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He's Alright
"He's Alright" is a limited-edition vinyl single by American indie rock musician Kurt Vile, released on September 8, 2009 on Matador Records. The song appears on Vile's third studio album, ''Childish Prodigy'' (2009), as a hidden track. The b-side, "Farfisas in Falltime", is an ambient instrumental recorded by Violators bandmate and frequent collaborator Adam Granduciel, while "Take Your Time" is an acoustic track recorded with ''Childish Prodigy'' producer Jeff Zeigler. The song appears in the season two finale of HBO's comedy series, '' Eastbound and Down''. Regarding its appearance, Vile noted, "That was really awesome. It was in this cool, emotional part at the end of the season, and I got so lucky to have my song on there, because the song is kind of emotional too."http://austinist.com/2011/09/15/kurt_vile_interview.php dead link, date=May 2022 https://archive.today/20130628170021/http://austinist.com/2011/09/15/kurt_vile_interview.php Track listing Side A #"He's Alright" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Vile
Kurt Samuel Vile (born January 3, 1980) is an American singer, songwriter, multi-instrumentalist, and record producer. He is known for his solo work and as the former lead guitarist of rock band the War on Drugs. Both in the studio and during live performances, Vile is accompanied by his backing band, the Violators, which currently includes Jesse Trbovich (guitar, saxophone), Rob Laakso (guitar, bass, keyboards), Kyle Spence (drums) and Adam Langellotti (bass). Influenced by Pavement, John Prine, Neil Young, Ween, Tom Petty, Dinosaur Jr., and John Fahey, Vile began his musical career creating lo-fi home recordings with frequent collaborator Adam Granduciel in Philadelphia, with whom he has participated in early work by the War on Drugs as well as various solo projects. Focusing on his solo career, Vile released two albums, '' Constant Hitmaker'' (2008) and '' God Is Saying This to You...'' (2009), compiling various home recordings dating back to 2003. Vile signed to Matador R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Childish Prodigy
''Childish Prodigy'' is the third studio album by American indie rock musician Kurt Vile, released on October 6, 2009 on Matador Records. Upon the album's release, Vile stated, "I tell people it’s my masterpiece. It's pretty epic. I put a lot of money into it. It cost in the thousands." Produced by Vile, Jeff Zeigler and bandmate Adam Granduciel, ''Childish Prodigy'' was Vile's first album to be released on Matador Records, and was preceded by the EP, ''The Hunchback EP, The Hunchback'' (2009), and the single, "He's Alright". Background and recording Kurt Vile's previous two albums, ''Constant Hitmaker'' (2008) and ''God Is Saying This to You...'' (2009), were primarily composed of lo-fi music, lo-fi home recordings, recorded over five years from 2003 to 2008. ''Childish Prodigy'', however, marked Vile's first attempt at crafting a cohesive, studio-based album. Vile noted, "It was more involved than anything I had done and it was the first time I worked on something as a whole ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matador Records
Matador Records is an independent record label, with a roster of mainly indie rock, but also punk rock, experimental rock, alternative rock, and electronic acts. History Matador was created in 1989 by Chris Lombardi in his New York City apartment. Lombardi had brought the Austrian duo H.P. Zinker into Wharton Tiers’ Fun City studio to record Matador's first release, "...and there was light". Lombardi continued to add artists to the label's roster, with bands like the Dustdevils, Railroad Jerk and Superchunk, before being joined by former Homestead Records manager Gerard Cosloy in 1990. Lombardi and Cosloy have continued to run Matador Records together with Patrick Amory coming on as Matador's label manager in 1994, later becoming label president as well as a partner of Lombardi and Cosloy. Matador first drew mainstream media attention and larger sales with the North American release of Teenage Fanclub’s debut record, '' A Catholic Education'' in 1990. Other early release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Granduciel
Adam Granofsky (born February 15, 1979), better known under his stage name Adam Granduciel, is an American guitarist, singer, songwriter and record producer. He is the frontman and primary songwriter of the indie rock band The War on Drugs, with whom he has recorded five studio albums, and a former member of Kurt Vile's backing band The Violators. Early life Adam Granduciel was born in Dover, Massachusetts. His father Mark Granofsky is a first-generation American who was born to Russian-Jewish immigrants. He attended the Roxbury Latin School of West Roxbury. A French-language pun by a teacher there inspired his stage name; "du ciel" means "of sky" in French. He is a graduate of Dickinson College, where he studied painting and photography. Personal life Granduciel began a relationship with actress Krysten Ritter in August 2014. In February 2019, Ritter revealed that she and Granduciel were expecting their first child. Their son, Bruce Julian Knight Granofsky, was born on July 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pretty Pimpin
"Pretty Pimpin" is a song written and performed by American indie rock musician Kurt Vile. The song was released as a single on July 21, 2015, and received a positive reception from music critics. "Pretty Pimpin" peaked at number 1 on the ''Billboard'' Adult Alternative Songs chart, becoming Vile's first chart-topper on a ''Billboard'' chart. Critical reception "Pretty Pimpin" received favorable reviews from critics. Evan Minsker of ''Pitchfork'' awarded it Best New Track, and said that its overall aesthetic is entirely welcome. Kyle McGovern of ''Spin'' said that the song is the most engaging and jaunty-sounding single Vile has pushed to radio. Tom Hughes of ''The Guardian'' called it one of Vile's "loveliest songs yet, and a great summation of his ingenious-weirdo appeal". The song has also been highlighted as a standout track of its parent album by AllMusic and ''Consequence of Sound ''Consequence'' (previously ''Consequence of Sound'') is an independently owned New York- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hidden Track
In the field of recorded music, a hidden track (sometimes called a ghost track, secret track or unlisted track) is a song or a piece of audio that has been placed on a CD, audio cassette, LP record, or other recorded medium, in such a way as to avoid detection by the casual listener. In some cases, the piece of music may simply have been left off the track listing, while in other cases, more elaborate methods are used. In rare cases, a 'hidden track' is actually the result of an error that occurred during the mastering stage production of the recorded media. However, since the rise of digital and streaming services such as iTunes and Spotify in the late 2000s and early 2010s, the inclusion of hidden tracks has declined on studio albums. It is occasionally unclear whether a piece of music is 'hidden.' For example, " Her Majesty," which is preceded by fourteen seconds of silence, was originally unlisted on The Beatles' ''Abbey Road'' but is listed on current versions of the alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Singles
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Songs
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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