Redux'' version of the film ''Apocalypse Now'' (itself based on the book by Conrad) by Francis Ford Coppola. Work began in earnest in 2002 and passed through two development companies (American Opera Projects and the joint ROH2/Genesis Foundation initiative '' OperaGenesis'') before it was premiered at the Royal Opera House. In terms of its logistical approach, the ope ...
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Chamber Opera
Chamber opera is a designation for operas written to be performed with a chamber ensemble rather than a full orchestra. Early 20th-century operas of this type include Paul Hindemith's ''Cardillac'' (1926). Earlier small-scale operas such as Pergolesi's ''La serva padrona'' (1733) are sometimes known as chamber operas. Other 20th-century examples include Gustav Holst's '' Savitri'' (1916). Benjamin Britten wrote works in this category in the 1940s when the English Opera Group needed works that could easily be taken on tour and performed in a variety of small performance spaces. ''The Rape of Lucretia'' (1946) was his first example in the genre, and Britten followed it with ''Albert Herring'' (1947), ''The Turn of the Screw'' (1954) and ''Curlew River'' (1964). Other composers, including Hans Werner Henze, Harrison Birtwistle, Thomas Adès, George Benjamin, William Walton, and Philip Glass have written in this genre. Instrumentation for chamber operas vary: Britten scored ''The Rape ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Thames Estuary
The Thames Estuary is where the River Thames meets the waters of the North Sea, in the south-east of Great Britain. Limits An estuary can be defined according to different criteria (e.g. tidal, geographical, navigational or in terms of salinity). For this reason the limits of the Thames Estuary have been defined differently at different times and for different purposes. Western This limit of the estuary has been defined in two main ways: * The narrow estuary is strongly tidal and is known as the Tideway. It starts in south-west London at Teddington Lock and weir, Teddington/Ham. This point is also mid-way between Richmond Lock which only keeps back a few miles of man-made head (stasis) of water during low tide and the extreme modern-era head at Thames Ditton Island on Kingston reach where slack water occurs at maximal high tide in times of rainfall-caused flooded banks. In terms of salinity the transition from freshwater to estuarine occurs around Battersea; east of the Th ...
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Samuel West
Samuel Alexander Joseph West (born 19 June 1966) is an English actor, narrator and theatre director. He has directed on stage and radio, and worked as an actor across theatre, film, television and radio. He often appears as reciter with orchestras and performed at the Last Night of the Proms in 2002. He has narrated several documentary series, including five for the BBC about the Second World War. He plays Siegfried Farnon in the Channel 5 remake of the veterinary drama series '' All Creatures Great and Small''. Early life and education West was born on 19 June 1966 in Hammersmith, London, the elder son of the actress Prunella Scales and the actor Timothy West, and the grandson of the actor Lockwood West. He has one brother, Joe. He was educated at Alleyn's School and Lady Margaret Hall, Oxford, where he studied English literature and was president of the Experimental Theatre Club. West originally intended to attend Webber Douglas Academy of Dramatic Art, but decided to f ...
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Royal Philharmonic Orchestra
The Royal Philharmonic Orchestra (RPO) is a British symphony orchestra based in London, that performs and produces primarily classic works. The RPO was established by Thomas Beecham in 1946. In its early days, the orchestra secured profitable recording contracts and important engagements including the Glyndebourne Festival Opera and the concerts of the Royal Philharmonic Society. After Beecham's death in 1961, the RPO's fortunes declined steeply. The RPO battled for survival until the mid-1960s, when its future was secured after a report by the Arts Council of Great Britain recommended that it should receive public subsidy. A further crisis arose in the same era when it seemed that the orchestra's right to call itself "Royal" could be withdrawn. In 2004, the RPO acquired its first permanent London base, at Cadogan Hall in Chelsea. The RPO also gives concerts at the Royal Festival Hall, the Royal Albert Hall and venues around the UK and other countries. The current music dir ...
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Rick Fisher (lighting Designer)
Rick Fisher is an American lighting designer, known for his work with Stephen Daldry on ''Billy Elliot the Musical'' and ''An Inspector Calls''. He is from Philadelphia, Pennsylvania and attended Dickinson College, but has been based in the UK for the last 30 years."LDI Speaker Spotlight: Rick Fisher"
livedesignonline.com, October 8, 2008
He has done the lighting design for many opera companies, including and . He has been designing for the

Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Kurtz (Heart Of Darkness)
Kurtz is a central fictional character in Joseph Conrad's 1899 novella ''Heart of Darkness''. He is a trader of ivory in Africa and commander of a trading post, and previously a colonel. He monopolises his position as a demigod among native Africans. Kurtz meets with the novella's protagonist, Charles Marlow, who returns him to the coast via steamboat. Kurtz, whose reputation precedes him, impresses Marlow strongly, and during the return journey, Marlow is witness to Kurtz's final moments. In the novella Kurtz is an ivory trader, sent by a shadowy Belgian company into the heart of an unnamed place in Africa (generally regarded as the Congo Free State). With the help of his superior technology, Kurtz has turned himself into a charismatic demigod of all the tribes surrounding his station and gathered vast quantities of ivory in this way. As a result, his name is known throughout the region. Kurtz's general manager is envious of Kurtz and plots his downfall. Kurtz's mother was half ...
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Donald Maxwell (baritone)
Donald Maxwell (born 12 December 1948) is a Scottish operatic baritone, director and teacher. He has sung with all of the leading British opera companies, as well as La Scala, Milan, Metropolitan Opera, Paris Opéra, Vienna Staatsoper, Teatro Colon, Buenos Aires and Théâtre Musical de Paris, among others. He has also sung on the concert stage, in performances broadcast on radio and television, and on recordings."Donald Maxwell"
Music International, accessed 26 February 2014


Biography

Maxwell was born in , Scotland, and studied geography at the

Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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